Up for auction a RARE! "Radio Personality" Major Bowes Hand Signed 8X10 B&W Photo.
ES-7345
Edward
Bowes (June 14, 1874 –
June 13, 1946), professionally known as Major Edward Bowes, was
an American radio personality of the 1930s and 1940s whose Major Bowes Amateur Hour was
the best-known amateur talent show on radio during its 18-year run (1935–1952)
on NBC Radio and CBS Radio. Bowes’
father died when he was six years old, and young Edward worked as he could to
augment the family income. After leaving grammar school he worked as an office
boy, and then went into the real estate business, until the cataclysmic 1906 San Francisco
earthquake wiped out his fortune. He then moved to New York City in search of other opportunities, soon
realizing that the theatrical world was lucrative, and he worked busily in New
York as a musical conductor, composer, and arranger. He also produced Broadway shows such as Kindling in
1911–12 and The Bridal Path in 1913. He was married to Kindling star Margaret Illington from
1910 until her death in 1934; her portrait by Adolfo Müller-Ury had
been painted in 1906 for her first husband, theatre manager Daniel Frohman. He became managing director of New
York's Capitol Theatre,
which he ran with military efficiency. He insisted on being addressed as
"Major Bowes," a nickname that sprang from his earlier military rank,
though historians are divided on whether he was an active-duty officer in World War I or held the rank as a member of the Officer
Reserve Corps. Bowes brought his best-known
creation to New York radio station WHN in 1934. He had actually hosted scattered amateur
nights on smaller stations while manager of the Capitol. Within a year of its
WHN premiere, The Original Amateur Hour—its original name,
according to historian Gerald Nachman,
was Major Bowes and His Capitol Family—began earning its creator
and host as much as $1 million a year, according to Variety.[The
rapid popularity of The Original Amateur Hour made him better
known than most of the talent he featured. Some of his discoveries became
stars, including opera stars Lily Pons, Robert Merrill, and Beverly Sills; comedian Jack Carter; pop
singer Teresa Brewer; and Frank Sinatra, fronting a quartet known as the Hoboken Four when
they appeared on the show in 1935. The
show consistently ranked among radio's top ten programs throughout its run.
Bowes' familiar catchphrase "Round and round she goes, and where she stops
nobody knows," was spoken in the familiar avuncular tones for which he was renowned, whenever it
was time to spin the "wheel of fortune," the device by which some
contestants were called to perform. In the early days of the show, whenever a
performer was simply too terrible to continue, Bowes would stop the act by
striking a gong (a device that would be revived in the 1970s by Chuck Barris's infamous The Gong Show). Bowes heard from thousands of listeners
who objected to his terminating these acts prematurely, so he abandoned the
gong in 1936. Nachman recorded that Bowes, "a businesslike fellow with a
mirthless chuckle who, unlike most emcees,
had a gift for nongab," went out of his way to make contestants feel at
ease, often taking them to dinner before their appearances. Nachman credits
Bowes for featuring more black entertainers than many network shows of the
time. Major Bowes died on the eve of his 72nd birthday at his home in the New
Jersey suburb of Rumson, New Jersey.[4] The following week, his talent
coordinator Ted Mack took over
hosting duties. Nineteen months after Bowes' death, on January 18, 1948, the
program, with Ted Mack as host, debuted on the DuMont Television Network. As a
measure of the affection attached to Bowes' name, the show continued to be
called Major Bowes' Original Amateur Hour until the 1950-51
season, when it became simply Original Amateur Hour,
and in 1955 became Ted Mack and the Original Amateur Hour. Mack
continued to host the show throughout the remainder of its run, during which it
ran on all four major networks, until 1970. The radio version, also with Mack,
ran until 1952. Bowes was referred to in Cab Calloway's "I Love to
Singa" from the movie The Singing Kid (1936), and in the
Dorothy Fields lyrics for "Never Gonna Dance," from the
Astaire-Rogers film Swing Time (1936). He is also referenced in the
song I'm Still Here from
Sondheim's 1971 musical Follies. Bowes was a benefactor of the
Catholic Church. Our Lady of Victory Church in Lower Manhattan is built on land
donated by Bowes. Also, the auditorium at Archbishop Stepinac High School
in White Plains is named
in his honor. He donated some of the rare books at St. Joseph's Seminary,
Yonkers. In 1939, Major Bowes donated his multi-acre Ossining estate[5], known as "Laurel Hill," to the Lutheran
Church, where it is still being enjoyed as an ecumenical retreat center. Run by
a board of Lutheran lay persons and clergy, it is known as Major Edward Bowes
Memorial Retreat, and operates year-round for students, church, and community
groups in the greater New York metro area.