copyright 1901 / Campbell Art Company (AKA Alfred S. Campbell Art Company)

1901 PLATINUM PRINT, ART-RELIEVO 3D Embossed Bas Relief
Pictorialist, Antique Photograph by Rudolf Eickmeyer
Whistling Boy aka Barefoot Boy
fishing pole, straw basket, barefoot in bib coveralls on a dirt country road
6.75 inch x 8.75 inch
https://i.ebayimg.com/00/s/MTYwMFgxMjA4/z/TkkAAOSwzt9mAfUG/$_57.JPG?set_id=880000500F
PLATINUM PRINT. DOUBLEWEIGHT full bleed, hand printed on linen fiber paper of the correct vintage
Uncirculated, my personal collection. Not digital not reproduction. This rare print is in EXCELLENT condition.

Alfred S. Campbell was a photographer and entrepreneur. Born in England, he emigrated to the U.S. and managed Napoleon Sarony's studio. He founded Alfred S. Campbell Art Company in Elizabeth NJ, which was also known as AS Campbell Art Company. He then opened Campbell Studios, in New York City, with Rudolf Eickemeyer. Campbell's fine art photographs are in the Alfred Stieglitz Collection at the Metropolitan Museum of Art.

Eickmeyer (1862-1932) was an avid outdoorsman and amateur photographer of the Hudson River genre; Eickemeyer made good use of weekend travels to focus his camera on the landscapes and domestic scenes of Westchester County, New York, and his native Hoboken, New Jersey. His photographs of local environs combine the sense of discovery of survey photographs and the artistic concerns of Pictorialist composition. During the 1890s Eickemeyer achieved great success, winning many awards and medals in exhibitions. He was the second American (Stieglitz was the first) invited to join the elite London photography group, The Linked Ring. Unlike Stieglitz, who labored to win a place for photgraphy in museums and galleries alongside other fine arts, Eickemeyer endeavored to make it more accessible to a wider audience. He had no qualms about using his art for commercial means, producing advertisements for Kodak's foolproof cameras and opening a studio to take society portraits.

Campbell Art Company (AKA Alfred S. Campbell Art Company, Campbell Studio & Campbell Prints, Inc., American Publishers, c.1871-c. late 1930s) was originally founded by Alfred S. Campbell (English-American, 1840-1912) who was an English art photographer and commercial inventor. In 1867, Campbell was invited to come to the United States where he formed a partnership with Napoleon Sarony, under the Sarony name. Sarony had a great desire to gain access to Campbell’s patented photographic process, but within four short years, their business relationship dissolved. Campbell soon decided to move to New Jersey, where he built his state-of-the-art studio which had an onsite photo imaging production facility in Elizabeth, NJ initially calling it ‘Campbell Studios’. Aside from his art studio and patented photographic process for platinum photo-printing, Campbell also invented a panorama lens and held numerous patents for cameras and various paper products.

Over the years, the company specialized in reproductions of well-known artists' works, chromolithographs, various hand-colored prints & photographs finished in watercolor & oil, 'Apographs' (hand-colored rich brown photo-gelatin prints), platinum & carbon prints, stereograph cards, scenic views, postcards, portrait cabinet cards as well as portrait and theatrical photography for stage & screen, “Washington Prints” which included the best of the mural decorations in the Congressional Library, as well as Campbell's patented “Art-Relievo” platinum photographic prints which were 3-dimensional photographic reproductions in 'absolute relief' (embossed) that he sold in the late 1890s through the early 1900s (c1896-c1904). Campbell reproduced various master works, Native American Indian portraits/scenes, religious/inspirational scenes, genre scenes, boudoir images etc., by way of the Art Relievo process. What is also interesting about the Art Relievos is that, Campbell initially worked with the Carbon Studio in Manhattan, but soon hired one of their top employees, the well-known American pictorialist photographer, Rudolf Eickemeyer, Jr. (1862-1932) who later became art manager of Campbell's portrait studio at 564-568 Fifth Avenue in New York. While there, Eickemeyer, Jr. produced many of the early Art Relievo prints, carbon & platinum prints, as well as prints in watercolor, oil etc., and remained at Campbell Studios intermittently until 1915. The Art-Relievo prints came in various sizes (6.5 x 8" up to 15 x 60") and they were pretty expensive back in the day, ranging in price from $2-$50 each ($72- to $1,819- in today’s dollar for 2023). For whatever reason the Art Relievos seemed very short-lived; possibly because they were too expensive to make (with the molds & mold-machines needed), and many were sold with the extra deep frames which drove up cost too, or maybe people just couldn't afford them or they proved to be unpopular with the publicnot sure... On the open market, the Art Relievos don't tend to bring much at auction or via other online resources unfortunately, possibly because most people, various collectors or even many antique/fine art dealers don't really know what they are, but they are definitely an interesting and very cool patented print-process that should hopefully become more-collectible with time.

The Alfred S. Campbell Art Company also had gallery 'Art Rooms' located at 377-379 Broadway in New York City, their portrait studio located at 564-568 Fifth Avenue as well as a prints division called Campbell Prints, Inc., located at 33 West Thirty-Fourth Street, and at 59 West 19th Street. There were also divisions in Baltimore, MD and Charlestown, WV.

By 1900, the Alfred S. Campbell Art Co. had  branched out under the direction of William A. Morand in Manhattan at 538 5th Avenue which was called Campbell Studio. Morand had family & social connections in New York and built it into one of the most dominant companies in Manhattan at that time. Morand made a name for himself as one of the leading portraitists in the city. After Morand’s death in 1909, the company took an interest in theatrical photography and furthered their success with the entertainment industry with innovations in the new style of celebrity photography and portraiture.

By 1915, the company specialized in half-length portrait photos of screen and stage stars in the very fashionable dress styles of the times. They routinely supplied theaters and magazines with their photographs. They were a large force in the entertainment industry, but by 1925 the company had to take a corporate charter for $25,000 and by 1928 the company’s entertainment market had ended. They did manage to continue a commercial portrait studio through the 1930’s.

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The seeds of the Leslie/Lohman Gay Art Foundation were planted in 1968 when Fritz Lohman and Charles Leslie held a gallery show of gay erotic art in their Soho loft. In 1990 they became a foundation dedicated to preserving art which many in the art world used to destroy. Ed Cervone "Three Sailor's". Or perhaps Patrick Angus' Hanky Panky - set in an adult peep show movie house. Darold Perkins has taken an Arrow Shirt ad and turned it into an ad instead. Next in the Drawings and Prints category we particularly love Paul Cadmus; the explicit Andy Warhol drawings -- he wasn't Tom of Finland.... but much more than Campbell's Tomato Soup

We offer modern firsts, original photography, the arts, and gay erotica. You will also find a fine selection of signed copies, limited editions, and memorabilia because the goal is to deepen the pleasure of collecting.


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