Publisher Description

Our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas townA collectible hardcover edition of our greatest African American poet's award-winning first novel about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela FlournoyA Penguin Vitae EditionWhen first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America.Penguin Vitae--loosely translated as "Penguin of one's life"--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

Author Biography

Langston Hughes (1902-1967) was a central figure of the Harlem Renaissance and one of the most influential and acclaimed American writers of the twentieth century. A renowned poet from a young age, Hughes' first collection of poetry, The Weary Blues, was published when he was just 24. He would go on to publish more than thirty-five books, including his award-winning debut novel, Not Without Laughter, and the short story collection, The Ways of White Folks. His widely-read journalism and nonfiction became important documents in the support and promotion of the civil rights movement.

Review

"A lyrical, charming and moving story of a black Midwestern boy." —Arnold Rampersad

"An eye-opening portrait of the artist as a young black man in the Midwest." —A. Scott Berg, The New York Times Book Review

Promotional

Our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas town

Review Quote

"A lyrical, charming and moving story of a black Midwestern boy." -- Arnold Rampersad "An eye-opening portrait of the artist as a young black man in the Midwest." -- A. Scott Berg, The New York Times Book Review

Promotional "Headline"

Our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas town

Excerpt from Book

I. Storm Aunt Hager Williams stood in her doorway and looked out at the sun. The western sky was a sulphurous yellow and the sun a red ball dropping slowly behind the trees and house-tops. Its setting left the rest of the heavens grey with clouds. "Huh! A storm''s coming''," said Aunt Hager aloud. A pullet ran across the back yard and into a square-cut hole in an unpainted piano-box which served as the roosting-house. An old hen clucked her brood together and, with the tiny chicks, went into a small box beside the large one. The air was very still. Not a leaf stirred on the green apple-tree. Not a single closed flower of the morning-glories trembled on the back fence. The air was very still and yellow. Something sultry and oppressive made a small boy in the doorway stand closer to his grandmother, clutching her apron with his brown hands. "Sho is a storm comin''," said Aunt Hager. "I hope mama gets home ''fore it rains," remarked the brown child holding to the old woman''s apron. "Hope she gets home." "I does, too," said Aunt Hager. "But I''s skeared she won''t." Just then great drops of water began to fall heavily into the back yard, pounding up little clouds of dust where each drop struck the earth. For a few moments they pattered violently on the roof like a series of hammer-strokes; then suddenly they ceased. "Come in, chile," said Aunt Hager. She closed the door as the green apple-tree began to sway in the wind and a small hard apple fell, rolling rapidly down the top of the piano-box that sheltered the chickens. Inside the kitchen it was almost dark. While Aunt Hager lighted an oil-lamp, the child climbed to a chair and peered through the square window into the yard. The leaves and flowers of the morning-glory vines on the back fence were bending with the rising wind. And across the alley at the big house, Mrs. Kennedy''s rear screen-door banged to and fro, and Sandy saw her garbage-pail suddenly tip over and roll down into the yard, scattering potato-peelings on the white steps. "Sho gwine be a terrible storm," said Hager as she turned up the wick of the light and put the chimney on. Then, glancing through the window, she saw a black cloud twisting like a ribbon in the western sky, and the old woman screamed aloud in sudden terror: "It''s a cyclone! It''s gwine be a cyclone! Sandy, let''s get over to Mis'' Carter''s quick, ''cause we ain''t got no cellar here. Come on, chile, let''s get! Come on, chile! . . . Come on, chile!" Hurriedly she blew out the light, grabbed the boy''s hand; and together they rushed through the little house towards the front. It was quite dark in the inner rooms, but through the parlor windows came a sort of sooty grey-green light that was rapidly turning to blackness. "Lawd help us, Jesus!" Aunt Hager opened the front door, but before she or the child could move, a great roaring sound suddenly shook the world, and, with a deafening division of wood from wood, they saw their front porch rise into the air and go hurtling off into space. Sailing high in the gathering darkness, the porch was soon lost to sight. And the black wind blew with terrific force, numbing the ear-drums. For a moment the little house trembled and swayed and creaked as though it were about to fall. "Help me to shut this do''," Aunt Hager screamed; "help me to shut it, Lawd!" as with all her might she struggled against the open door, which the wind held back, but finally it closed and the lock caught. Then she sank to the floor with her back against the wall, while her small grandson trembled like a leaf as she took him in her lap, mumbling: "What a storm! . . . O, Lawdy! . . . O, ma chile, what a storm!" They could hear the crackling of timbers and the rolling limbs of trees that the wind swept across the roof. Her arms tightened about the boy. "Dear Jesus!" she said. "I wonder where is yo'' mama? S''pose she started out fo'' home ''fore this storm