Publisher Description

Winner of the 2018 Pulitzer Prize for BiographyWinner of the 2018 National Book Award for NonfictionA tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro -- the creative African Americans whose art, literature, music, and drama would inspireBlack people to greatness. In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sourcesof his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet hebecame most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations ofAmerican modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man.Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became -- in the process -- a New Negro himself.

Author Biography

Jeffrey C. Stewart is a professor of Black Studies at the University of California, Santa Barbara. He is the author of Paul Robeson: Artist and Citizen and 1001 Things Everyone Should Know About African American History.

Table of Contents

AcknowledgmentsSection I. The Education of Alain Locke1. A Death and a Birth2. A Black Victorian Childhood3. Child God and Black Aesthete4. An Errand of Culture at Howard College, 1904-19055. A Reluctant Prometheus: Locke's Intellectual Awakening at Harvard, 1905-19076. Going for the Rhodes7. Oxford Contrasts8. Black Cosmopolitan9. Paying Second Year Dues at Oxford, 1908-190910. Italy and America, 1909-191011. Berlin Stories12. Exile's Return13. Back in the U.S.S.R., 1911-191214. Search for a Voice at Howard University, 1912-191615. Rapprochement and Silence: Harvard, 1916-191716. Fitting in Washington, DC, 1917-1922Section II: Enter the New Negro17. Rebirth18. Queen Mother of the Movement, 1922-192319. Opportunity Knocks20. Egypt Bound21. Renaissance and Self-Fashioning in 192422. The Dinner and the Dean23. Battling the Barnes24. Looking for Love25. Survey Says26. Renaissance and Rejection27. The New Negro and The Blacks28. Beauty or Propaganda?29. The Curator and the Patron30. Langston's Indian Summer31. The American Scholar32. Loves' Labour LostSection III: Metamorphosis33. The Naked and the Nude34. The Saving Grace of Realism35. Bronze Booklets, Gold Art36. Warn A Brother37. The Riot and the Ride38. Conversion39. Two Trains Running40. Queer Toussaint41. The Invisible Locke42. FBI, Haiti, and Diasporic Democracy43. Inclusion and Death: Wisdom de Profundis44: Buried but not DeadEpilogueNotesSelected BibliographyIndex

