*NOTE*
Please visit my site at KingdomOfShadow.com where more information may be listed.

This is "Dante's Inferno Edition" of "De Umbrarum Regni Novem Portis" (Nine Gates to the Kingdom of Shadows).
This is an extremely limited, hand-numbered edition of which only 9 will be produced.
This is book #3.

Illustrations: Over 130 Woodcut and Copperplate Engravings.
Binding: Hand-Sewn and Bound in 1.2mm Full Top Grain Black Leather (not the thin .1mm to .4mm traditional book binding "bonded" leather)
Dimensions: 9 1/2" Tall X 6 1/2" Wide X 1 7/16" Thick
Page Count: 164
Paper: Mohawk Fine 67# Cream
End Pages: Black Silk Moiré with Gold Embroidery Trim
End Bands: Black and Gold Sewn
Font Colors: Black and Inferno Red
Country/Region of Manufacture: United States
Topic: Occult
Subject: Religion and Spirituality
Publication Year: 2023
Year Printed: 2023
Publisher: Kingdom Of Shadow
Special Attributes: 1st Edition, Deluxe, Limited, Numbered, Signed, Illustrated, Collector's, Full Lambskin Leather Binding
Format: Hardcover
Language: English
Cover Seal: 3" Solid Brass Custom Engraved

Novem Portis, also known by the abbreviated "Nine Gates", is a book made famous by Roman Polanski's 1999 film "The Ninth Gate" featuring Johnny Depp. It was loosely based upon Arturo Pérez-Reverte's 1993 novel The Club Dumas.

I have taken the Nine Gates, removed the Latin "filler" text which is useless, digitally remastered every woodcut engraving in 4K definition, and laid out the book in the following manner:
The nine "LCF" Gates, in their correct order, with the "Nine Circles of Hell" from Dante Alighieri's "Divine Comedy (Inferno)" incorporated between the Gates. Other portions of Dante's "Inferno", including some of the beautiful engravings of Gustave Doré have also been tastefully added. The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered one of the greatest works of Western literature.

This is followed by the ninth Gate "Forgery" which also includes Dante's "Centre of Hell".

I incorporated the woodcuts of Dante's Hell, including "Everything Reduced To One Plan", "The Chamber Of Hell", "The Overview Of Hell", "Circles Six and Seven", "The Lair Of Geryon" and "The Tomb Of Lucifer".

"Maps of Dante's Hell" then follows.

Next, included in this tome are all nine of Aristide Torchia's Gates signed "AT" and placed in numerical order with 2 decoratively lined pages between each Gate of which the reader may use at their own discretion.

I then added the original title page and nine Gates from "Club Dumas".

Wrapping up this very inclusive and well thought out tome are a final and small number of decoratively lined pages of which the reader may use at their own discretion.

This book was professionally written, designed, printed, hand-sewn and bound by myself.

I can sign and personalize the book upon request.

This book will be heavily packaged for shipment and will ship priority mail with full insurance.

I thank you for your time and consideration.
Best regards, Michael

Some useful information to consider...

Regarding the paper I use:
I use 70 pound text as well as 67 and 80 pound cover Mohawk Cream Superfine paper (unless stated otherwise in the book's specific ad). Mohawk Superfine is the finest printing paper made today and is manufactured by a fourth-generation, family-owned and operated business right here in Cohoes, NY. No other paper has the same reputation for quality, consistency and uniformity. Superfine inspires great design with its superb formation, lush tactility, archival quality and timeless appeal.

Regarding the woods I use:
I construct my cover boards and spine board from 3/16" Mahogany LuAnn (floor underlayment). This provides extreme durability and the highest resistance to warping. Any trim work is done in solid Maple or Mahogany. I do not use cardboard in the construction of my books, nor will I ever.

Regarding Leather Quality:
All of the leather I use during the construction of my books in manufactured here in the U.S.A.
1) Full Grain Leather (Which is the leather I typically use for my one-of-a-kind "Hell-Fire" editions)
for only the most high-end products. Full grain leather only uses the very highest (closest to the air) layer of skin, which is the toughest, most durable, and most beloved. It is left unfinished, meaning it has completely unique characteristics, creases, and coloring. Because of the smaller amount of leather on the surface of each animal and the difficulty of working with full grain toughness, the price is understandably high.
2) Top Grain Leather (Which is the leather I use for my works)
to get high-quality goods at a much more reasonable price. The most common "luxury" leather is top grain, which takes the layer of skin just below full grain and works it lightly to remove imperfections. It is smoother and more consistent than full grain, but easier to work as well, keeping the price down. While not as durable as full grain, it is still a strong, well-crafted leather.
3) Genuine Leather
usually has a suede side or feeling to it. Genuine leather is made by stripping off the harder, more expensive grains from the top, then using the softer, easier to work leather underneath. It is not as durable as full or top grain, but it is much cheaper since it can be manufactured into a variety of goods with ease. Remember - genuine leather is a specific grade, not the phrase for real leather. If you request genuine leather in a leather shop, they will have a specific type of product in mind.
4) Bonded Leather (Which is the Leather used for traditional book binding)
is made from ground up and glued leather shavings. While bonded leather is still leather, it isn't an unbroken or regular piece of animal skin. Instead, the shavings from all the other leather grades are collected, ground up, and mixed with an adhesive liquid to make a piece of leather. Though cheap, the quality is severely lacking. Because the quality is less impressive, bonded leather is often used for book covers and other smaller, less worn items.

Regarding the glues I use:
I use 6 different glues throughout the process, all of which are produced here in the U.S.A.

Regarding the brass I use:
This is where a great challenge for me really comes into play.
The brass clasps which I salvage from antique 19th century books are of solid brass, not plated tin which is so commonly found today. I spend a great deal of time restoring the finish on the brass, as well as re-work the hinges and pins. When I am finished, the clasp is in as near the condition as possible that it was when new in the 1800s.
Any nails or screws I use are of solid brass and made in the U.S.A.
The brass tacks I use for my spines are made in the U.S.A. and come from a local supplier. Some are solid brass, while some are plated zinc.
The pentagram/seals which I adorn the covers of my books with are of solid brass. Unfortunately, I went through many an engraver within the U.S. (seven to be exact) and was not satisfied with the end results of which I was receiving. Many engravers within the United States for some reason absolutely love their laser engravers. While they may work for some individuals, I was looking to obtain the best outcome possible for my finished works. I discovered Andy of Engraving Studios, based in the UK. (engravingstudios.co.uk) After communicating and working with him, I discovered the machinery he uses, his impeccable skills, his longevity in perfecting this craft, the extent he is willing to go to get the job done right, and maybe most importantly, his passion for what he does. May his work and his ethics set the example for others. Thank you Andy for your patience and your craft.

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