Artist: Jasper Johns
Title: Flag (Moratorium)
Medium: Offset Lithograph in Colors on Wove Paper
Year: 1969
Image: 17" x 26"
Sheet: 20.5" x 28.5"
Frame: 28.5" x 36"
Edition: 97/300
Inscription: Signed on lower right
Documentation: Gallery certificate of authenticity
Jasper Johns' 1969 "Flag (Moratorium)" is one of the most important symbols of the anti-Vietnam war movement. While the flag is the most important and recognizable emblem of America, Johns subverts the image’s inherent optimism through a series of unexpected details: the army green color of the stripe, the agent orange hue of the square, and the single white bullet hole in the center of the piece. The piece takes the ultimate symbol of patriotism and distorts it into something uncomfortable. "Flag (Moratorium)" was commissioned by Leo Castelli and published by the Committee Against the War in Vietnam.
Prior to 1969’s "Flag (Moratorium)", Jasper Johns was already well-known for his use of symbols. His most famous works up until this point were his iconic target paintings. Johns' artwork drew influence from a variety of artistic schools including pop art, neo-dada, and minimalism. His use of symbols and concrete images is considered by many to be a critique of the popular abstract expressionist movement of the time, which was more concerned with the physical act of art than any recognizability of the finished product.
"Flag (Moratorium)" is an offset lithograph in colors on wove paper from an edition of 300. It is signed on the lower right and includes a gallery certificate of authenticity.
About Jasper Johns
Jasper Johns, born on May 15, 1930, in Augusta, Georgia, is an iconic American artist renowned for his pivotal role in the development of the Pop Art and Neo-Dada movements. His work, characterized by its bold use of symbols and everyday objects, has left an indelible mark on the contemporary art scene.
Growing up in South Carolina, Johns developed an early interest in art. After briefly attending the University of South Carolina, he moved to New York City in 1949 to pursue a career in the arts. In the 1950s, he worked as a commercial artist, creating window displays for stores like Tiffany & Co. This experience profoundly influenced his artistic style, emphasizing the importance of visual communication and the impact of familiar images.
Jasper Johns burst onto the art scene in the mid-1950s, challenging the dominant Abstract Expressionist movement. His breakthrough came with the painting "Flag" in 1954-1955, a seminal work that depicted the American flag in a revolutionary way. The flag became a recurring motif in his art, symbolizing both national identity and the power of symbols in contemporary culture.
One of Johns' most famous pieces is "Target with Four Faces" (1955), a work that further established his reputation as a leading figure in the emerging Pop Art movement. His use of recognizable symbols, such as targets and numbers, distinguished him from his abstract contemporaries. The mundane yet powerful nature of these symbols became a hallmark of his work.
In addition to symbols, Johns became fascinated with everyday objects. His series of works featuring targets, flags, maps, and beer cans were groundbreaking in their simplicity and directness. The use of encaustic, a mixture of pigment and molten wax, added texture and depth to his paintings, further highlighting his innovative approach to art.
Collaboration played a significant role in Johns' career. In the 1960s, he collaborated with fellow artist Robert Rauschenberg, and together they challenged traditional notions of authorship and originality. This period of collaboration marked a departure from the solitary nature of artistic creation, reflecting the changing dynamics of the art world.
The 1980s and 1990s saw a resurgence of interest in Johns' work, and he continued to create art that pushed boundaries. His later works incorporated autobiographical elements, such as references to his own earlier paintings, adding layers of complexity to his already multifaceted oeuvre.
Jasper Johns' influence extends far beyond his paintings. He has been a pivotal figure in shaping the course of American art, bridging the gap between Abstract Expressionism and the diverse movements that followed. His impact is evident in the careers of subsequent generations of artists who have drawn inspiration from his innovative use of symbols and materials.
Throughout his career, Johns received numerous accolades and honors, including the Presidential Medal of Freedom in 2011. His works can be found in major museums and private collections worldwide, attesting to the enduring significance of his contribution to the art world. As a visionary artist who reshaped the landscape of contemporary art, Jasper Johns continues to be celebrated for his ability to transform the ordinary into the extraordinary.
