Author Biography

HANNAH TUNNICLIFFE is the author of two previous novels, The Color of Tea and Season of Salt and Honey. She is founder and co-author of the blog Fork and Fiction, which, unsurprisingly, explores her twin loves--books and food. She currently lives in New Zealand with her husband and three daughters.

Review

"Tunnicliffe sets the proverbial table with plenty of plot twists and surprising character sketches"
—The New York Times Book Review
 
"The pages practically turn themselves in Tunnicliffe's sparkling novel, brimming with festering secrets, abandoned dreams, love triangles, and lots of wine!"
—Emily Liebert, author of You Knew Me When and When We Fall

"A French Wedding is a delectable page turner with huge heart from an author who has proven herself to be an expert at creating endearing characters and compelling stories. Hannah Tunnicliffe writes with warmth and emotional depth about life in all its stages and love in all its forms. A bonus: she writes about food with true passion too, which makes this novel even easier to devour!"
—Marissa Stapley, Globe and Mail bestselling author of Mating for Life

"One of my favorite authors, Hannah Tunnicliffe transports you to Paris and the French countryside, where food, friends, romance, old longings, and new beginnings await an unforgettable cast of characters."
—Mia March, author of The Meryl Streep Movie Club

"Tunnicliffe delivers a solid story with a cinematic sweep that brings together an ensemble of complex, fully developed characters and a lovingly rendered setting, sure to please fans of romantic women's fiction."
—Booklist

Review Quote

"Tunnicliffe sets the proverbial table with plenty of plot twists and surprising character sketches" --New York Times Book Review "The pages practically turn themselves in Tunnicliffe's sparkling novel, brimming with festering secrets, abandoned dreams, love triangles, and lots of wine!" --Emily Liebert, author of You Knew Me When and When We Fall "A French Wedding is a delectable page turner with huge heart from an author who has proven herself to be an expert at creating endearing characters and compelling stories. Hannah Tunnicliffe writes with warmth and emotional depth about life in all its stages and love in all its forms. A bonus: she writes about food with true passion too, which makes this novel even easier to devour!" --Marissa Stapley, Globe and Mail bestselling author of Mating for Life "One of my favorite authors, Hannah Tunnicliffe transports you to Paris and the French countryside, where food, friends, romance, old longings, and new beginnings await an unforgettable cast of characters." --Mia March, author of The Meryl Streep Movie Club "Tunnicliffe delivers a solid story with a cinematic sweep that brings together an ensemble of complex, fully developed characters and a lovingly rendered setting, sure to please fans of romantic women's fiction." --Booklist

