Publisher Description

The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of the compositional history of the work includes the first extended investigation and reconstruction of the
sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the
complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethoven's compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.

Author Biography

Professor in the School of Music, University of Illinois at Professor in the School of Music, University of Illinois at Urbana-Champaign. Urbana-Champaign.

Table of Contents

Editor's Preface
Introduction
Part I: The Process of Composition
1: The Interrupted Genesis of the Variations
2: The Early Sketches (1819)
3: The Late Sketches (1822-1823)
Part II. The Compositional Style
4
5: The Importance of Parody
6: Beethoven's Treatment of the Theme
7: The Opening Variations
8: The Middle Variations
9: Consolidation and Transfiguration
Part III: Transcriptions of the Sketches
10: Preface
11: Transcriptions
Bibliography of Works Cited
Index

Review

Praise for William Kinderman's recording of the Diabelli Variations: "The most outstanding Diabelli Variations to have appeared in age"--The Penguin Guide to Compact Discs
"As a scholar-performer Kinderman can be said to command the field at the moment."--Gramophone
"A solid and detailed study....There is much of interest here for scholars and inquisitive performers alike, and the book is recommended for graduate libraries and strong undergraduate collections."--Choice
"William Kinderman is a very rare bird. His book on Beethoven's Diabelli Variations must be one of the best monographs a musical masterpiece has ever received."--Alfred Brendel
"Yields valuable information and provocative commentary that should fascinate a wide audience....Greatly enhances an understanding of the Diabelli Variations."--The Beethoven Newsletter Praise for William Kinderman's recording of the Diabelli Variations: "The most outstanding Diabelli Variations to have appeared in age"--The Penguin Guide to Compact Discs
"As a scholar-performer Kinderman can be said to command the field at the moment."--Gramophone
"A solid and detailed study....There is much of interest here for scholars and inquisitive performers alike, and the book is recommended for graduate libraries and strong undergraduate collections."--Choice
"William Kinderman is a very rare bird. His book on Beethoven's Diabelli Variations must be one of the best monographs a musical masterpiece has ever received."--Alfred Brendel
"Yields valuable information and provocative commentary that should fascinate a wide audience....Greatly enhances an understanding of the Diabelli Variations."--The Beethoven Newsletter Praise for William Kinderman's recording of the Diabelli Variations: "The most outstanding Diabelli Variations to have appeared in age"--The Penguin Guide to Compact Discs
"As a scholar-performer Kinderman can be said to command the field at the moment."--Gramophone
"A solid and detailed study....There is much of interest here for scholars and inquisitive performers alike, and the book is recommended for graduate libraries and strong undergraduate collections."--Choice
"William Kinderman is a very rare bird. His book on Beethoven's Diabelli Variations must be one of the best monographs a musical masterpiece has ever received."--Alfred Brendel
"Yields valuable information and provocative commentary that should fascinate a wide audience....Greatly enhances an understanding of the Diabelli Variations."--The Beethoven Newsletter

Long Description

The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of the compositional history of the work includes the first extended investigation and reconstruction of the
sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate
Beethoven's compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.

Details