Fort Edmonton (also named Edmonton House) was the name of a series of trading posts of the Hudson's Bay Company (HBC) from 1795 to 1914, all of which were located on the north banks of the North Saskatchewan River in what is now central Alberta, Canada. It was one of the last points on the Carlton Trail, the main overland route for Metis freighters between the Red River Colony and the points west and was an important stop on the York Factory Express route between London, via Hudson Bay, and Fort Vancouver in the Columbia District. It also was a connection to the Great Northland, as it was situated relatively close to the Athabasca River whose waters flow into the Mackenzie River and the Arctic Ocean. Located on the farthest north of the major rivers flowing to the Hudson Bay and the HBC's shipping posts there, Edmonton was for a time the southernmost of the HBC's forts.

An 1880 wood-engraved illustration from a collection of pages from a period-published volume on world history renown for its artists and engravers (unfortunately often unidentified)

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Full page measures approx. 11-1/2” x 9”

 Published in 1880 in New York by D. Appleton & Co.

Unrelated text/pictures on Reverse

Condition: Excellent - Very Good - Good - Fair - Poor (but of historical interest)

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This is an Original Print - Not a Reproduction

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The Fine Print

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The Nature of Prints & Engravings: It was not until the 20th century that prints were commonly produced for the print itself. Prior to this, virtually all prints (and engravings) were produced as illustrations to be included in a manuscript, book, newspaper, or pamphlet. Therefore, a vast majority of original prints have been over the years removed from these original sources. Prints are produced using many different techniques: relief printing (woodcut & wood engraving), intaglio printing (steel & copper plate engraving, drypoint, aquatint, etc), and planographic printing (lithography, serigraphy, inkjet, laser, etc.). While the commercial value of a print depends on such factors as age, rarity, and condition, the real value of a print is its tie to its history and/or its esthetic beauty.

History-On-Paper

Item #124-AJ475