The 4th studio album by KG&TLW released in 2014 featuring a collection of odd songs recorded between 2007-2014. Originally limited to 500 copies. Pyschedelic rock/pop.ú Re-designed Gatefold of Original Art by Jason Galeaú Grimace Purple-Colored Vinylú Gatefold Jacket with Inner Sleeve.
Oddments is the fourth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 7 March 2014 on Flightless. King Gizzard & the Lizard Wizard formed in 2010 in Melbourne, Victoria. The release of their first two albums, 12 Bar Bruise (2012) and Eyes Like the Sky (2013) primarily blended surf music, garage rock and psychedelic rock into the band's sound. They were also the debut releases of the band's independent record label, Flightless, founded by Moore in 2012. Their third to eighth albums - Float Along - Fill Your Lungs (2013), Oddments, I'm in Your Mind Fuzz (2014), Quarters!, Paper Mâché Dream Balloon (2015) and Nonagon Infinity (2016) - expanded their sound, including elements of film music, progressive rock, folk, jazz, soul and heavy metal.
Oddments is the album where King Gizzard & the Lizard Wizard start to come into their own as a concept and a band. After making cranked-up garage rock records, spaghetti western soundtracks, and records where they sound like they were trying on styles as easily as one might try on new socks, this is where all the genres and effects start to blend together into a sound that is King Gizzard's alone. At times, it tips alarmingly in the direction of lo-fi production, and there are a few songs that are almost throwaways (like the silly "Hot Wax"), but the overall feel is more relaxed and confident as it blends garage rock, psychedelic, and left-of-the-dial pop into a heady, unmistakable blend. Tracks like the soft-focus psych ballad "Stressin'," or the trippy folk-rock "Crying," have an easy confidence that allows the band to play calmly and still transmit the same energy as their crazed garage tracks. There are a couple of those here and they sound even more unhinged than past efforts, especially the 17-second-long "ABABCd." They also stretch their sound in interesting directions, like on "Alluda Majaka," which kicks the record off with some groovy Bollywood-inspired jamming. The only thing lacking from the record is higher production values, but that's not enough to ruin the experience, and this is the most interesting of the band's early albums.