Chloë Ashby is a writer and editor. Since graduating from the Courtauld Institute of Art, she has written about art and culture for the TLS, Guardian, FT Life & Arts, Spectator, Apollo, frieze and others. She is the author of The Colours of Art: The Story of Art in 80 Colour Palettes, which will be published by Frances Lincoln in spring 2022. Her short fiction has appeared in The London Magazine and The Fairlight Book of Short Stories. Her first novel, Wet Paint, will be published by Trapeze, also in spring 2022.


Introduction 1. First impressions Stone Age, Egypt, Ancient Greece and Rome


Feature: The nature of colour - how artists created natural colours. Horses, from the Chauvet cave near the Pont d'Arc Bison, from Altamira Nebamun Hunting Birds, from the tomb of Nebamun Tomb of the Diver

2. Ordering the world The Renaissance
Feature: A roaring trade - on the colour trade and the cost/availability of colours Lamentation, Giotto Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi The Wilton Diptych Saints Jerome and John the Baptist, Masaccio Portrait of a Man with a Turban, Jan van Eyck The Magdalen Reading, Rogier Van der Weyden The Birth of Venus, Sandro Botticelli The Rape of Europa, Titian Philip II, Sofonisba Anguissola Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana

3. Cutting loose Baroque to Rococo
Feature: The colour wheel - on Isaac Newton's discovery of the colour spectrum, and his error - trusting maths over the sensations of the eye Rest on the Flight into Egypt, Caravaggio Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi The Toilet of Venus (The Rokeby Venus), Diego Velázquez Rising and Setting of the Sun, François Boucher Colour, Angelica Kauffman Self-Portrait with Straw Hat, Élisabeth Louise Vigée Le Brun

4. Keeping it real Realism
Feature: Risky business - on poisonous colours and artists risking their lives for their work. Still Life with Cheeses, Artichoke and Cherries, Clara Peeters A Woman Bathing in a Stream, Rembrandt van Rijn The Goldfinch, Carel Fabritius The Milkmaid, Johannes Vermeer Flowers in a Vase, Rachel Ruysch

5. Two sides of a coin Neoclassicism to Romanticism
Feature: How we see colour - on Goethe's new symmetrical colour wheel and physiological theories. Albion Rose, William Blake Portrait of a Negress, Marie-Guillemine Benoist Orphan Girl at the Cemetery, Eugène Delacroix The Burning of the Houses of Parliament , Joseph Mallord William Turner Comtesse d'Haussonville, Jean-Auguste-Dominique Ingres

6. Let there be light The Impressionist Revolution
Feature: Colour chemistry - on the industrialisation of colour and the making of synthetic pigments. Two Women Chatting by the Sea, Camille Pissarro Young Woman with Peonies, Frédéric Bazille Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler Berthe Morisot with a Bouquet of Violets, Édouard Manet In the Country (After Lunch), Berthe Morisot Combing the Hair, Edgar Degas The Child's Bath, Mary Cassatt Waterloo Bridge, Blurred Sun, Claude Monet

7. On the edge of the spectrum Post-Impressionists, Pre-Raphaelites, Les Nabis, Surrealists
Feature: Colour decorum - on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.) Night and Sleep, Evelyn de Morgan The Suitor, Édouard Vuillard The Visit, Félix Vallotton Interior. Strandgade 30, Vilhelm Hammershoi Barbarian Tales, Paul Gauguin The Life, Pablo Picasso The Green Blouse, Pierre Bonnard The Two Fridas, Frida Kahlo The Old Maids, Leonora Carrington

8. Express yourself Expressionism and Fauvism
Feature: The psychology of colour - on colour communicating and sparking emotion. Two Crabs, Vincent van Gogh The Scream, Edvard Munch Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker Group X, No.1, Altarpiece, Hilma af Klint The Yellow Scale, František Kupka The Dessert: Harmony in Red, Henri Matisse Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele Still Life with Blackening Apples, by Helene Schjerfbeck

9. Seeing it feelingly Abstract Expressionism and Colour Field Painting
Feature: Properties of colour - on hue, intensity and tone, and the changing precedence of each throughout art history Electric Prisms, Sonia Delaunay Mountains and Sea, Helen Frankenthaler Bird Talk, Lee Krasner No. 11 (Untitled), Mark Rothko Ocean Park #79, Richard Diebenkorn

10. Show some restraint Monochrome and Minimalism
Feature: The Pantone palette - on attempts to create a universal colour language. Plus Pantone's predecessors, eg Werner's Nomenclature of Colours (1814). Homage to the Square: Apparition, Joseph Albers The Marriage of Reason and Squalor, II, Frank Stella IKB 79, Yves Klein White Stone, Agnes Martin

11. By popular demand Pop Art to The Pictures Generation
Feature: Anything is possible - on new materials and colour experimentation outside of the medium of painting. Colour Her Gone, Pauline Boty Ice Cream, Evelyne Axell Untitled (Your Body is a Battleground), Barbara Kruger A Bigger Splash, David Hockney Ladies and Gentlemen (Iris), Andy Warhol

12. Here and Now Contemporary art from the 1970s
Feature: The colour of art history - on artists painting black figures into the mostly white canon. Self-Portrait, Alice Neel Self-Portrait, Basquiat Untitled, Etel Adnan To Tell Them There It's Got To, Lynette Yiadom-Boakye Spinners (Moths and Spiders Webs), Kiki Smith Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker Shantavia Beal II, Kehinde Wiley Boucher's Flesh, Flora Yukhnovich The Ruling Class (Eshu), Toyin Ojih Odutola Sabine, Alison Watt Untitled, Lisa Brice

Index Further reading Picture credits Acknowledgements