Publisher Description

What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal). In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian).

Notes

What have we lost through dividing the octave into 12 notes? Did Bach and Mozart hear music differently, and can we ever know what they heard?

Author Biography

Ross W. Duffin, the Fynette H. Kulas Professor of Music at Case Western Reserve University, is the author of the award-winning Shakespeare's Songbook. He lives in Shaker Heights, Ohio.

Review

"[Duffin's] fine book should make any contemporary musician think differently about tuning." Steven Poole, The Guardian "[A] handy little book..." Stephen Pettitt, The Sunday Times "...explains the theory and gives an informative and readable historical account..." The Times Higher Education Supplement "...Duffin argues his case with great verve and charm." Michael Downes, The Times Literary Supplement"

Details