~Daniel Arsham~


Keyboard (FR-09), 2018




~MINT CONDITION and SOLD OUT~




Keyboard (FR-09), 2018
Plaster with glass fragments
3 3/10 × 26 1/4 × 9 1/4 in
8.4 × 66.7 × 23.5 cm



New York based artist Daniel Arsham straddles the line between art, architecture and performance. Raised in Miami, Arsham attended the Cooper Union in New York City where he received the Gelman Trust Fellowship Award in 2003. Architecture is a prevalent subject throughout his work; environments with eroded walls and stairs going nowhere, landscapes where nature overrides structures, and a general sense of playfulness within existing architecture. Arsham makes architecture do things it is not supposed to do, mining everyday experience for opportunities to confuse and confound our expectations of space and form. Simple yet paradoxical gestures dominate his sculptural work: a façade that appears to billow in the wind, a figure wrapped up in the surface of a wall, a contemporary object cast in volcanic ash as if it was found on some future archeological site.

Structural experiment, historical inquiry, and satirical wit all combine in Arsham’s ongoing interrogation of the real and the imagined. In 2004, Arsham participated in the group show Miami Nice at Galerie Emmanuel Perrotin (Paris), which began to represent Arsham in 2005. As one of the founders of the seminal Miami artist-run spaces, “The House”, his interest in collaboration began early. In 2004 legendary choreographer Merce Cunningham asked Arsham to create the stage design for his work eyeSpace. Following this Arsham toured with the Merce Cunningham Dance Company for performances in Australia, France, and multiple locations in the United States.


Arsham is represented by Galerie Emmanuel Perrotin in Paris, Hong Kong, New York, and Seoul, Moran Bondaroff in Los Angeles, Baro Galeria in Sao Paulo,  Pippy Houldsworth in London, and Galerie Ron Mandos in Amsterdam. 




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