Publisher Description

Drawing on hundreds of liturgical documents, contemporary accounts of services, books on church music, and other sources, Joseph Herl rewrites the history of music and congregational song in German Lutheran churches from the Reformation to 1800. Includes translations of important documents and outlines of 172 Lutheran mass orders.

Author Biography

Joseph Herl is assistant Professor of Music at Concordia University, where he teaches courses in music history, music theory, and church music. He has also published compositions for choir and organ.

Table of Contents

1. Luther and the liturgy in Wittenberg ; 2. Catholic liturgy: Lutheran liturgy ; 3. The church orders: an introduction ; 4. Choral and congregational singing in the church orders ; 5. Ecclesiastical visitations ; 6. Congregational hymnals ; 7. Choral music versus congregational singing ; 8. The organ and hymn singing ; 9. Performance practice

Review

"For specialists in Lutheran music, the extensive appendices, which include information on hymn sources, translations of select writings, tabulations regarding choral performances versus congregational singing, and the liturgy as discussed in local Kirchenordnungen, should provide substantial scholarly resources." -- Renaissance Quarterly
"Joseph Herl has done a masterful job of assembling and analyzing sources that relate to choral and congregational singing in Lutheran churches of the sixteenth, seventeenth, and eighteenth centuries (with some coverage of the nineteenth century). Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the
literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context." -- Notes
"He [Herl] has approached his work not only with the historian's eye for detail and amusing anecdotes, but with a profound understanding of the theology that underlies Lutheran liturgy...In short, Worship Wars in Early Lutheranism is a must read book for Lutheran liturgists and musicians alike, and for anyone else who wants 'the rest of the story.'"--Cross Accent
"Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context.... What we have here is a responsible and welcome addition to the conversation, with a large supply of source
materials to help get at it."--Notes
"A concise, engaging examination of the history of music in the Lutheran Church from the beginning of the Reformation through the 19th century. Highly recommended."--Choice
"It will, no doubt, remain the definitive study on this subject for many years to come." --The Hymn
"In his rigour and energy Herl sets a standard for further work on later periods, or on other strands of Lutheran sacred music." --Early Music
"In his rigour and energy Herl sets a standard for further work on later periods, or on other strands of Lutheran sacred music." --Early Music
"It will, no doubt, remain the definitive study on this subject for many years to come." --The Hymn
"For specialists in Lutheran music, the extensive appendices, which include information on hymn sources, translations of select writings, tabulations regarding choral performances versus congregational singing, and the liturgy as discussed in local Kirchenordnungen, should provide substantial scholarly resources." -- Renaissance Quarterly
"Joseph Herl has done a masterful job of assembling and analyzing sources that relate to choral and congregational singing in Lutheran churches of the sixteenth, seventeenth, and eighteenth centuries (with some coverage of the nineteenth century). Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the
literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context." -- Notes
"He [Herl] has approached his work not only with the historian's eye for detail and amusing anecdotes, but with a profound understanding of the theology that underlies Lutheran liturgy...In short, Worship Wars in Early Lutheranism is a must read book for Lutheran liturgists and musicians alike, and for anyone else who wants 'the rest of the story.'"--Cross Accent
"Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context.... What we have here is a responsible and welcome addition to the conversation, with a large supply of source
materials to help get at it."--Notes
"Dealing with a topic that has become increasingly popular in recent scholarship, this work will prove equally thought-provoking to those with an interest in music and Reformation history."--Sixteenth Century Journal
"A concise, engaging examination of the history of music in the Lutheran Church from the beginning of the Reformation through the 19th century. Highly recommended."--Choice

