A Sounding Bowl is a musical instrument made to create healing sounds. The strings are contained within the resonant sound space and made from one whole piece of locally grown hardwood. These unique handcrafted instruments are used across the world by therapists, performers, hospitals, educational institutes, and individuals to heal, inspire, and restore people's connection to their hearts. This particular bowl features five strings and is made of birch wood. The bowl requires a specific set of skills in the making requiring focused attention. The heart design is the most subtle and powerful model with delicacy and tenderness of sound that engenders a heart's opening while playing. This bowl has two darker-toned tuning pegs, two aqua-colored pegs, and one yellow-toned peg. One of the strings does need to be replaced. This bowl is marked on the bottom and signed by the artist, Tobias Kaye. It is numbered "537." Please read the condition section before bidding or offering. Such a gorgeous and functional find!
Approximate dimensions: 10" x 10" x 6.25"
The height is from the base of the bowl to the top of the tuning pegs.
Weight: 3 lbs. 14.5 oz.
These bowls go for $4,000 and up brand new!
Reasonable offers are welcomed and will be considered.
A Short History of Sounding Bowls:
Sounding Bowls first appeared to Tobias Kaye during an evening meditation in 1986, unexpected and simple, the image was nothing more than a wooden Bowl with a string inside. But simple ideas in the right hands have the potential to become things of greatness and with Tobias’ lifelong passion for sculpting bowl forms it is no wonder that the image has developed into what it is today.
A time of investigation into the stringed bowl began with the pursuit of both visual and acoustic harmony as the theme to unite the whole process. Deep and narrow bowls, wide and shallow, small and large rimmed all added their suggestions. This pursuit resulted in discovering a family of acoustic curves that allow for tones and resonances within the bowls that are full of expressive sound. The development of the Sounding Bowl is certainly testimony to the words of Prof David Pye,
“A form either sings where it stands or is forever silent.”
Early Sounding Bowls mostly went to art collectors and public exhibitions as an extension of Tobias’ previous work in sculpture. In 1991, the National Health Service bought a Sounding Bowl for use in a hospice pioneering music therapy in palliative care and the recognition of the Bowls shifted from being sculptural to instrumental. It became apparent that the reflective nature of the acoustic curve, the tactile beauty and harmonious sound could touch deep aspects of those who played, heard or even saw, offering an instinctive mirror of their fullest self, beauty and potential. From that point onwards the Bowls continued to break bounds in the therapeutic arts and professional work of music therapists, doctors and healers. As well as making music in the hands of people who’d previously believed they were “just not musical.”
Five Sounding Bowl designs grew up during the 90’s whilst Tobias continued to develop and refine the technical requirements for having the string inside the bowl; a concept that is unique in the history of world instruments. Then in 2008 a new string pattern arose following a request from a German museum for an instrument that was “bigger and different to anything so far.” A sixth design, the Bridging Bowl, was thereby developed and continues to be the only instrument in the world with two sets of overlaid string fans.
Today the workshop is a place where Sounding Bowls are commissioned and hand made to order by our specially trained craftsmen. They experience daily satisfaction as they balance the needs of precise craftsmanship with the delicacy of music; creating new ever better Sounding Bowls with care, sensitivity and skill. The vision of creating forms that lead people to a place of inner harmonious awakening continues to lead us forward.
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