British Parliament 1925 Vintage Lithograph

  Thirteenth Century-style holy Chalice, by Rodolphi  - 1858 Color Lithograph

A Rarely Offered Lithograph

Minor age and handling wear

Print depicts: A Thirteenth Century-style holy chalice made by M. Rodolphi of Paris, circa 1850. The chalice is made from onyx with a gold stem, a rock crystal bulb in the stem and decorative enamels, rubies and turquoise. It was displayed at the Great Exhibition in London in 1851.
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A beautiful lithograph by Francis Bedford (1824-1913), copied from his own photographs taken at the museum at Marlborough House in 1853. Bedford began working as a lithographer in the 1840s, before he took up photography. From about 1850, he was employed by Day & Son, 'lithographers to the Queen', and worked on some of the most important illustrated art books of the nineteenth century.

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Great Piece of History

This is not a museum piece..this is a lithograph.

Size: This antique print is approx. 7" x 10" and has publisher's hand-stamp on reverse side.

Condition: Excellent - Very Good - Good - Fair - Poor (but of historical interest)

This is not a museum piece..this is a lithograph.

Minor age and handling wear

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Important: P/H is combined on multiple items that can be mailed together. BUT, with the new Ebay shopping cart, you must wait for combined invoice.

The Fine Print


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The Nature of Prints & Engravings: It was not until the 20th century that prints were commonly produced for the print itself. Prior to this, virtually all prints (and engravings) were produced as illustrations to be included in a manuscript, book, newspaper, or pamphlet. Therefore, a vast majority of original prints have been over the years removed from these original sources. Prints are produced using many different techniques: relief printing (woodcut & wood engraving), intaglio printing (steel & copper plate engraving, drypoint, aquatint, etc), and planographic printing (lithography, serigraphy, inkjet, laser, etc.).  While the commercial value of a print depends on such factors as age, rarity, and condition, the real value of a print is its tie to its history and/or its esthetic beauty.

History-On-Paper


Item #1222-O485