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Compositions from the Tragedies of Aeschylus

John Flaxman; Thomas Piroli

1795

Not Identified : London

13" by 18"

[2], 30pp

 

  

SUMMARY

 An excellent and scarce, first edition of these illustrations by leading figure in European Neoclassicism, John Flaxman.

First Edition,Illustrated,Leather Binding,Pleasing Copy,Scarce

Overall Condition: Very Good Indeed

This book weighs 0.75 KG when packed

UK Postage: £ 3.99

US Postage: £ 19.99

EU Postage: £ 15.99

European Postage: £ 16.99

Asia Postage: £ 21.99

Worldwide Postage: £ 25.99


DESCRIPTION

These illustrations were commissioned by Lady Spencer, as noted to the title page 'The original Drawings in the Posession of the Countess Dowager Spencer'.

Undated, to the title page, and to the engravings, which identifies this copy as the first printing of 1795 according to British library entry on Jisc.

'Compositions from the Tragedies of Aeschylus' was designed by John Flaxman, engraved by Thomas Prioli.

Collated, complete with 30 monochromatic plates.

John Flaxman was an English sculptor, illustrator, designer, and leading artist of the Neoclassical style in Britain and Europe. Flaxwell is best remembered for iconic flat, clean and linear style employed within his book illustrations that contributed much to the spread of Neoclassicism in England. Due to the popularity and vast influence of this style Flaxwell was commissioned by notable names such as Georgiana Hare-Naylor, Thomas Hope and Lady Spencer to design illustrations for the works of a variety of classical authors and poets, including Aeschylus, as seen within this copy.

A smart copy of this scarce work.


CONDITION

In a quarter morocco binding with cloth covered boards. Externally, generally smart with patches of rubbing to the spin and joints. Internally, firmly bound. Pages are bright with just the odd spot.

Overall Condition: Very Good Indeed 

 

GLOSSARY OF TERMS

 

Overall Condition

(Dustwrapper condition rating is shown after that for the book itself, where a dustwrapper is present)

Fine - Very well preserved copy showing very little wear

Very Good Indeed - Only one or two minor faults, really a very attractive copy

Very Good - Quite a wide term meaning no major faults but probably several smaller ones

often expected given the age of the book, but still a respectable copy

Good - Meaning not very good. Some more serious faults as will

be described in the condition report under 'condition'

Good Only - Meaning one or more faults that could really do with repair

Fair - As with good only above but with other faults

leaving a compromised copy even after repair

Poor - Really bad and possibly seriously incomplete.

We only sell books in this condition where their rarity or value makes them 

attractive none the less. Major defects will be described.

  

GUARANTEE

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