Scriabin: Complete Symphony / Orchestra Songs (2022 Mastering)

Description

*** Product Information ***
FORMAT: SACD HYBRID
Number of Disks: 3
Package:
Release Date: December 16, 2022
Record Label: Octavia Records x Tower Records
Product Number: OVEP00021

*** Product description ***
* Tower record limited sale
* SACD hybrid board
* The world's first SACD
* Limited 700 sets. Multi -case specification
* With serial number sticker (Serial number is attached to the back of the case, so it cannot be seen from the outside and cannot be selected. Please note that it will be randomly handed over.)
* Use the latest mastering sound source in 2022. (Mastering engineer: Tomo Ezaki)
* Plan printing surface: green specifications
* Please note that there are noise caused by the original master.
* Explanation book: Nobuyo Mitsutsuoka (new preference commentary), Yukio Morishi's first commentary, a total of 21 pages of commentary.
*** Work Information ***
Main
Conductor: Evgeny Svetlanov
Orchestra: Russian National Symphony Orchestra
others
Chorus: Moscow Broadcasting Chorus
Composer: Alexander Scriabin

*** Recorded content ***

Number of configurations | 3 pieces
Edition | Remaster

[Song]
Alexander Scriabin: Symphony / Orchestra Complete Works
[Disc1]
1. Symphony No. 1 General work 26
2. Dream work 24
[Disc2]
3. Symphony No. 2 H minor 29
4. Symphony No. 4 works 54 "Poetry of Hoetsu"
[Disc3]
5. Symphony No. 3 H minor 43 "Sacred Poetry"
6. Symphony No. 5 Work 60 "Prometheus -Poetry of Fire"

[Performance]
Olga Alexandrova (Meso Soprano) (1)
Andrey Sarnikov (tenor) (1)
Moscow Broadcasting Chorus (1,6)
Ludomila Ermakova (chorus) (1,6)
Vuladimil Zicov (Trumpet) (4)
Peter Izortov (piano) (6)
Alesh Barta (Organ) (4,6)
Russian National Symphony Orchestra
Evgeny Svetlanov (conductor)

【recording】
May 16-20, 1996 Moscow Broadcasting Station 5th Studio

[Original Recordings]
EXECUTIVE PRODUCER: HIROSHI HIRAI
PRODUCER: TOMOYOSHI EZAKI
Recording Director: TOMOYOSHI EZAKI
Assistant Director: miyuki ito
Balance Engineer: Lubomir Novacek, Alexander Karasev, Michal Pekarek
Disc Editor: TOMOYOSHI EZAKI, YOSHIHIKO MAZDA
Mastering Engineer: TOMOYOSHI EZAKI

[Mastering engineer]
Tomoyoshi Ezaki (TOMOYOSHI EZAKI)

[Raw board]
Canyon Classics

*** Product Introduction ***

Introduction of product



150 years of Birth of Scriabin and 20 years after the death of Svetlanov. The complete collection was realized in the late 90's with the strong hope of Svetlanov. A new composer, Scriabin, who had the deepest empathy and attachment, was a new mastering! Tomo Ezaki, who recorded the recording at the time, was mastered for this reprint. 700 sets limited edition with serial number! This recording was a complete collection that was realized in the late 1990s with a strong hope of Svetranov. Scriabin is a composer whose master has the deepest empathy and attachment, and all of the heat of Svetranov is inclined. Based on the characteristics of Scriabin's mystery and sensuality, the luster and solid ensemble creates an obvious romanticism rooted in the Russian culture, and as if the waves would become a multi -layered wave. Is overwhelming! Nobuyo Mitsutsuoka's new manuscript, Yukio Morisho original board commentary, posted by Tomo Ezaki in 2022, the lavell label, etc. Please listen to. Svetlanov recorded Scriabin in the session from the 1963 to the 1970s before this sound source, and the sharp performance was originally highly evaluated. The 1996 recording was originally recorded by Canyon Classics in Russia, including "Dreams" at a stretch (also included in Fedseev's Shostakovich, etc. at the same time), and it is reported that Svetranov had a strong hope. However, during Svetlanov's survival, it was not released for some reason, and after dying in May 2002, the EXTON label was working on many Canyon Classics in July of the same year, including the meaning as a memorial board. It has been released. Therefore, the reprint of the first SACD this time has been a recurrence since the first appearance. In addition, since this sound source is also included by Mr. Ezaki, it is a work after fully grasping the situation at that time in the mastering, so it can be said that it is the best reprint. As you know, there are many acoustic fun in Scriabin, especially in the recording at this time, the range is expanding more than before, and the spectal elements are well captured. In this SACD, you will feel more effective in addition to the original splendor. It is a sound source suitable for high sound quality. In terms of price, the SACD hybrid board is \ 6,600 (tax included) for the previous CD \ 9,900 (tax included). (1/2)

Tower record
(2022/11/17)




The performance time of each song has been longer than in the melodia era, so it is a feature of this edition that it is a large scale performance. At this time, the Russian Symphony Orchestra had explosive instantaneous power and dense expression, and was recorded in the best condition. Svetranov also looks at Scriabin as composers rooted in Russian traditions, and also notices that each song is drawn using innovative playing and various expressions. To date, there is no complete collection of quality and powerful performance, and there are few listeners who oppose this board have a determined meaning. A reprinted board suitable for the 150th anniversary of the Scriabin birth and 20 years after the death of Svetlanov has been reborn with the highest quality. In this reprint, Hirai of the current octavia record who originally worked on these recording during the Canyon Classics era, and Mr. Ezaki, who has been credited as a recording director, is the latest reprint, so while leaving the atmosphere at that time. High sound quality and mastering were performed with the latest equipment and technology. The most appropriate legal reprint has been made. In this commentary, a new preface explanation was posted in the preface, and a further explanation at the time of the first appearance. It will be released only for 700 sets with serial number stickers. (2/2)

Tower record
(2022/11/17)