Publisher Description

In the decades before the Civil War, American society witnessed the emergence of a new form of print culture, as penny papers, mammoth weeklies, giftbooks, fashion magazines, and other ephemeral printed materials brought exuberance and theatricality to public culture and made the practice of reading more controversial. For a short yet pivotal period, argues Isabelle Lehuu, the world of print was turned upside down. Unlike the printed works of the eighteenth century, produced to educate and refine, the new media aimed to entertain a widening yet diversified public of men and women. As they gained popularity among American readers, these new print forms provoked fierce reactions from cultural arbiters who considered them transgressive. No longer the manly art of intellectual pursuit, reading took on new meaning; reading for pleasure became an act with the power to silently disrupt the social order. Neither just an epilogue to an earlier age of scarce books and genteel culture nor merely a prologue to the late nineteenth century and its mass culture and commercial literature, the antebellum era marked a significant passage in the history of books and reading in the United States, Lehuu argues. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |Examines the new form of print culture that emerged in antebellum America with the arrival of penny papers, fashion magazines, and giftbooks designed to entertain rather than to educate readers. As they gained popularity, these new print forms provoked fierce reactions from cultural arbiters.

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Examines the new form of print culture that emerged in antebellum America with the arrival of penny papers, fashion magazines, and giftbooks designed to entertain rather than to educate readers. As they gained popularity, these new print forms provoked fierce reactions from cultural arbiters.

Author Biography

Isabelle Lehuu is associate professor of history at the Universite du Quebec a Montreal.

Table of Contents

2000 The University of North Carolina Press ISBN 0-8078-2521-2 (Cloth) ISBN 0-8078-4832-8 (pbk.) 264 pp. -->Contents Acknowledgments Introduction 1. The Elusive Reading Revolution 2. Little Sheets of News and Varieties: The Penny Wonder in New York City 3. Mammoths and Extras: Staging a Spectacle in Print 4. Leaflets of Memory: Giftbooks and the Economy of the Gaze 5. The "Lady's Book" and the Female Vernacular in Print Culture 6. A Useful Recreation: Advice on Reading in the Age of Abundance Conclusion Notes Selected Bibliography IndexIllustrationsThe Newsboy, engraved by Richard W. Dodson after a painting by Henry Inman, in The Gift (1843) Title page, The Life of Helen Jewett, by George Wilkes (1849) Murder of Miss Mary Rogers, frontispiece in A Confession of the Awful and Bloody Transactions in the Life of Charles Wallace (1851) Masthead ornament, Boston Notion, February 1840 Our Place of Business

Review

""Carnival on the Page" draws on a rich palette of popular print sources for a thought-provoking portrait of antebellum culture that will be of interest to historians of the book, cultural critics, and literary scholars alike."--"Enterprise & Society" "[An] informed, thoughtful study of American antebellum print culture."--"American Historical Review" "The strength of the book lies in the convincing case made by Lehuu that antebellum print culture needs to be studied carefully in its own right rather than as a prelude to the events of the second half of the nineteenth century."--"The Journal of the Early Republic" "This book, which stresses cultural forms rather than political or social meanings and their implications, covers a range of literary forms, both mainstream and ephemeral."--"Journal of American History" "Through this framework, Lehuu offers a radically different view of American print culture between the 1830s and the 1850s. . . . In addition to offering provocative readings of antebellum print material, "Carnival on the Page" makes an important methodological contribution to history of the book scholarship."--"SHARP News" The strength of the book lies in the convincing case made by Lehuu that antebellum print culture needs to be studied carefully in its own right ."The Journal of the Early Republic" "This is a well-researched and produced book, appropriately supplied with a large number of illustrations."Times Literary Supplement"" "Carnival on the Page" draws on a rich palette of popular print sources for a thought-provoking portrait of antebellum culture."Enterprise & Society" This is a well-researched and produced book, appropriately supplied with a large number of illustrations."Times Literary Supplement" This book, which stresses cultural forms rather than political or social meanings and their implications, covers a range of literary forms."Journal of American History" YAn informed, thoughtful study of American antebellum print culture."American Historical Review" [An] informed, thoughtful study of American antebellum print culture."American Historical Review"

Review Quote

"Through this framework, Lehuu offers a radically different view of American print culture between the 1830s and the 1850s. . . . In addition to offering provocative readings of antebellum print material, Carnival on the Page makes an important methodological contribution to history of the book scholarship."-- SHARP News

Promotional "Headline"

" Carnival on the Page draws on a rich palette of popular print sources for a thought-provoking portrait of antebellum culture that will be of interest to historians of the book, cultural critics, and literary scholars alike."-- Enterprise & Society

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