Flora Vase Andries Dirk Copier Leerdam

Presenting the iconic Flora glass vase designed by AD Copier for Leerdam, a true testament to Dutch design excellence. Crafted in the 1930s, this exquisite piece features clear purple glass, expertly manipulated to showcase mesmerizing vertical and horizontal banding, culminating in a bottom edge lip that adds both charm and functionality.

Originating from the renowned Leerdam glassworks, this masterpiece embodies the essence of Art Deco design, a movement characterized by elegance, geometric shapes, and luxurious materials. The 1930s marked a pivotal period in design history, where innovation flourished amidst the backdrop of societal and artistic transformation.

Crafted with meticulous attention to detail, this Flora vase stands at a majestic height of 26cm with a diameter of 20cm, commanding attention in any space it graces. Its striking purple hue adds a touch of opulence, while the glass material reflects light in captivating ways, enhancing the ambiance of its surroundings.

An embodiment of timeless sophistication, this Flora vase not only serves as a stunning decorative piece but also a tangible link to a bygone era of artistic ingenuity. With its exceptional condition and impeccable craftsmanship, it stands as a testament to the enduring legacy of AD Copier and the Leerdam glassworks.

Own a piece of design history and elevate your space with this remarkable Flora vase, where beauty, craftsmanship, and history converge in perfect harmony.

Andries Dirk (A.D.) Copier

THE NETHERLANDS 1901 - 1991Andries Dirk Copier (1901-1991) is considered the most important Dutch glass artist of the 20th century. Copier’s work was influenced by the most recent technical discoveries, resulting in personal contemporary designs. Early in his career he was appointed as designer at the Leerdam Glasfabriek (Leerdam Glassworks), where he was given the opportunity to experiment. Together with his team he discovered a wide range of techniques for both utility and one-off ‘Unica’ pieces, such as the use of tin crackle effects, enamel powders, and free formed bubbles and ribs. His designs for utility glass, such as the ‘gildeglas’, are still in production. His Unicas brought him international fame. Introduced in 1925 as ‘Leerdam Unica’, these experimental glass objects are regarded as the predecessors of the Studio Glass Movement and show glass as an art object in its own right.

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