Up for auction a RARE! "English Writer" John Mason Good Clipped Signature Mounted. 

ES-7516E

John Mason Good (25 May 1764 – 2

January 1827), English writer on medical, religious

and classical subjects, was born at Epping, Essex. John Good's parents were the Nonconformist minister Revd Peter Good and Sarah Good,

the daughter of another Nonconformist minister, Revd Henry Peyto of Great

Coggeshall. John Mason Good was named after the Puritan clergyman and hymn writer John Mason (1645-1694), of whom his mother Sarah was a

descendant. Good

attended a school at Romsey kept by his father. At about the age of 15 John

Good was apprenticed to a surgeon-apothecary at Gosport. In 1783 he went to London to practice his medical studies. In the autumn of

1784, he began to practice as a surgeon at Sudbury in Suffolk. There he was an acquaintance of Nathan Drake,

a fellow writer and student of Shakespeare. In 1793 Good removed to London, where he entered

into partnership with a surgeon and apothecary. But the partnership was soon

dissolved, and to increase his income, he began to devote attention to literary

pursuits. Besides contributing both in prose and verse to the Analytical and Critical

Reviews and the British and Monthly Magazines,

and other periodicals, he wrote a large number of works relating chiefly to

medical and religious subjects. In 1794 John Good became a member of the

British Pharmaceutical Society, and in that connection, and especially by the

publication of his work, A History of Medicine (1795), he did

much to effect a greatly needed reform in the profession of the apothecary. In

1795 the London Medical Society awarded him

their Fothergillian gold medal. In 1820, he took the diploma of M.D. at Marischal College, University of Aberdeen. He

died at Shepperton, Middlesex, on 2 January 1827. Good was not only well versed in

classical literature, but was acquainted with the principal European languages,

and also with Persian, Arabic and Hebrew. His prose works display wide erudition, but their

style is dull and tedious. His poetry never rises above pleasant and

well-versified commonplace. His translation of Lucretius, The Nature of Things (1805-1807),

contains elaborate philological and explanatory notes,

together with parallel passages and quotations from European and Asiatic

authors.