Up for auction the "Ike & Tina Turner" P. P. Arnold Hand Signed 4X6 Card Mounted Display. This item is certified authentic by JG
Autographs and comes with their Letter of Authenticity.
ES-1764
Patricia Ann Cole (born October 3, 1946), known
professionally as P. P. Arnold, is an American soul singer. Arnold began her career as an Ikette with the Ike & Tina Turner Revue
in 1965. The following year she relocated to London to pursue a solo career.
Arnold enjoyed considerable success in the United Kingdom with her singles
"The First Cut Is the
Deepest" (1967) and "Angel of the Morning"
(1968). Arnold was born into a family of gospel singers, and performed as a vocal soloist for the
first time when she was four years old. Her family lived in the
African-American Watts neighborhood
of Los Angeles. She married early and had two children,
Kevin and Debbie. Arnold worked two jobs, one in an office and the other in
food manufacturing. In 1965, Maxine Smith, an ex-girlfriend of her brother,
contacted her with an offer. Smith and her friend Gloria Scott had
managed to arrange an audition for three girls to replace the original Ikettes, the dancer/singer troupe that provided vocal and
dance accompaniment for the Ike & Tina Turner Revue. Smith
contacted Arnold, whom she knew to be a singer. At the audition the three young
women were offered the job on the spot, but Smith persuaded Arnold to attend a
concert in Fresno that night
before making a final decision. When she arrived home at 6:00 the next morning,
Arnold's furious husband hit her. She left him immediately, and after placing
her children in the care of her parents, joined the Ike & Tina Turner
Revue.
As an Ikette, Arnold sang lead on the 1966 single "What'cha Gonna Do
(When I Leave You)," backed by Brenda Holloway and Patrice Holloway for Phil Spector's Phi-Dan Records. Arnold sang backing vocals on the Ike Turner
produced side of the album River Deep – Mountain High. She also appeared in the 1966 concert
film, The Big T.N.T Show.
Arnold quit the Ike & Tina Turner Revue in the fall of 1966 after their
tour with the Rolling Stones in
the UK. She remained in London to establish a solo career, with the
encouragement of Mick Jagger. Arnold noted
the difference between how she had been treated in America and how she was
received in England, saying, "A young black woman on her own in America in
a white environment would not have been treated as well as I was in England. Her
friendship with Jagger helped her land a solo contract with Immediate Records, a label founded by Rolling Stones
manager Andrew Loog Oldham. Arnold
enjoyed several major British hits on Immediate Records, including songs
written for her by Paul Korda, who wrote
"The Time Has Come" and released the solo album The First Lady of
Immediate. She also recorded songs written by Steve Marriott and Ronnie Lane from labelmates Small Faces, who backed her on several recordings; Arnold had
a brief romantic liaison with Marriott in 1967. She toured with the Small
Faces during 1967–68, made several TV appearances with them, and featured as
backing vocalist on two of their biggest hits, "Itchycoo Park" and "Tin Soldier". In 1968
she released the ambitious solo album Kafunta, with orchestral arrangements by John Paul Jones and including self-penned songs and
covers such as Angel of the Morning and Eleanor Rigby Other credits in this period include her
duet with Rod Stewart on the
single "Come Home Baby" (produced by Mick Jagger on Immediate
Records, with Ron Wood on guitar, Keith Richards on bass, Nicky Hopkins on electric piano, Keith Emerson on Hammond organ and the Georgie Fame Brass Section), as well as Chris Farlowe's version of the Motown standard "Reach Out (I'll Be There)"
(with Albert Lee on guitar and Carl Palmer on
drums). Her first backing band, the Blue Jays, had been inherited from American
soul singer Ronnie Jones and included former Bluesbreakers guitarist Roger Dean. This was
followed by the Nice, whose line-up was Keith Emerson
on organ, who had just quit the VIPs (later to be known as Spooky Tooth), David O'List on guitar, Lee Jackson on bass
and Ian Hague on drums. During this period she scored several hits, including
the original version of Cat Stevens' song "The First Cut Is the
Deepest" and "Angel of the Morning",
plus the Marriott-Lane song "(If You Think You're) Groovy".
After the collapse of Immediate Records in the late 1960s, Arnold signed
a production contract with the Robert Stigwood Organisation and released two singles on
the Polydor label,
produced by Barry Gibb, but a planned
album with Gibb was never completed. Between 1969 and 1970, she recorded eleven
songs which were produced by Gibb himself but only two of the songs "Bury Me Down By the River"
and "Give a Hand, Take a Hand" were released. In February 1970, she
sang harmony vocals on the song "Born" which was included on Gibb's debut solo album The Kid's No Good. In
1970 Arnold moved to the musical stage, appearing alongside P.J. Proby in the rock musical Catch My Soul.
She then formed a new backing band that included the future members of Ashton, Gardner and Dyke,
plus Steve Howe, who would soon
join Yes. During this period she renewed her association with Steve
Marriott, recording and touring with his new band Humble Pie (Rock On), as well as
contributing session musician backing
vocals for many notable UK and US recordings including the original 1970 album
recording of the rock musical Jesus Christ Superstar, Nick Drake's "Poor Boy", and recordings by Dr. John, Graham Nash, Gary Wright, Manassas, Nektar, Jimmy Witherspoon, Nils Lofgren and Eric Burdon. She toured with Eric Clapton, who also produced a number of unreleased
sessions with her; during these sessions she met American bassist Fuzzy Samuels
of Crosby, Stills, Nash &
Young, and they subsequently became involved romantically and had a
son, Kodzo. In 1974 she sang on Freddie King's album Burglar. Feeling out of place
in the rapidly changing British music scene of the mid-1970s, Arnold and
Samuels returned to her hometown of Los Angeles. While they were living there,
Arnold's relationship with Samuels ended; just two weeks after the split, her
daughter Debbie was killed in a car accident. After her daughter's death,
Arnold withdrew from public life for some time, not re-emerging until 1978. At
this time she was reunited with Barry Gibb, who wanted to complete the
never-finished solo album for her. In the event, Arnold was able to release
these recordings only in 2017, on her album The Turning Tide.