Review

"Locke represents a biographical challenge of unusual difficulty. Superbly educated, dazzlingly intelligent, psychologically complicated, and a cultural analyst and visionary whose books and essays helped to shape our understanding of race and modern American culture, Locke could also be petty and vindictive, manipulative and cruel. Also stamping his identity was his brave commitment to living fully as a gay man, despite its various dangers. Jeffrey Stewart,rising superbly to this challenge, has given us one of the finest literary biographies to appear in recent years." - Arnold Rampersad, Stanford University"Jeffrey Stewart's long anticipated biography of the enigmatic Alain Locke fulfills its promise-and then some. It is magnificent! A panoramic portrait of one of the great thinkers, teachers, and literary entrepreneurs of the early twentieth century, The New Negro sheds fresh light on the intellectual firmament whose brightest star discovered African American modernism in an era of cosmopolitanism, colonialism, and catastrophe, and the man whosecomplex and tragic life left him defeated, unfulfilled, and underappreciated. . . . until now." - Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original"More than an account of Locke's professional and academic life, Stewart's book offers an integrated vision of Locke's professional and personal life and many details on the innermost aspects of Locke's personal life. This is without question one of the most comprehensive and insightful biographies of an important African American intellectual. Readers will be greatly rewarded for investing their time in its penetrating and revealing pages."- Jacoby Carter,CUNY John Jay College"Stewart creates a poignant portrait of a formidable yet flawed genius who navigated the cultural boundaries and barriers of his time while nurturing an enduring African-American intellectual movement."--Publishers Weekly, Starred Review"A magisterial biography... it brilliantly doubles as a history of the philosophical debates that girded black artistic triumphs early in the 20th century. A sweeping biography that gets deep into not just the man, but the movements he supported, resisted, and inspired."--Kirkus, Starred Review"[A] comprehensive, richly contextualized portrait of a key writer, educator, philosopher, and supporter of the arts."--Booklist, Starred Review"The New Negro: The Life of Alain Locke is a vitally important, astonishingly well researched, exhaustive biography of the brilliant, complex, flawed, utterly fascinating man who, if he did not start the movement, served as its curator, intellectual champion, and guiding spirit... It is difficult to imagine a more able chronicler of Alain Locke's singular journey than Mr. Stewart."--Wall Street Journal"In describing Locke's life as a black man, a thinker and fighter in social causes, and a homosexual, Stewart... must in a way describe many different Alain Lockes. That such a gripping and cohesive narrative could be forged out of such fractured material is no mean accomplishment... Locke himself was constantly re-inventing in a life that defied easy categorization. Jeffrey Stewart has written the definitive study that life has always warranted - and,fittingly, he's made it excellent reading in the process."--Christian Science Monitor"Majestic... [The New Negro is] a master class in how to trace the lineage of a biographical subject's ideas and predilections. The attachment and longing Locke experienced in relationships with his mother, friends and lovers exerted as much influence on his work as the texts he read and lectures he attended. One finishes Stewart's book haunted by the realization that this must be true for us all."--New York Times Book Review"Locke's achievement--and what is still more fascinating, his complex and contradictory personality--can now be appreciated in full, thanks to a monumental new biography... Drawing extensively on Locke's correspondence and archive, and offering a richly informed portrait of his milieu, The New Negro is a major biography of a kind that even writers more famous than Locke are lucky to receive."--Harvard Magazine"A masterpiece of sustained craft, research, and historical scope."--New York Journal of Books"Stewart's sprawling, magisterial labor of love comes as a reminder that in those Birth of a Nation days a century ago, when race relations were far worse than they are now, a fiercely independent philosopher of color set down visions of black American freedom beyond economic agendas, nationalist visions, and political protest. This book draws Alain Locke out of the shadows and bestows his legacy to artists of all colors and genders seeking freedomfrom narrow-minded expectations and fear-mongering hypocrisy."--Bookforum"The New Negro is a nuanced biography of a complicated, important figure in black and queer cultural history... Those brave enough to plunge in... will find much of interest to take away."--The Gay & Lesbian Review"Stewart's biography is no mere birth-to-death catalogue of Locke's deeds in life; it is comprised of exquisite intellectual detail that Stewart presents as the defining engine of his subject's development."--Black Perspectives"Jeffrey C. Stewart's comprehensive biography of Locke is a surprisingly gripping read... Locke's life story, beginning as a young black man who was born to a middle-class family in Philadelphia, and who was especially close with his mother, is compelling right from the beginning."--Vox

Promotional

Winner of the Pulitzer Prize for Biography

Prizes

Winner of Winner of the Pulitzer Prize for Biography Winner of the National Book Award for Nonfiction Finalist, NAACP Image Award for Outstanding Literary Work - Biography/ Autobiography Winner of the PROSE Award for Best Biography/ Autobiography from the Association of American Publishers Winner of The Mark Lynton History Prize Publishers Weekly Best Books of 2018 for Nonfiction Booklist 2018 Editors' Choice Booklist 2018 Editors' Choice Winner of the Black Caucus of the American Library Association Award for Nonfiction Finalist, The Museum of African American History Stone Book Award Finalist, Plutarch Award of the Biographers International Organization.

Long Description

A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the twentieth century to mentor a generation of young artists like Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro--the gender ambiguous, transformative, artistic African Americans whose art would subjectivize Black people and embolden greatness. Alain Locke (1885-1954) believed Black Americans were sleeping giant that could transform America into a truly humanistic and pluralistic society. In the 1920s, these views were radical, but by announcing a New Negro in art, literature, music, dance, theatre, Locke shifted the discussion of race from the problem-centered discourses of politics and economics to the new creative industries of American modernism. Although this Europhile detested jazz, he used the Jazz Age interest in Blackaesthetics to plant the notion in American minds that Black people were America's quintessential artists and Black urban communities were crucibles of creativity where a different life was possible in America. By promoting art, a Black dandy subjectivized Black people and became in the process a NewNegro himself.

