Publisher Description

A detailed study of John Keats's classic volume of poetry published in 1820 considered in the light of the history of melancholy
First, book-length critical study of John Keats's collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820)Considers the anthology as a poetically and thematically unified collection, instead of the more usual method of analyzing the poems in chronological order of writingProposes that the main theme running through the volume is melancholy, a very capacious medical category extending back to ancient Greco-Roman writers, through the Renaissance, and the subject of literary cults in the Romantic ageThe first detailed study of Keats's markings and annotations on his copy of Robert Burton's The Anatomy of Melancholy (1621) which was his favourite book during 1819 when he was writing the poems
This book examines John Keats's immensely important collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820), and is published in the volume's bicentenary. It analyses the collection as an authorially organised and multi-dimensionally unified volume rather than as a collection of occasional poems. R. S. White argues that a guiding theme behind the 1820 volume is the persistent emphasis on different types of melancholy, an ancient, all-consuming medical condition and literary preoccupation in Renaissance and Romantic poetry. Melancholy was a lifelong interest of Keats's, touching on his medical training, his temperament and his delighted reading in 1819 of Burton's The Anatomy of Melancholy.

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'White's groundbreaking book combines two exceptional dimensions of Keats's career into one compelling argument: the genius of the 1820 collection and the significance of Robert Burton's Anatomy of Melancholy for Keats's poetry. White goes where no-one has gone before: he unravels and decodes the marvelous pyrotechnics of Burton's proto-psychological medical text into a deepened, enhanced understanding of Keats's final collection.'Heidi Thomson, Victoria University of WellingtonJohn Keats's classic volume of poetry, considered in the light of the history of melancholyThis book examines John Keats's immensely important collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820), and is published in the volume's bicentenary. It analyses the collection as an authorially organised and multi-dimensionally unified volume rather than as a collection of occasional poems. R. S. White argues that a guiding theme behind the 1820 volume is the persistent emphasis on different types of melancholy, an ancient, all-consuming medical condition and literary preoccupation in Renaissance and Romantic poetry. Melancholy was a lifelong interest of Keats's, touching on his medical training, his temperament and his delighted reading in 1819 of Burton's The Anatomy of Melancholy. R. S. White is Emeritus Winthrop Professor of English at The University of Western Australia.Isabella and the Pot of Basil, 1907 (oil on canvas), Waterhouse, John William (1849-1917) / Private Collection / Photo

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'White's groundbreaking book combines two exceptional dimensions of Keats's career into one compelling argument: the genius of the 1820 collection and the significance of Robert Burton's Anatomy of Melancholy for Keats's poetry. White goes where no-one has gone before: he unravels and decodes the marvelous pyrotechnics of Burton's proto-psychological medical text into a deepened, enhanced understanding of Keats's final collection.'Heidi Thomson, Victoria University of WellingtonJohn Keats's classic volume of poetry, considered in the light of the history of melancholyThis book examines John Keats's immensely important collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820), and is published in the volume's bicentenary. It analyses the collection as an authorially organised and multi-dimensionally unified volume rather than as a collection of occasional poems. R. S. White argues that a guiding theme behind the 1820 volume is the persistent emphasis on different types of melancholy, an ancient, all-consuming medical condition and literary preoccupation in Renaissance and Romantic poetry. Melancholy was a lifelong interest of Keats's, touching on his medical training, his temperament and his delighted reading in 1819 of Burton's The Anatomy of Melancholy.R. S. White is Emeritus Winthrop Professor of English at The University of Western Australia.Isabella and the Pot of Basil, 1907 (oil on canvas), Waterhouse, John William (1849-1917) / Private Collection / Photo

Author Biography

Robert White FAHA is Emeritus Winthrop Professor of English at the University of Western Australia and a Chief Investigator in the Australian Research Council Centre of Excellence in the History of Emotions 1100-1800. He has held a Fellowship at the Humanities Research Centre, ANU, an Australian Research Council Professorial Fellowship, and recently the Senior Visiting Research Fellowship at Magdalen College, Oxford. His publications are mainly in the field of early modern literature, especially Shakespeare, and also Romantic literature. Monographs include Keats's Anatomy of Melancholy (Edinburgh University Press, 2020); John Keats: A Literary Life (Palgrave Macmillan, 2010, revised ed. 2012); Pacifism in English Literature: Minstrels of Peace (Palgrave Macmillan, 2008); Natural Rights and the Birth of Romanticism in the 1790s (Palgrave Macmillan, 2005); and Natural Law in English Renaissance Literature (Cambridge University Press, 1996). Others include Avant-Garde Hamlet (Fairleigh Dickinson University Press, 2015); Shakespeare's Cinema of Love (Manchester University Press, 2016); Ambivalent Macbeth (Sydney University Press, 2018); and A Midsummer Night's Dream: Language and Writing (Bloomsbury Arden Study, 2020).

