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The finest quality print from a series of female characters of the German poet Goethe, represented here by one of the greatest 19th Century German painters, William von Kaulbach
(see more, below).


Print  Specifics:

  • Type of print: Intaglio, steel line & stipple engraving
  • Year of printing: not indicated in the print. Actual: 1867
  • Publisher: Theo Stroeffer, 816 Broadway; Munich, Frederick Druckmann.
  • Condition: 1 (1. Excellent - 2. Very good - 3. Good - 4. Fair).
  • Dimensions: 12 x 16.5 inches (30 x 42 cm), including blank margins around the image. 
  • Paper weight: 2 (1. Thick - 2. Heavier - 3. Medium heavy - 4. Slightly heavier - 5. Thin)
  • Reverse side: Blank
  • Note: 1. Green 'border' around the print in the photo is a contrasting background on which the print was photographed. 2. The detail of the print is much sharper than the photo of the print.

Narrative:
Kaulbach has chosen the most tragical and symbolical moment in Ottilie's existence.   She has taken Eduard's child with her in the boat on the lake, and,  while the  infant  slept, has allowed the summer afternoon to glide by, absorbed in her book.  From this dreamy delight she is roused by the appearance of Eduard; and the sun sinks in the west as the lovers  snatch a first and  final kiss.  He departs, and she steps  into the boat once more  unconscious of her beating heart,  her trembling limbs,  and dazed senses.  She seizes the oar and pushes off.  On her left arm rests the child, in her hand the book; in her right hand the oar.   She stumbles,  the boat lurches,  the oar slips from her grasp,  and in her endeavour to regain it,   child   and   book   fall   into   the   lake.  She clutches  the childs  frocks,  and tries  to  rescue  it;  but  her  efforts  fail  for some  minutes,  and  when  the  child is at length drawn from the water its eyes are closed. With this moment her full consciousness returns and with it the full horror of the  situation.  The  boat  has drifted from the shore, the oar is floating far away,  not a soul is to be seen who could help her.  She is done on the water, with the lifeless child. The situation is one of deep pathos; as all who have read Die Wahlverwandtschaften will remember. It is an event which not only places in insuperable barrier between Ottilie and Eduard but overshadows her life For ever.

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