Publisher Description

In the twenty-first century, Senegalese hip hop--"Rap Galsen"--has reverberated throughout the world as an exemplar of hip hop resistance in its mobilization against government corruption during a series of tumultuous presidential elections. Yet Senegalese hip hop's story goes beyond resistance; it is a story of globalization, of diasporic movement and memory, of imagined African pasts and contemporary African realities, and of urbanization and the banality of
socio-economic struggle. At particular moments in Rap Galsen's history, origin narratives linked hip hop to a mythologized Africa through the sounds of indigenous oralities. At other times, contrasting
narratives highlighted hip hop's equally mythologized roots in the postindustrial U.S. inner city and African American experience. As Senegalese youth engage these globally circulating narratives, hip hop performance and its stories negotiate their place in a rapidly changing world. In Hip Hop Time explores this relationship between popular music and social change, framing Senegalese hip hop as a musical movement deeply tied to both indigenous performance practices and changing social
norms in urban Africa. Author Catherine Appert takes us from Senegalese hip hop's beginnings among cosmopolitan youth in Dakar's affluent neighborhoods in the 1980s, to its spread throughout the city's
ghettoized working class neighborhoods in the mid- to late-'90s, and into the present day, where political activism and hip hop musicality vie for position in local and global arenas. An ethnography of the inextricability of musical and social meaning in hip hop practice, In Hip Hop Time charts new intellectual territory in the scholarship of African and global hip hop.

Author Biography

Catherine M. Appert is assistant professor at Cornell University, where she teaches courses on the music of Africa and the African diaspora, global hip hop and hip hop aesthetics, and ethnographic theory. She began working on this project in 2007, living in Senegal for a year during 2011-12 and witnessing firsthand the tumultuous 2012 presidential elections.

Table of Contents

1 - Sampling Myth
2 - Globalizing the Underground
3 - Remembering the Griot
4 - Voicing Galsen
5 - Gendering Voice
6 - Producing Diaspora
Remix - Consuming Resistance

Review

"Appert's In Hip Hop Time is a riveting and deeply revelatory exploration of Hip Hop in Senegal, bristling with theoretical insights on Hip Hop, music, and globalization. Appert grapples with Hip Hop mythologies and methodologies, while successfully navigating the tensions between ethnography and musical analysis in refreshingly honest and rigorous ways that will benefit scholars across fields; this book is a wonderful addition to the Hip Hop Studies
canon!" --H. Samy Alim, UCLA, David O. Sears Presidential Endowed Chair in the Social Sciences
"In this fine-grained musical ethnography, Catherine Appert samples, quotes and replays insights from Senegalese rappers to construct a beautifully layered analysis about collective memory, diaspora and locality, that also contests the triumphal myth of rap's political agency by identifying its limits. Highly recommended!" --Kelly Askew, Professor of Anthropology and Afroamerican & African Studies, University of Michigan
"Appert drops the beat on current ethnomusicology. Rigorously researched, and written in a prose that flows, In Hip Hop Time explores Rap Galsen's dialogic imagination, re-mixing storytelling and analysis to interrogate the myths that make ethnography and its subjects." --Ryan Skinner, Associate Professor, Music and African American and African Studies, Ohio State University

Long Description

In the twenty-first century, Senegalese hip hop--"Rap Galsen"--has reverberated throughout the world as an exemplar of hip hop resistance in its mobilization against government corruption during a series of tumultuous presidential elections. Yet Senegalese hip hop's story goes beyond resistance; it is a story of globalization, of diasporic movement and memory, of imagined African pasts and contemporary African realities, and of urbanization and the banality ofsocio-economic struggle. At particular moments in Rap Galsen's history, origin narratives linked hip hop to a mythologized Africa through the sounds of indigenous oralities. At other times, contrasting narratives highlighted hip hop's equally mythologized roots in the postindustrial U.S. inner city andAfrican American experience. As Senegalese youth engage these globally circulating narratives, hip hop performance and its stories negotiate their place in a rapidly changing world. In Hip Hop Time explores this relationship between popular music and social change, framing Senegalese hip hop as a musical movement deeply tied to both indigenous performance practices and changing social norms in urban Africa. Author Catherine Appert takes us from Senegalese hip hop's beginnings amongcosmopolitan youth in Dakar's affluent neighborhoods in the 1980s, to its spread throughout the city's ghettoized working class neighborhoods in the mid- to late-'90s, and into the present day, where political activism and hip hop musicality vie for position in local and global arenas. An ethnography of theinextricability of musical and social meaning in hip hop practice, In Hip Hop Time charts new intellectual territory in the scholarship of African and global hip hop.

Review Text

"Appert's In Hip Hop Time is a riveting and deeply revelatory exploration of Hip Hop in Senegal, bristling with theoretical insights on Hip Hop, music, and globalization. Appert grapples with Hip Hop mythologies and methodologies, while successfully navigating the tensions between ethnography and musical analysis in refreshingly honest and rigorous ways that will benefit scholars across fields; this book is a wonderful addition to the Hip Hop Studiescanon!" --H. Samy Alim, UCLA, David O. Sears Presidential Endowed Chair in the Social Sciences"In this fine-grained musical ethnography, Catherine Appert samples, quotes and replays insights from Senegalese rappers to construct a beautifully layered analysis about collective memory, diaspora and locality, that also contests the triumphal myth of rap's political agency by identifying its limits. Highly recommended!" --Kelly Askew, Professor of Anthropology and Afroamerican & African Studies, University of Michigan"Appert drops the beat on current ethnomusicology. Rigorously researched, and written in a prose that flows, In Hip Hop Time explores Rap Galsen's dialogic imagination, re-mixing storytelling and analysis to interrogate the myths that make ethnography and its subjects." --Ryan Skinner, Associate Professor, Music and African American and African Studies, Ohio State University

Review Quote

"Appert's In Hip Hop Time is a riveting and deeply revelatory exploration of Hip Hop in Senegal, bristling with theoretical insights on Hip Hop, music, and globalization. Appert grapples with Hip Hop mythologies and methodologies, while successfully navigating the tensions between ethnography and musical analysis in refreshingly honest and rigorous ways that will benefit scholars across fields; this book is a wonderful addition to the Hip Hop Studies canon!" --H. Samy Alim, UCLA, David O. Sears Presidential Endowed Chair in the Social Sciences "In this fine-grained musical ethnography, Catherine Appert samples, quotes and replays insights from Senegalese rappers to construct a beautifully layered analysis about collective memory, diaspora and locality, that also contests the triumphal myth of rap's political agency by identifying its limits. Highly recommended!" --Kelly Askew, Professor of Anthropology and Afroamerican & African Studies, University of Michigan "Appert drops the beat on current ethnomusicology. Rigorously researched, and written in a prose that flows, In Hip Hop Time explores Rap Galsen's dialogic imagination, re-mixing storytelling and analysis to interrogate the myths that make ethnography and its subjects." --Ryan Skinner, Associate Professor, Music and African American and African Studies, Ohio State University

Feature

Selling point: First English-language book on Senegalese hip hopSelling point: Important contribution to global hip hop studies based on extended ethnographic researchSelling point: Challenges resistance-focused approaches to global hip hop studiesSelling point: Centers music and musical meaning

Details