Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicanas and Chicanos, as they explore through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theater and culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatergoers.
This is the first book since Jorge Huerta's earlier study Chicano Theater: Themes and Forms to explore the diversity and energy of Chicano theatre. Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicana and Chicanos, as they explore, through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theatre and culture. Overall, Huerta establishes a pattern of theatrical activity that is closely linked with both Western European traditions of realism and an indigenous philosophy seen in contemporary Chicano culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatregoers.
Acknowledgements; List of illustrations; Introduction; 1. Mythos or mitos: the roots of a Chicano mythology; 2. Mystery or miracle: bodiless heads and conversations with the dead; 3. Redemption: looking for miracles in a Man's church; 4. Rebelling against damnation: out of the closet, slowly; Afterword; Bibliography; Index.
"This reviewer applauds both Huerta, for bringing to the foreground new plays and playwrights [sic] who have attained success in mainstream theater production and for making these works accessible to a wide readership, and series editor Don Wilmeth (Brown), for adding this important volume to the significant and original scholarship of the cultural and social context of theater." Choice
"This reviewer applauds both Huerta, for bringing to the foreground new plays and playwrights [sic] who have attained success in mainstream theater production and for making these works accessible to a wide readership, and series editor Don Wilmeth (Brown), for adding this important volume to the significant and original scholarship of the cultural and social context of theater." Choice
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
In this book, first published in 2000, Huerta explores the energy of Chicano theatre. He takes as his starting point 1979, and through informative biographies of each playwright and analyses of their plays, offers an accessible introduction to this important aspect of American theatre and culture.
In this book, first published in 2000, Huerta explores the energy of Chicano theatre. He takes as his starting point 1979, and through informative biographies of each playwright and analyses of their plays, offers an accessible introduction to this important aspect of American theatre and culture.