come up!" Then in a scream: "Have mercy on ma Annjee! O, Lawd, have mercy on this chile''s mama! Have mercy on all ma chillens! Ma Harriett, an'' ma Tempy, an'' ma Annjee, what''s maybe all of ''em out in de storm! O, Lawd!" A dry crack of lightning split the darkness, and the boy began to wail. Then the rain broke. The old woman could not see the crying child she held, nor could the boy hear the broken voice of his grandmother, who had begun to pray as the rain crashed through the inky blackness. For a long while it roared on the roof of the house and pounded at the windows, until finally the two within became silent, hushing their cries. Then only the lashing noise of the water, coupled with the feeling that something terrible was happening, or had already happened, filled the evening air. After the rain the moon rose clear and bright and the clouds disappeared from the lately troubled sky. The stars sparkled calmly above the havoc of the storm, and it was still early evening as people emerged from their houses and began to investigate the damage brought by the twisting cyclone that had come with the sunset. Through the rubbish-filled streets men drove slowly with horse and buggy or automobile. The fire-engine was out, banging away, and the soft tang-tang-tang of the motor ambulance could be heard in the distance carrying off the injured. Black Aunt Hager and her brown grandson put their rubbers on and stood in the water-soaked front yard looking at the porchless house where they lived. Platform, steps, pillars, roof, and all had been blown away. Not a semblance of a porch was left and the front door opened bare into the yard. It was grotesque and funny. Hager laughed. "Cyclone sho did a good job," she said. "Looks like I ain''t never had no porch." Madam de Carter, from next door, came across the grass, her large mouth full of chattering sympathy for her neighbor. "But praise God for sparing our lives! It might''ve been worse, Sister Williams! It might''ve been much more calamitouser! As it is, I lost nothin'' more''n a chimney and two wash-tubs which was settin'' in the back yard. A few trees broke down don''t ''mount to nothin''. We''s livin'', ain''t we? And we''s more importanter than trees is any day!" Her gold teeth sparkled in the moonlight. "''Deed so," agreed Hager emphatically. "Let''s move on down de block, Sister, an'' see what mo'' de Lawd has ''stroyed or spared this evenin''. He''s gin us plenty moonlight after de storm so we po'' humans can see this lesson o'' His''n to a sinful world." The two elderly colored women picked their way about on the wet walk, littered with twigs and branches of broken foliage. The little brown boy followed, with his eyes wide at the sight of baby-carriages, window-sashes, shingles, and tree-limbs scattered about in the roadway. Large numbers of people were out, some standing on porches, some carrying lanterns, picking up useful articles from the streets, some wringing their hands in a daze. Near the corner a small crowd had gathered quietly. "Mis'' Gavitt''s killed," somebody said. "Lawd help!" burst from Aunt Hager and Madam de Carter simultaneously. "Mister and Mis'' Gavitt''s both dead," added a nervous young white man, bursting with the news. "We live next door to ''em, and their house turned clean over! Came near hitting us and breaking our side-wall in." "Have mercy!" said the two women, but Sandy slipped away from his grandmother and pushed through the crowd. He ran round the corner to where he could see the overturned house of the unfortunate Gavitts. Good white folks, the Gavitts, Aunt Hager had often said, and now their large frame dwelling lay on its side like a doll''s mansion, with broken furniture strewn carelessly on the wet lawn--and they were dead. Sandy saw a piano flat on its back in the grass. Its ivory keys gleamed in the moonlight like grinning teeth, and the strange sight made his little body shiver, so he hurried back through the crowd looking for his grandmother. As he passed the corner, he heard a woman sobbing hysterically within the wide house there. His grandmother was no longer standing where he had left her, but he found Madam de Carter and took hold of her hand. She was in the midst of a group of excited white and colored women. One frail old lady was saying in a high determined voice that she had never seen a cyclone like this in her whole life, and she had lived here in Kansas, if you please, going on seventy-three years. Madam de Carter, chattering nervously, began to tell them how she had recognized its coming and had rushed to the cellar the minute she saw the sky turn green. She had not come up until the rain stopped, so frightened had she been. She was extravagantly enjoying the telling of her fears as Sandy kept tugging at her hand. "Where''s my grandma?" he demanded. Madam de Carter, however, did not cease talking to answer his question. "What do you want, sonny?" finally one of the white women asked, bending down when he looked as if he were about to cry. "Aunt Hager? . . . Why, she''s inside helping them calm poor Mrs. Gavitt''s niece. Your grandmother''s good to have around when folks are sick or grieving, you know. Run and set on the steps like a nice boy and wait until she comes out." So Sandy left the women and went to sit in the dark on the steps of the big corner house where the niece of the dead Mrs. Gavitt lived. There were some people on the porch, but they soon passed through the screen-door into the house or went away down the street. The moonlight cast weird shadows across the damp steps where Sandy sat, an

Details