lp ORHAN GENCEBAY

Gönül Baglarinda

 

 

 

 

Country of release: Germany, 2018


Originally released: 1968-1971

Label: Türküola

Catalog number: EU-016

Barcode: -

Gatefold Cover/Gatefold Sleeve: No/No

 

 

 Condition Record: mint

Condition Cover: mint

  lp is still sealed / lp IS STILL SEALED !!!

(Photo from my own lp / Photo taken From my own copy)

 

 

 

Track Side 1:

1. Gönül Baglarında - Kars Oyun Havası (3:44) (Single A Side, 1968)

2. Ağlıyorum Yana Yana (4:40) (Single B Side, 1968)

3. Ankara Koşması-Urfa Halay Havası (3:29) (Single A Side, 1968)

4. Arabeks Oyun Havası-Trakya Karşılaması (4:16) (Single B Side, 1968)

5. Derdim Dunyadan Buyuk (4:58) (Single A Side, 1969)

6. Kollarında Uyut Beni (4:15) (EP-B-Side, 1969)

 
 

Track Side 2:

1. Gece Mehtabımsın (2:49) (EP-A-Side, 1969)

2. Felek Ele Geçmiyorki (3:54) (EP-B-Side, 1969)

3. Sevemedim Kara Gozlum (3:30) (Single B Side, 1970)

4. Başa Gelen Çekilirmiş (4:13) (Single A Side, 1969)

5. Beni DE Allah Yaratti (2:57) (Single B Side, 1970)

6. Ben Eski Halimle Daha Mesuttum (4:37) (Single A Side, 1971)



 
 
Listen At YouTube:


 
 
 

Gencebay was born in The coastal town ofOn 4 August 1944. He is of Crimean Tatar descent. He started learning MUSIC at Theof six, taking violin and mandolin lessonsFrom Emin Tarakçı who was an old Classical MusicianFromThe Ukraine Conservatoire. At The age ofThe baglama (A traditional Turkish instrument), and continued taking traditional Turkish folkMUSIC lessons. At age ten, he created HIS First composition. At age 13, he started playing The tambur, an instrument often used in Turkish classical MUSICTo improve himself inThe theoretical and practical detailsof Turkish classicalMUSIC .


During HIS high school years, he performed in Classical and Traditional Turkish Folk MUSICThe tambur and baglama, taughtMUSIC lessons inHIS ownMUSIC courses, and took part in organizing communityMUSIC centers in Istanbul and Samsun.


When he was sixteen, he became interested in jazz and rock MUSIC , and started playing tenor saxophone in WIND orchestras. He enrolled in The Turkish conservatory in Istanbul, and studied there FOR four years. During HIS military service, he played saxophone in Theband .

At ages 20 and 22, he passed The Turkish Radio and Television Corporation (TRT) auditions and became AThe networkFOR several months. In 1966, he got an excellent grade[clarification needed] in National Bağlama Contest with Arif Sağ and Cinucen Tanrikorur, Two other contemporary masters ofMUSIC .

In The late sixties, he collaborated with AWide rangeof musicians in performances and filmMUSIC . Between 1966 and 1968, he played bağlama with Arif Sağ in many Records with singers such as Muzaffer Akgün, Yıldız Tezcan, Gülden Karaböcek, Ahmet Sezgin, Şükran Ay, Sabahat Akkiraz, and Nuri Sesigüzel. Gencebay also took part as A MUSIC director in many Turkish films such as Ana, Kuyu, Kızılırmak-Karakoyun. He also collaborated with many musicians From different genres, such as ERKIN KORAY , Omar Faruk Tekbilek, Ismet Siral, Burhan Tonguc, Ozer Senay, Vedat Yildirimbora, Neşet Ertaş, Abdullah Nail Bayşu. He appeared as A baglama performer and Aof traditional Turkish folkMUSIC . In 1968, he released HIS First "free-style" single "Sensiz Bahar Gecmiyor/Basa Gelen Cekilirmis", and was rewarded. During The 1970s, he released many singles in AA fusionof traditional Turkish folkMUSIC , Turkish classicalMUSIC , western classicalMUSIC , jazz, rock, country, progressive,Psychedelic , Indian, Arabic, Spanish, and Greek MUSIC styles. Even though some musical societies such as TRT named that kind of World fusion MUSICMUSIC , Orhan Gencebay refusedThe term arabesque, saying it was inadequateTo defineHIS style. In 1972, he foundedThe Kervan Record Company, which became very successful ( )attracting many other talented musicians such asERKIN KORAY , Ajda Pekkan, Muazzez Abaci, Mustafa Sagyasar, Ahmet Ozhan, Kamuran Akkor, Semiha Yanki, Samime Sanay, Neşe Karaböcek, Bedia Akarturk, Nil Burak, Ziya Taskent, Semiramis Pekkan and Ferdi Ozbegen.

Throughout HIS career, Orhan has performed leading roles in 36 movies, has been Aof aboutA thousand works, released almost 35 singles, 15 albums, and dozensof MC's. HIS Albums sold out over 65 million legal Copies . (wikipedia.org)

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In The late sixties, he collaborated with AWide rangeof musicians in performances and filmMUSIC . Between 1966 and 1968, he played bağlama with Arif Sağ in many Records with singers such as Muzaffer Akgün, Yıldız Tezcan, Gülden Karaböcek, Ahmet Sezgin, Şükran Ay, Sabahat Akkiraz, and Nuri Sesigüzel. Gencebay also took part as A MUSIC director in many Turkish films such as Ana, Kuyu, Kızılırmak-Karakoyun. He also collaborated with many musicians From different genres, such as ERKIN KORAY , Omar Faruk Tekbilek, Ismet Siral, Burhan Tonguc, Ozer Senay, Vedat Yildirimbora, Neşet Ertaş, Abdullah Nail Bayşu. He appeared as A baglama performer and Aof traditional Turkish folkMUSIC . In 1968, he released HIS First "free-style" single "Sensiz Bahar Gecmiyor/Basa Gelen Cekilirmis", and was rewarded.
In The late sixties, he collaborated with AWide rangeof musicians in performances and filmMUSIC . Between 1966 and 1968, he played bağlama with Arif Sağ in many Records with singers such as Muzaffer Akgün, Yıldız Tezcan, Gülden Karaböcek, Ahmet Sezgin, Şükran Ay, Sabahat Akkiraz, and Nuri Sesigüzel. Gencebay also took part as A MUSIC director in many Turkish films such as Ana, Kuyu, Kızılırmak-Karakoyun. He also collaborated with many musicians From different genres, such as ERKIN KORAY , Omar Faruk Tekbilek, Ismet Siral, Burhan Tonguc, Ozer Senay, Vedat Yildirimbora, Neşet Ertaş, Abdullah Nail Bayşu. He appeared as A baglama performer and Aof traditional Turkish folkMUSIC . In 1968, he released HIS First "free-style" single "Sensiz Bahar Gecmiyor/Basa Gelen Cekilirmis", and was rewarded.