The Sony FX3 Cinema camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance, streamlined operation and multiple pro video functions to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle.
The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.
The full-frame sensor enables high sensitivity with low noise throughout the camera’s range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera’s high sensitivity and wide dynamic range expand your flexibility in post-production.
You can record full-frame 4K (QFHD) at up to 120fps6 with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)7. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.
For uninterrupted 4K 60p recording, the Sony FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.
Facilitating improved image quality and more flexible and efficient editing in post production, the Sony FX3 cinema camera supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K10 workflows, with a choice of frame rates (60p/50p/30p/25p/24p).
XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.
S-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3 capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.
Focus control is fast and intuitive, to ensure you have full creative control of the FX3’s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject’s colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.
Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera’s Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording, even while walking. With this unprecedented level of stabilisation it’s possible to shoot with the camera only, taking advantage of the compact size and mobility.
Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It’s fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the Sony FX3’s powerful AF technology.
Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers’ work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.
The Sony FX3 full frame cinema camera is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot17 large touch panel LCD has high visibility and clarity.
For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. Sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
The camera’s two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
We highly advise against updating to the latest Sony Firmware version for the following reasons:
The battery percentage display will only be available if you exclusively use Sony batteries. Initially, it may appear for a brief moment, but subsequently, a warning message will appear and the display will disappear.
Most significantly, the PAL/NTSC selector function disappears entirely.
If you have chosen to update to the latest firmware, it’s important to note that we will be unable to restore the PAL/NTSC selector function under the warranty.
Thank you for your attention to this matter.
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