Long Description

How important was music to Martin Luther? Drawing on hundreds of liturgical documents, contemporary accounts of services, books on church music, and other sources, Joseph Herl rewrites the history of music and congregational song in German Lutheran churches. Herl traces the path of music and congregational song in the Lutheran church from the Reformation to 1800, to show how it acquired its reputation as the "singing church." In the
centuries after its founding, in a debate that was to have a strong impact on Johann Sebastian Bach and his contemporaries, the Lutheran church was torn over a new style of church music that many found more entertaining than devotional. By the end of the eighteenth century, Lutherans were trying to hold
their own against a new secularism, and many members of the clergy favored wholesale revision or even abandonment of the historic liturgy in order to make worship more relevant in contemporary society. Herl paints a vivid picture of these developments, using as a backdrop the gradual transition from a choral to a congregational liturgy. The author eschews the usual analyses of musical repertoire and deals instead with events, people and ideas, drawing readers inside the
story and helping them sense what it must have been like to attend a Lutheran church in the sixteenth through eighteenth centuries. Parallel developments in Catholic churches are discussed, as are the rise of organ accompaniment of hymns and questions of musical performance practice. Although written
with academic precision, the writing is clear and comprehensible to the nonspecialist, and entertaining anecdotes abound. Appendixes include translations of several important historical documents and a set of tables outlining the Lutheran mass as presented in 172 different liturgical orders. The bibliography includes 400 Lutheran church orders and reports of ecclesiastical visitations read by the author.

Review Text

"For specialists in Lutheran music, the extensive appendices, which include information on hymn sources, translations of select writings, tabulations regarding choral performances versus congregational singing, and the liturgy as discussed in local Kirchenordnungen, should provide substantial scholarly resources." -- Renaissance Quarterly
"Joseph Herl has done a masterful job of assembling and analyzing sources that relate to choral and congregational singing in Lutheran churches of the sixteenth, seventeenth, and eighteenth centuries (with some coverage of the nineteenth century). Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the
literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context." -- Notes
"He [Herl] has approached his work not only with the historian's eye for detail and amusing anecdotes, but with a profound understanding of the theology that underlies Lutheran liturgy...In short, Worship Wars in Early Lutheranism is a must read book for Lutheran liturgists and musicians alike, and for anyone else who wants 'the rest of the story.'"--Cross Accent
"Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context.... What we have here is a responsible and welcome addition to the conversation, with a large supply of source
materials to help get at it."--Notes
"A concise, engaging examination of the history of music in the Lutheran Church from the beginning of the Reformation through the 19th century. Highly recommended."--Choice
"It will, no doubt, remain the definitive study on this subject for many years to come." --The Hymn
"In his rigour and energy Herl sets a standard for further work on later periods, or on other strands of Lutheran sacred music." --Early Music
"In his rigour and energy Herl sets a standard for further work on later periods, or on other strands of Lutheran sacred music." --Early Music
"It will, no doubt, remain the definitive study on this subject for many years to come." --The Hymn
"For specialists in Lutheran music, the extensive appendices, which include information on hymn sources, translations of select writings, tabulations regarding choral performances versus congregational singing, and the liturgy as discussed in local Kirchenordnungen, should provide substantial scholarly resources." -- Renaissance Quarterly
"Joseph Herl has done a masterful job of assembling and analyzing sources that relate to choral and congregational singing in Lutheran churches of the sixteenth, seventeenth, and eighteenth centuries (with some coverage of the nineteenth century). Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the
literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context." -- Notes
"He [Herl] has approached his work not only with the historian's eye for detail and amusing anecdotes, but with a profound understanding of the theology that underlies Lutheran liturgy...In short, Worship Wars in Early Lutheranism is a must read book for Lutheran liturgists and musicians alike, and for anyone else who wants 'the rest of the story.'"--Cross Accent
"Herl has searched out both the primary and secondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity and context.... What we have here is a responsible and welcome addition to the conversation, with a large supply of source
materials to help get at it."--Notes
"Dealing with a topic that has become increasingly popular in recent scholarship, this work will prove equally thought-provoking to those with an interest in music and Reformation history."--Sixteenth Century Journal
"A concise, engaging examination of the history of music in the Lutheran Church from the beginning of the Reformation through the 19th century. Highly recommended."--Choice

Review Quote

"Joseph Herl has done a masterful job of assembling and analyzing sources that relate to choral and congregational singing in Lutheran churches of the sixteenth, seventeenth, and eighteenth centuries (with some coverage of the nineteenth century). Herl has searched out both the primary andsecondary sources, read them with discrimination, brought together a wide array of relevant detail, and analyzed it very carefully. He has made a welcome addition to the literature, partially by giving so many sources, but also by pulling them together in a well-researched manner with clarity andcontext." -- Notes

Details