Table of Contents

Part I: UNITY; 1. Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820) as a unified volume; 2. Biography of a book; 3. Multi-dimensional unity: 'A dozen features of propriety'; Part II: MELANCHOLY; 4. Melancholy: from medical condition to poetic convention; 5. Keats as a reader of Burton's The Anatomy of Melancholy; 6. 'Moods of my own Mind'. Keats's anatomy of melancholy: The poems in 1820; Index.

Review

As the most in-depth study to date of The Anatomy of Melancholy as an important intertext for Keats's 1819 poetry; of the Lamia volume as a unified whole; and of the pervasiveness of sorrow and mental suffering in Keats's work, White's book makes a valuable contribution to scholarship on the poet.--Beth Lau, California State University "European Romantic Review"
White makes a very convincing case that ought to alter the way these poems are read in the future [...] Keats's Anatomy of Melancholy makes a compelling case for understanding Burton's book as part of a multifarious dialogue that provoked some of Keats's deepest reflections on the creativity and pathology of the imagination (and their inter-relation). [...] Deeply attentive to Keats's own attention to the words on the page, it shows how Burton's words could spark with the poet's own powder trails of thought to provide one of the great firework displays of the period's poetry.--Jon Mee, University of York "The Keats-Shelley Review"
White's groundbreaking book combines two exceptional dimensions of Keats's career into one compelling argument: the genius of the 1820 collection and the significance of Robert Burton's Anatomy of Melancholy for Keats's poetry. White goes where noone has gone before: he unravels and decodes the marvellous pyrotechnics of Burton's proto-psychological medical text into a deepened, enhanced understanding of Keats's final collection.--Heidi Thomson, Victoria University of Wellington

Review Quote

White's groundbreaking book combines two exceptional dimensions of Keats's career into one compelling argument: the genius of the 1820 collection and the significance of Robert Burton's Anatomy of Melancholy for Keats's poetry. White goes where no-one has gone before: he unravels and decodes the marvelous pyrotechnics of Burton's proto-psychological medical text into a deepened, enhanced understanding of Keats's final collection.

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John Keats's classic volume of poetry, considered in the light of the history of melancholy

Description for Reader

A detailed study of John Keats's classic volume of poetry published in 1820 considered in the light of the history of melancholy First, book-length critical study of John Keats's collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820) Considers the anthology as a poetically and thematically unified collection, instead of the more usual method of analyzing the poems in chronological order of writing Proposes that the main theme running through the volume is melancholy, a very capacious medical category extending back to ancient Greco-Roman writers, through the Renaissance, and the subject of literary cults in the Romantic age The first detailed study of Keats's markings and annotations on his copy of Robert Burton's The Anatomy of Melancholy (1621) which was his favourite book during 1819 when he was writing the poems This book examines John Keats's immensely important collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820), and is published in the volume's bicentenary. It analyses the collection as an authorially organised and multi-dimensionally unified volume rather than as a collection of occasional poems. R. S. White argues that a guiding theme behind the 1820 volume is the persistent emphasis on different types of melancholy, an ancient, all-consuming medical condition and literary preoccupation in Renaissance and Romantic poetry. Melancholy was a lifelong interest of Keats's, touching on his medical training, his temperament and his delighted reading in 1819 of Burton's The Anatomy of Melancholy.

Feature

First, book-length critical study of John Keats's collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820) Considers the anthology as a poetically and thematically unified collection, instead of the more usual method of analyzing the poems in chronological order of writing Proposes that the main theme running through the volume is melancholy, a very capacious medical category extending back to ancient Greco-Roman writers, through the Renaissance, and the subject of literary cults in the Romantic age The first detailed study of Keats's markings and annotations on his copy of Robert Burton's The Anatomy of Melancholy (1621) which was his favourite book during 1819 when he was writing the poems

Description for Sales People

First, book-length critical study of John Keats's collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820). Considers the anthology as a poetically and thematically unified collection, instead of the more usual method of analyzing the poems in chronological order of writing. Proposes that the main theme running through the volume is melancholy, a very capacious medical category extending back to ancient Greco-Roman writers, through the Renaissance, and the subject of literary cults in the Romantic age.

Description for Teachers/Educators

Romantic literature, Romantic poetry, Medical Humanities

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