Publisher Description

This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistictheory. Following a detailed introduction by the editors, The Language of Fiction contains 14 chapters by leading scholars in linguistics and philosophy, organized into three parts.Part I, 'Truth, Reference, and Imagination', offers new, interdisciplinary perspectives on some of the central themes from the philosophy of fiction: What is fictional truth? How do fictional names refer? What kind of speech act is involved in telling a fictional story? What is the relation between fiction and imagination? Part II, 'Storytelling', deals with themes originating from the study of narrative: How do we infer a coherent story from a sequence of event descriptions? And how do weinterpret the words of impersonal or unreliable narrators? Part III, 'Perspective Shift', focuses on an alleged key characteristic of fictional narratives, namely how we get access to the fictionalcharacters' inner lives, through a variety of literary techniques for representing what they say, think, or see. The volume will be of interest to scholars from graduate level upwards in the fields of discourse analysis, semantics and pragmatics, philosophy of language, psychology, cognitive science, and literary studies.

Author Biography

Emar Maier is an assistant professor at the University of Groningen, affiliated with both the Philosophy and Linguistics Departments. After receiving his PhD in Philosophy from the University of Nijmegen in 2006, he led an ERC Starting Grant project (2011-2016) on quotation. He is currently leading an NWO VIDI project, investigating the semantics of imagination and fiction, combining topics and insights from philosophy (e.g. mental files, imaginative resistance)and linguistics (e.g. dynamic semantics). His research interests include fiction and imagination; pictorial semantics and 'superlinguistics'; attitude ascription and quotation; and reference andindexicality Andreas Stokke is a docent and senior lecturer in Philosophy at the Department of Philosophy, Uppsala University, and a Pro Futura Scientia Fellow at the Swedish Collegium for Advanced Study. He has previously held positions at New York University and the University of Oxford. His research is mainly in the fields of philosophy of language and epistemology, but he has also worked on ethics and the philosophy of action. He has published extensively on topics including lying andinsincerity, protagonist projection, and dynamic semantics, and he is the author of the OUP volumes Lying and Insincerity (2018) and Lying: Language, Knowledge, Ethics, and Politics (co-edited with EliotMichaelson; 2018).

Table of Contents

1: Emar Maier and Andreas Stokke: IntroductionPart I: Truth, Reference, and Imagination2: François Recanati: Fictional reference as simulation3: Hans Kamp: Sharing real and fictional reference4: Nils Franzén: Fictional truth: In defense of the reality principle5: Sandro Zucchi: On the generation of content6: Manuel García-Carpintero: Do the imaginings that fictions invite have a direction of fit?Part II: Storytelling7: Regine Eckardt: In search of the narrator8: Emar Maier and Merel Semeijn: Extracting fictional truth from unreliable sources9: Samuel Cumming: Narrative and point-of-view10: Daniel Altshuler: A puzzle about narrative progression and causal reasoning11: Matthias Bauer and Sigrid Beck: Isomorphic mapping in fictional interpretationPart III: Perspective Shift12: Nellie Wieland: Metalinguistic acts in fiction13: Márta Abrusán: Computing perspective shift in narratives14: Isidora Stojanovic: Derogatory terms in free indirect discourse15: Andreas Stokke: Protagonist projection, character-focus, and mixed quotation

Review

Some essays may appeal to scholars across discipline; among these are Isidora Stojanovic's "Derogatory Terms in Free Indirect Discourse" (chapter 14), which discusses the "complicity" effect of slurs and mixed-quotation and two-context approaches for understanding this phenomenon in specifically literary texts. But most essays are principally interested in exploring theoretical paradigms of fictional discourse through the idiom and methodologies of linguistics and philosophy of language. This collection will find its readers among advanced scholars in those fields. * H. L. Pennington, CHOICE *

Long Description

This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistictheory. Following a detailed introduction by the editors, The Language of Fiction contains 14 chapters by leading scholars in linguistics and philosophy, organized into three parts. Part I, 'Truth, Reference, and Imagination', offers new, interdisciplinary perspectives on some of the central themes from the philosophy of fiction: What is fictional truth? How do fictional names refer? What kind of speech act is involved in telling a fictional story? What is the relation between fiction andimagination? Part II, 'Storytelling', deals with themes originating from the study of narrative: How do we infer a coherent story from a sequence of event descriptions? And how do we interpret the words of impersonal or unreliable narrators? Part III, 'Perspective Shift', focuses on an alleged key characteristicof fictional narratives, namely how we get access to the fictional characters' inner lives, through a variety of literary techniques for representing what they say, think, or see. The volume will be of interest to scholars from graduate level upwards in the fields of discourse analysis, semantics and pragmatics, philosophy of language, psychology, cognitive science, and literary studies.

Feature

Includes a detailed introduction to the major issues in the field of fiction studiesDraws on longstanding collaborative efforts between linguists and philosophers to take a new look at the semantic and pragmatic features of fictional languageCombines insights from theoretical linguistics with literary theory and narratologyExplores how analyses of perspective shift can be extended to a wider range of challenging phenomena

Details