A Royal Pageant. 8 tracks.

Music for Pomp and Circumstance

Grand music for coronations, for ceremonial occasions, for matters of state and for formal dancing is brought together in this special album. 400 years of quintessentially British music, from Matthew Locke to Eric Coates, centred around the peerless style of Sir Edward Elgar, whose 'Pomp and Circumstance' marches are familiar to us all.

'Pomp and Circumstance': for many this phrase perfectly expresses the Edwardian spirit of Great Britain before the First World War. And the music of Sir Edward Elgar is itself the essence of Edwardian: music for a period of empire and glory, when Britain ruled the waves and presided over the largest empire ever seen. Indeed, the 'Empire March' was composed for a celebration of empire at the Wembley Exhibition of 1924 and it exudes the confidence of the Edwardian age, despite its date of composition. The two 'Pomp and Circumstance' marches heard here date from before and after the First World War: No 4 from 1907 and No 5 from 1930, when the Empire itself was crumbling and coming to an end. You can't tell this from the music: both works retain a sense of importance, of grandeur and worth. All of Elgar's marches are brilliant pieces of music, superbly orchestrated and technically perfect. The 'Coronation March' was composed for the coronation of George V in 1911. It is far more than an occasional work and has the true grandeur of a composition influenced by all the greatest symphonic composers of Europe - Brahms, Dvorak and Wagner amongst them - that Elgar had studied carefully in his youth.

Marches are perfect for a royal pageant, but brass music is too, and this album contains two superb suites of dances. Both feature English music from the seventeenth century. The first is suite created by Elgar Howarth using original music by, amongst others, Richard Dering, Anthony Holborne, Peter Philips and Thomas Tomkins. Peter Philips worked in England and Europe in the early years of the seventeenth century. Tomkins was an ardent royalist caught up in the terrifying events of the Commonwealth and the execution of Charles I. Matthew Locke worked for Charles II after the Restoration of the Monarchy. The 'Music for His Majesty's Sackbuts and Cornetts' was performed during the progress of the king from the Tower of London to Whitehall in April 1661 on the eve of his coronation: a true royal pageant!

Our programme also contains a smattering of twentieth-century music. Eric Coates' suite 'The Three Elizabeths' was written in 1944. The music looks back to the golden age of Elizabeth I, and 'Halcyon Days', in particular, captures a sense of the heroism and confidence of that period: perfectly timed for a country still locked in the bitter Second World War. Coates, like Elgar, was a brilliant master of the orchestra, although, of course, his musical expression was more that of light music than of the very serious utterances of Elgar. This brilliance is retained in this performance by the Royal Artillery Band. Sir William Walton's 'Coronation Te Deum' was written for the coronation of Elizabeth II in 1953. Walton had a long connection with music for pageantry: his 'Crown Imperial' march had been written for the previous coronation, that of George VI in 1937 and he had also been commissioned to compose another march for the 1953 coronation, 'Orb and Sceptre'. Walton's 'Te Deum' is grand and spacious, well-suited to Westminster Abbey, where it was first performed on 2 June.

Music for Royal Occasions. 17 tracks. 

Music for Royal Occasions The monarchy remains as popular as ever. Here is a programme of music for royal occasions, from coronations to weddings. Choirs, orchestras, military bands, organs and fanfare trumpets perform stirring music with plenty of good cheer, in a hearty programme of great British tunes. A part of the British psyche for centuries, the royal family and its institutions retain a place in the heart of the nation. State, church and monarchy are still inextricably linked, and the sounds of this album reflect this, with a combination of ceremonial music for processions and outdoor events, together with music which would be heard inside one of the great cathedrals of London, for a coronation, a marriage, or an anniversary celebration. And, just as the British do these sorts of things the best, so its composers have risen again and again to the challenge of providing appropriate music which captures the spirit of the moment - and of the nation as a whole. Even Handel, that honorary Englishman, caught the mood with his 'Fireworks' music. And before him, Henry Purcell, organist at Westminster Abbey, wrote tunes which have become patriotic favourites, beloved of people of all ages, and frequently heard at weddings, of commoners or royalty! Sir Edward Elgar's stirring music never ceases to move, whether it is heard - and sung - by crowds gathered at royal events, the Last Night of the Proms, or even on the football terraces! Many other composers are famous almost only for a single, royal work, such as Sir Thomas Arne, whose 'Rule, Britannia' was composed for a royal birthday in the mid-eighteenth century. The military bands which appear on this album can often be heard on state occasions, whether to accompany the daily ritual of the changing of the guard at Buckingham Palace, or for more grand events in the public spaces of our biggest cities. Along with organs, orchestras and choirs, they add an excellent blend of sound to this uplifting album.

A part of the British psyche for centuries, the royal family and its institutions retain a place in the heart of the nation. State, church and monarchy are still inextricably linked, and the sounds of this album reflect this, with a combination of ceremonial music for processions and outdoor events, together with music which would be heard inside one of the great cathedrals of London, for a coronation, a marriage, or an anniversary celebration. And, just as the British do these sorts of things the best, so its composers have risen again and again to the challenge of providing appropriate music which captures the spirit of the moment - and of the nation as a whole. Even Handel, that honorary Englishman, caught the mood with his 'Fireworks' music. And before him, Henry Purcell, organist at Westminster Abbey, wrote tunes which have become patriotic favourites, beloved of people of all ages, and frequently heard at weddings, of commoners or royalty!

Sir Edward Elgar's stirring music never ceases to move, whether it is heard - and sung - by crowds gathered at royal events, the Last Night of the Proms, or even on the football terraces! Many other composers are famous almost only for a single, royal work, such as Sir Thomas Arne, whose 'Rule, Britannia' was composed for a royal birthday in the mid-eighteenth century.

The military bands which appear on this album can often be heard on state occasions, whether to accompany the daily ritual of the changing of the guard at Buckingham Palace, or for more grand events in the public spaces of our biggest cities. Along with organs, orchestras and choirs, they add an excellent blend of sound to this uplifting album.