RedDotSound Jnr - Vintage Fuzz with NOS Transistors and Bias Control

Brand new in un-opened box

Hand built by the GOAT Marcus Reeves!

From website:

This is my homage to the solosound ToneBender MK2 Fuzz circuit. With an added external bias control, this is a circuit where the hot or cold biasing can make a huge difference to the tone. both usable and distinct.

Built point to point using a very sort after combination of vintage silicon transistors, and high spec new components. Built using JB and Vishay capacitors, Lumburg jacks and alpha pots. With fixed fuzz or 'attack' this pedal can cover ground between both the MK1 and 2

AHHH Silicon ... I hear all the Ge nerds muttering. I can honestly say that with carefully chosen and measured components the actual differences between Si and Ge in this circuit are much more subtle than you would believe. Have a listen to the demo and see for your self...

( 'Tonebender' is a trademark of Solosound Ltd - they are also awesome) .

This fuzz is my homage to the Solasound Tonebender*. Using my own tweaked version of the Mk2 circuit, but voiced closer to the MK1. Using a matched pair of super rare vintage 'New Old Stock' TO106' ME c1016 RedDot silicon transistors from Aug 1975, and a single RCA 2n3053 from 1977 I have enough of these transistors for over a thousand units, so theres no chance of running low soon.

The tone is very much classic ToneBender*, think Mick Ronson on Ziggy Stardust. The bias control is the key on this pedal, With careful dialling you can find all sorts of sweet spots. Stay clockwise for thick, chewy, loud open and dynamic fuzz, as you turn anti clockwise the fuzz will increase and Mids will start to come forward, continue anti clockwise, for brighter cutting MK1 territory.

To dial the classic MK2 voice, mute the strings and turn the bias control till the background hiss just fades. This is the point where the transistors are switched off, however the moment you touch the strings they come to life. This is very much a feature of the Mk2.

Turn the bias further clockwise and the attack becomes more spitty and 'stop start' until no signal will pass.

Bass boost / stock switch does pretty much what it says on the tin.

Unlike the BlackHatSound the clean up from the guitar volume is very different. with the bias fully clockwise, Your guitars volume will act more like a gain control for the first quarter turn down giving you some very clear and dynamic tones. With the bias further anti clockwise the clean up starts to get more brittle and spitty .

In all if you like your Fuzz with lots of bite and vintage mojo but still with plenty of tight bass this is the pedal for you.