For Set Amsterdam, Dana Lixenberg photographed dozens of Amsterdam locations featured in the Dutch drama series Adam E.V.A. by Norbert ter Hall and Robert Alberdingk Thijm. Fascinated by the multitude and variety of the more than 180 locations used in the script for the television series, she decided to make a photo series of the city she left for New York more than twenty years ago: her birthplace, Amsterdam. She captures the city in the style of a film set, devoid of people, yet created and designed by its current and former inhabitants.

She is the winner of the Deutsche Boerse Photography Prize 2017.

Dana Lixenberg is known for her stripped-down portraits that revel in the elemental characteristics of her subjects. She uses a large-format field camera – a cumbersome tool, which necessitates what the artist refers to as a ‘slow dance’ between her and her subjects. The resulting portraits contain an enormous amount of detail and texture, and are as revelatory as a personal encounter. The power of the work arises from its intimacy, compositional rigor and, importantly, the absence of social stereotyping. Lixenberg has been predominantly active in the United States, and her thorough understanding of the country and its society seeps through palpably in her work.

Besides her extensive editorial practice, for which she photographed many cultural icons, she pursues long-term projects with a primary focus on marginalized communities. These projects include Jeffersonville, Indiana (2005), a collection of landscapes and portraits of a small town’s homeless population and The Last Days of Shishmaref (2008), which portrays an Inupiaq community on an eroding island off the coast of Alaska. Lixenberg’s most extensive body of work to date is Imperial Courts, 1993-2015 (2015), which she begun in the aftermath of the 1992 Rodney King riots. Spanning 22 years, the project tracks the changing shape of an underserved community in Watts, Los Angeles. In contrast to the often one dimensional, sensationalized media coverage of this neighborhood, Lixenberg employs a more subdued and collaborative photographic approach. Like her other projects, Imperial Courts consists of a series of photographs and a publication. Exploring other media for the first time, Lixenberg also included audio recordings and created a three-channel video installation. The project was awarded the Deutsche Börse Photography Foundation Prize in 2017 and continues to be exhibited internationally.

Dana Lixenberg lives and works in Amsterdam (NL) and New York, NY (US). She studied photography at the London College of Printing (UK) from 1984 to 1986, and at the Gerrit Rietveld Academie in Amsterdam (NL) from 1987 until 1989. Her work is collected widely and has been exhibited at institutions such as Aperture Foundation, New York, NY (US); Mai Manó Ház, Budapest (HU); Rijksmuseum, Amsterdam (NL); Centre Photographique, Rouen (FR); MMK, Frankfurt am Main (DE); The Photographers’ Gallery, London (UK); Busan Biennale (KR); Huis Marseille, Amsterdam (NL); LACP, Los Angeles, CA (US); Fotomuseum Den Haag, The Hague (NL) and Stedelijk Museum, Amsterdam (NL).