Review Text

"Locke represents a biographical challenge of unusual difficulty. Superbly educated, dazzlingly intelligent, psychologically complicated, and a cultural analyst and visionary whose books and essays helped to shape our understanding of race and modern American culture, Locke could also be petty and vindictive, manipulative and cruel. Also stamping his identity was his brave commitment to living fully as a gay man, despite its various dangers. Jeffrey Stewart,rising superbly to this challenge, has given us one of the finest literary biographies to appear in recent years." - Arnold Rampersad, Stanford University"Jeffrey Stewart''s long anticipated biography of the enigmatic Alain Locke fulfills its promise-and then some. It is magnificent! A panoramic portrait of one of the great thinkers, teachers, and literary entrepreneurs of the early twentieth century, The New Negro sheds fresh light on the intellectual firmament whose brightest star discovered African American modernism in an era of cosmopolitanism, colonialism, and catastrophe, and the man whosecomplex and tragic life left him defeated, unfulfilled, and underappreciated. . . . until now." - Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original"More than an account of Locke''s professional and academic life, Stewart''s book offers an integrated vision of Locke''s professional and personal life and many details on the innermost aspects of Locke''s personal life. This is without question one of the most comprehensive and insightful biographies of an important African American intellectual. Readers will be greatly rewarded for investing their time in its penetrating and revealing pages."- Jacoby Carter,CUNY John Jay College"Stewart creates a poignant portrait of a formidable yet flawed genius who navigated the cultural boundaries and barriers of his time while nurturing an enduring African-American intellectual movement."--Publishers Weekly, Starred Review"A magisterial biography... it brilliantly doubles as a history of the philosophical debates that girded black artistic triumphs early in the 20th century. A sweeping biography that gets deep into not just the man, but the movements he supported, resisted, and inspired."--Kirkus, Starred Review"[A] comprehensive, richly contextualized portrait of a key writer, educator, philosopher, and supporter of the arts."--Booklist, Starred Review"The New Negro: The Life of Alain Locke is a vitally important, astonishingly well researched, exhaustive biography of the brilliant, complex, flawed, utterly fascinating man who, if he did not start the movement, served as its curator, intellectual champion, and guiding spirit... It is difficult to imagine a more able chronicler of Alain Locke''s singular journey than Mr. Stewart."--Wall Street Journal"In describing Locke''s life as a black man, a thinker and fighter in social causes, and a homosexual, Stewart... must in a way describe many different Alain Lockes. That such a gripping and cohesive narrative could be forged out of such fractured material is no mean accomplishment... Locke himself was constantly re-inventing in a life that defied easy categorization. Jeffrey Stewart has written the definitive study that life has always warranted - and,fittingly, he''s made it excellent reading in the process."--Christian Science Monitor"Majestic... [The New Negro is] a master class in how to trace the lineage of a biographical subject''s ideas and predilections. The attachment and longing Locke experienced in relationships with his mother, friends and lovers exerted as much influence on his work as the texts he read and lectures he attended. One finishes Stewart''s book haunted by the realization that this must be true for us all."--New York Times Book Review"Locke''s achievement--and what is still more fascinating, his complex and contradictory personality--can now be appreciated in full, thanks to a monumental new biography... Drawing extensively on Locke''s correspondence and archive, and offering a richly informed portrait of his milieu, The New Negro is a major biography of a kind that even writers more famous than Locke are lucky to receive."--Harvard Magazine"A masterpiece of sustained craft, research, and historical scope."--New York Journal of Books"Stewart''s sprawling, magisterial labor of love comes as a reminder that in those Birth of a Nation days a century ago, when race relations were far worse than they are now, a fiercely independent philosopher of color set down visions of black American freedom beyond economic agendas, nationalist visions, and political protest. This book draws Alain Locke out of the shadows and bestows his legacy to artists of all colors and genders seeking freedomfrom narrow-minded expectations and fear-mongering hypocrisy." --Bookforum"The New Negro is a nuanced biography of a complicated, important figure in black and queer cultural history... Those brave enough to plunge in... will find much of interest to take away."--The Gay & Lesbian Review"Stewart''s biography is no mere birth-to-death catalogue of Locke''s deeds in life; it is comprised of exquisite intellectual detail that Stewart presents as the defining engine of his subject''s development."--Black Perspectives"Jeffrey C. Stewart''s comprehensive biography of Locke is a surprisingly gripping read... Locke''s life story, beginning as a young black man who was born to a middle-class family in Philadelphia, and who was especially close with his mother, is compelling right from the beginning."--Vox

