This is a very rare Original Charcoal on paper, by Lucian Freud

Very rare opportunity to acquire an original signed work by Lucian Freud. Charcoal on Paper, Nude. signed, Lucian Freud lower right. Creased paper, toning and paper losses - due to age, but still looks great. Measures 22-3/8" H (sight), 14" W; frame measures 30" H, 24" W.  Believed genuine - full refund if proved otherwise.

  • Artist: Lucian Freud
  • Title: "Nude"
  • Medium: Charcoal on Paper
  • Year: C.1940's/50's
  • Edition: Original, unique work
  • Signature: Hand signed by the artist


Disclaimer - Our prints/original art are purchased from various dealers, auctions and sales as "genuine" some with Certificates of Authentication", and are sold by us as such. However, in the unlikely event that the article is not genuine, we will make an immediate and full refund, without hesitation, if the item is returned to us in exactly the same condition  it was received, with no damage, marks or folds, within 14 days of receipt.

Lucian Freud, in full Lucian Michael Freud (born December 8, 1922, Berlin, Germany—died July 20, 2011, London, England)

British artist known for his work in portraiture and the nude. Sometimes called a realist, he painted in a highly individual style, which in his later years was characterized by impasto.

The son of the architect Ernst Freud and a grandson of Sigmund Freud, he immigrated with his family to England in 1933, becoming a naturalized citizen in 1939. He was trained at the Central School of Art in London, where he was as much known for his unconventional behaviour as for his drawing talent, and at the East Anglian School of Painting and Drawing in Dedham. Freud turned to painting full-time after WWII. His Interior at Paddington (1951) exhibits many of his lifelong concerns—the human figure rendered in a realist manner and imbued with a stark and evocative psychological intensity. Freud’s many portraits of his friends and associates and of members of the British gentry extended a grand English tradition. His series of paintings and drawings of his mother, begun in 1970 and continuing until the day after her death in 1989, are particularly frank and dramatic studies of intimate life passages.

Freud’s many studies of the nude make up a major part of his work. For 50 years he posed friends, neighbours, models, and family members in his studio, often as if strewn casually across dilapidated furniture, and confronted their nude flesh with both keen interest and a kind of clinical impassiveness. In this work he typically used a limited tonal range of creamy tans and browns. In studies such as Night Portrait (1985–86), Freud both highlighted and undercut the erotics of the female nude, opting out of the idealizing tendencies of much of the history of Western art. Beginning in the 1980s, Freud was increasingly drawn toward what could be called extreme body types. His work maintained the place of traditional subject matter in art while introducing personal and psychological attitudes that are fully modern.

J. Rothenstein: Modern English Painters (London, 1974), iii, pp. 192–200

Lucian Freud (exh. cat., intro. J. Russell; London, Hayward Gal., 1974)

L. Gowing: Lucian Freud (London, 1982)

Lucian Freud: Paintings (exh. cat., intro. R. Hughes; Washington, DC, Smithsonian Inst.; Paris, Pompidou; London, Hayward Gal.; W. Berlin, N.G.; 1987)

Lucian Freud: Works on Paper (exh. cat., intro. N. Penny; Oxford, Ashmolean; Edinburgh, Fruitmarket Gal.; Hull, Ferens A.G.; and elsewhere; 1988)

Lucian Freud: Paintings and Works on Paper, 1990–91 (exh. cat., texts B. Mantura and A. Cook; Milan, Castello Sforzesco; Liverpool, Tate; 1991)

C. Lampert: Lucian Freud: Recent Work (London, 1993)

C. Hartley: The Etchings of Lucian Freud: A Catalogue Raisonné, 1946-1995 (London and New York, 1995)