Excerpt from Book

Chapter One Max He is probably driving too fast, considering he isn''t on an autoroute, but he likes these back roads better. And he likes driving too fast. He likes the thrum of the engine coming up through the soles of his feet, through his legs, into his crotch. He likes gripping the steering wheel with just one hand, the wind biting the elbow of his other arm hanging out the window. This car, slick and red as lipstick, purrs. Max is going to be late. The others will all be there soon, just as he had asked them to be, waiting for him. He can see them on the lawn, staring back at his country house, Juliette fetching them long, cool glasses of Pimm''s with fresh garden mint stuffed in. They will be travel weary but impressed. Eddie and whoever he''d said his new girlfriend was--the American one, Betty? Nina and Lars, bless them. Their kid, though she probably wasn''t a kid anymore. Hot Rosie and her awful husband, Hugo ... Helen. Max had missed her earlier call but listened to the message. The deep, soft whir of Helen''s voice, edged by the effects of cigarettes and New York, saying she was looking forward to it, that frankly she needed a break. Telling him she''d be there by nightfall and that later she''d be picking up her sister, the half sister technically, Soleil. Max found it hard to pay attention to the details. Something shifted inside him at the sound of her voice. Something uncoiled. Max rubs his eyes. He has been touring and drinking too much. He''s been operating on about five hours of sleep a night and it is no longer enough. The cocaine takes the edge off and keeps him awake, but he''ll lay off it after today; he has promised himself. Max turns the music up even louder till he feels the blood pounding in his ears and blinks away tiredness. His eyes, those strange khaki-colored eyes, the color of dark bay leaves, of swamp water, are his father''s eyes. Not that he ever tells anyone that. Helen is the only one of Max''s friends who knows about his father, his family. The whole lot of it. He can count on one hand the number of people who know much about his childhood. Him and his dad, Helen--that''s already three fingers. The other two are for social workers. It never works to try not to think of something once you''ve started thinking about it. Max knows that from thinking about Helen every single day of his life since he can''t even remember when. Actually, that isn''t true. He does remember. It was summer. Helen was sitting next to Rosie on the grass in the common area outside one of the lecture blocks. She wore a long skirt hitched up to her thighs and she was laughing. Rosie''s hair was white blond and cut just like Debbie Harry''s on the Blondie record Max''s dad owned, while Helen''s was long and tangled at the back, dark as Christmas pudding, the kind other people''s families ate. She wore swingy earrings that moved when she did. Her thighs were the color of cream. Max watched her for longer than was socially acceptable. She must have felt his eyes on her. He remembers her getting up and walking over, barefoot. He remembers not being able to look away and grinning like a young boy, which he never did. Especially not when he was a boy. She asked him for a light and he pulled a green plastic lighter from his pocket. "I''m Helen," she said. Helen. Helen. Dear Helen. Max has said her name in his head about ten million times since that day. He knows the texture of it in his mouth without even having to say it aloud. He knows how it would feel to call it out in the middle of lovemaking or to say it in a whisper into the pale shell of her ear, among the darkness of her hair. Max shudders. He feels himself growing harder and presses down on the accelerator. Helen. Max wills himself to stop thinking about her. It is stupid. It is always stupid. This is the hopelessness of trying not to think about something once you have started. His thoughts tip to the other end of the spectrum, like an hourglass suddenly turned. Dad. Fucking Dad. See? It''s impossible. It didn''t start right away. It started when his mother left, when he was six and a half, or at least that''s how Max remembers it. His mother had been there, he tried to remember--she was a pretty murky, fuzzy kind of memory now--and then she wasn''t there. A snap of the fingers. A vanished mother. It was Max''s fault his mother had left; his father told him that often. And because of it his father beat him. It was one of the few reliable aspects of Max''s life. His dad had always been sullen, angry, but after that the rage poured out onto Max. His father beat him on the back, on the legs and stomach. He avoided Max''s face. He kicked him down the stairs and once held his head in the kitchen sink until Max was half drowned. There had been a usedup tin of baked beans in the dirty water. Max''s father stomped on him; threw him against walls, doors, and the tab≤ and whipped him with his belt. Or the cord of the toaster. Or the kettle. He called him names the kids at school hadn''t heard of yet. One night Max''s father threw him out into the street. Max was twelve. For a brief moment he was elated, freedom like a bright taste in his mouth. Then he realized he was coatless and it was the middle of a London autumn, almost winter. He walked only half a block, the impossibility of leaving smacking at him, before turning around and trudging back to that wretched green door, then curling himself, shivering, on the doormat, waiting for his dad to let him back in. Max''s very worst moment of cowardice. Max swerves. Christ. Was that a cat? Photographs of his mother, so few of them. Grainy ones with rounded corners; she seems to be looking past the camera. Perhaps she has already spotted her other life, the one she is going to escape them for. A photo of her at the seaside pulling windswept hair away from her mouth, wearing an orange-and-white-striped swimsuit. Another of her on a couch, holding Max as an infant. She has on a pale blue dress and black eyeliner and looks, somehow, emptied out. I don''t want this baby. This isn''t my life. There had been no one to tell Max why she left, exactly, and where she had gone. His recollections were strange and mixed up, and sometimes his brain pieced memories together out of those few photographs. Hadn''t they been to the seaside together? Eaten ice cream out of cones? Hadn''t she worn a yellow swimsuit, not an orange-striped one? The truth stuck too fast to fantasy. Have we passed Rennes? Passed? Passed. Past. It is pointless to think about his mother, to wonder. What kind of woman leaves her child? What kind of woman leaves her child with a monster? It was a devil''s trade: Max''s life for hers. Max will probably never see either of his parents again, if they are still alive; will probably never live in England again. Paris is his home now and it suits him. The sky and slate roofs the same color, the lumps of still-soft dog shit on the pavement, the smell of coffee, baking bread, caramel, cigarettes, and urine. The women neat, with woolen coats, pretty scarves, slender legs in panty hose. Lips like ripe cherries. Paris will do. That woman, his neighbor Claudine, the social worker with the cat she calls Pedro, would probably have something to say about all that--about his family, about the women--not to mention the coke. She likes to talk. She sings jazz in her spare time and knows her greats--Ella Fitzgerald, Billie Holiday, Nina Simone. She is always carrying bunches of fresh flowers. She likes those tall, strong-smelling white ones with the blossoms that look like popcorn. Her apartment was an inheritance from an aunt, she tells Max, happily handing out details about her personal life to anyone like leaflets she''s got plenty of. She smiles too much. Yes, Claudine would have plenty to say about Max''s personal life. But Max cannot trust a social worker, particularly one who smiles too much and lives with a man-cat for company. The sign ahead reads saint-allouestre. Max rubs his eyes again. He needs glasses but he won''t go to an optometrist. Helen has glasses she uses for reading now, round tortoiseshell ones. Everyone Max screws these days is in their twenties. They have skin lovelier than velvet, heavenly and unmarked. No pubic hair. Smooth all over. Narrow waists, hollow bellies. They don''t get old. Helen, on the other hand, is getting old at exactly the same rate as Max. She has lines around her eyes. The skin on the back of her hands has thinned, is becoming papery. But. Oh. All Max wants is to stand in the dark with her. In the dark they will be young again. Then he will run his thumb over her soft lips, unbutton her shirt, peel off her trousers. He will press her against him, sweet skin, full breasts, all of her against all of him. Feel her head on his chest, take in the Helen scent of her, lift her face to kiss her so deeply she can hardly breathe. Lift her onto him, carry her to where they can lay themselves down, fill her up till her head brims with stars. "Helen." "Max." Helen will exhale his name in a whisper that moves through him like a current, reaching the very tips of him. Perhaps he will cry. Who wouldn''t? The sound that completes a person. Helen saying his name and making him finally feel so whole, s

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