***Sally Silberberg began her professional career
in 1969 as a traditional production stoneware
potter producing utilitarian forms. Through the
following decade, she began working translucent porcelain, her glazes became painterly
abstractions, and her pots became vessels. In
the early 80’s, Silberberg experimented with
nerikomi, a technique uniting her interests in
color and sculptural form. Exploring the
vulnerabilities of the clay material through
large scale solid forms and movement in the
firing process, her work became an amalgam
of fissures and disruptions of lines that
converged three-dimensional forms. The
tension between graphic, two-dimensional
patterning within a three-dimensional structure
led Silberberg to painting, which thirty-years
later, is a continuation of the energy that grew
from the works in clay***
> Confirmed from Sally Silberberg that this was one of her early works and she was very surprised to see it again
> Age- Mid-Century Modern, c1970's
> Artist- Sally Silberberg (1945-)
> Attended the famous Nicklelviksskola School of Art, Stockholm, Sweden (1965-1966)
> Exhibitions include- Parrish art museum; 2nd International Ceramics Exhibition, Mino, Japan; East-West Contemporary Ceramics Exhibition, Seoul, Korea; Woodmere Museum, Philadelphia, PA; Everson Museum, Syracuse, NY; American Crafts Museum, New York City, NY; Renwick gallery, Washington D.C.
> Vase- One of her earlier works- around 1969-1979; early 1980's she began focusing her attention on contemporary sculptural forms (Can be currently seen with the Ferrin Contemporary Gallery)
> Material- Earthenware, Stoneware Ceramics
> Styling- Beginning of professional career was more a Utilitarian artist
> Size- Approximately 8.5" Tall x 6" Wide
> Weight- Approximately 2 lbs
> Condition- Pre-owned; Wonderfully cared for with no marks, damage or repairs (See Photos); Do not believe it was ever used
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