Review Quote

"Locke represents a biographical challenge of unusual difficulty. Superbly educated, dazzlingly intelligent, psychologically complicated, and a cultural analyst and visionary whose books and essays helped to shape our understanding of race and modern American culture, Locke could also be petty and vindictive, manipulative and cruel. Also stamping his identity was his brave commitment to living fully as a gay man, despite its various dangers. Jeffrey Stewart, rising superbly to this challenge, has given us one of the finest literary biographies to appear in recent years." --Arnold Rampersad, Stanford University

Promotional "Headline"

Winner of the Pulitzer Prize for Biography

Feature

Selling point: The definitive biography of Alain Locke--using previously unavailable primary sources and oral interviews with those who knew Locke personallySelling point: Modeled on Locke's key work and a cornerstone of the Harlem Renaissance, The New Negro: An Interpretation, which launched the idea of Black beautySelling point: Advances the work of gay and gender ambiguous artists in the Harlem Renaissance and other artistic movementsSelling point: Promotes Locke's revitalization of urban Black America, through local arts community centers in Black libraries, HBCUs, and neighborhoods around the nation

New Feature

Acknowledgments Section I. The Education of Alain Locke 1. A Death and a Birth 2. A Black Victorian Childhood 3. Child God and Black Aesthete 4. An Errand of Culture at Howard College, 1904-1905 5. A Reluctant Prometheus: Locke's Intellectual Awakening at Harvard, 1905-1907 6. Going for the Rhodes 7. Oxford Contrasts 8. Black Cosmopolitan 9. Paying Second Year Dues at Oxford, 1908-1909 10. Italy and America, 1909-1910 11. Berlin Stories 12. Exile's Return 13. Back in the U.S.S.R., 1911-1912 14. Search for a Voice at Howard University, 1912-1916 15. Rapprochement and Silence: Harvard, 1916-1917 16. Fitting in Washington, DC, 1917-1922 Section II: Enter the New Negro 17. Rebirth 18. Queen Mother of the Movement, 1922-1923 19. Opportunity Knocks 20. Egypt Bound 21. Renaissance and Self-Fashioning in 1924 22. The Dinner and the Dean 23. Battling the Barnes 24. Looking for Love 25. Survey Says 26. Renaissance and Rejection 27. The New Negro and The Blacks 28. Beauty or Propaganda? 29. The Curator and the Patron 30. Langston's Indian Summer 31. The American Scholar 32. Loves' Labour Lost Section III: Metamorphosis 33. The Naked and the Nude 34. The Saving Grace of Realism 35. Bronze Booklets, Gold Art 36. Warn A Brother 37. The Riot and the Ride 38. Conversion 39. Two Trains Running 40. Queer Toussaint 41. The Invisible Locke 42. FBI, Haiti, and Diasporic Democracy 43. Inclusion and Death: Wisdom de Profundis 44: Buried but not Dead Epilogue Notes Selected Bibliography Index

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