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Description
Artist: Jasper Johns
Title: Flag (Moratorium)
Medium: Offset Lithograph in Colors on Wove Paper
Year: 1969
Image: 17" x 26"
Sheet: 20.5" x 28.5"
Frame: 28.5" x 36"
Edition: 97/300
Inscription: Signed on lower right
Documentation: Gallery certificate of authenticity
Jasper Johns' 1969 "Flag (Moratorium)" is one of the most important symbols of the anti-Vietnam war movement. While the flag is the most important and recognizable emblem of America, Johns subverts the image’s inherent optimism through a series of unexpected details: the army green color of the stripe, the agent orange hue of the square, and the single white bullet hole in the center of the piece. The piece takes the ultimate symbol of patriotism and distorts it into something uncomfortable. "Flag (Moratorium)" was commissioned by Leo Castelli and published by the Committee Against the War in Vietnam.
Prior to 1969’s "Flag (Moratorium)", Jasper Johns was already well-known for his use of symbols. His most famous works up until this point were his iconic target paintings. Johns' artwork drew influence from a variety of artistic schools including pop art, neo-dada, and minimalism. His use of symbols and concrete images is considered by many to be a critique of the popular abstract expressionist movement of the time, which was more concerned with the physical act of art than any recognizability of the finished product.
"Flag (Moratorium)" is an offset lithograph in colors on wove paper from an edition of 300. It is signed on the lower right and includes a gallery certificate of authenticity.
About Jasper Johns
Jasper Johns, born on May 15, 1930, in Augusta, Georgia, is an iconic American artist renowned for his pivotal role in the development of the Pop Art and Neo-Dada movements. His work, characterized by its bold use of symbols and everyday objects, has left an indelible mark on the contemporary art scene.
Growing up in South Carolina, Johns developed an early interest in art. After briefly attending the University of South Carolina, he moved to New York City in 1949 to pursue a career in the arts. In the 1950s, he worked as a commercial artist, creating window displays for stores like Tiffany & Co. This experience profoundly influenced his artistic style, emphasizing the importance of visual communication and the impact of familiar images.
Jasper Johns burst onto the art scene in the mid-1950s, challenging the dominant Abstract Expressionist movement. His breakthrough came with the painting "Flag" in 1954-1955, a seminal work that depicted the American flag in a revolutionary way. The flag became a recurring motif in his art, symbolizing both national identity and the power of symbols in contemporary culture.
One of Johns' most famous pieces is "Target with Four Faces" (1955), a work that further established his reputation as a leading figure in the emerging Pop Art movement. His use of recognizable symbols, such as targets and numbers, distinguished him from his abstract contemporaries. The mundane yet powerful nature of these symbols became a hallmark of his work.
In addition to symbols, Johns became fascinated with everyday objects. His series of works featuring targets, flags, maps, and beer cans were groundbreaking in their simplicity and directness. The use of encaustic, a mixture of pigment and molten wax, added texture and depth to his paintings, further highlighting his innovative approach to art.
Collaboration played a significant role in Johns' career. In the 1960s, he collaborated with fellow artist Robert Rauschenberg, and together they challenged traditional notions of authorship and originality. This period of collaboration marked a departure from the solitary nature of artistic creation, reflecting the changing dynamics of the art world.
The 1980s and 1990s saw a resurgence of interest in Johns' work, and he continued to create art that pushed boundaries. His later works incorporated autobiographical elements, such as references to his own earlier paintings, adding layers of complexity to his already multifaceted oeuvre.
Jasper Johns' influence extends far beyond his paintings. He has been a pivotal figure in shaping the course of American art, bridging the gap between Abstract Expressionism and the diverse movements that followed. His impact is evident in the careers of subsequent generations of artists who have drawn inspiration from his innovative use of symbols and materials.
Throughout his career, Johns received numerous accolades and honors, including the Presidential Medal of Freedom in 2011. His works can be found in major museums and private collections worldwide, attesting to the enduring significance of his contribution to the art world. As a visionary artist who reshaped the landscape of contemporary art, Jasper Johns continues to be celebrated for his ability to transform the ordinary into the extraordinary.
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