- Polish Release, cover may contain Polish text/markings. The disk has English audio and subtitles.
Peter Parker (Tobey Maguire) finally has the girl of his dreams, Mary Jane Watson (Kirsten Dunst), and New York City is in the throes of Spider-mania! But when a strange alien symbiote turns Spider-Man's suit black, his darkest demons come to light - changing Spider-Man inside as well as out. Spider-Man is in for the fight of his life against a lethal mix of villains - the deadly Sandman (Thomas Haden Church), Venom (Topher Grace), and the New Goblin (James Franco) - as well as the enemy within himself. From . How does Spider-Man 3 follow on the heels of its predecessor, which was widely considered the best superhero movie ever For starters, you pick up the loose threads from that movie, then add some key elements of the Spidey comic-book mythos (including fan-favorite villain Venom), the black costume, and the characters of Gwen Stacy and her police-captain father. In the beginning, things have never looked better for Peter Parker (Tobey Maguire): He's doing well in school his alter ego, Spider-Man, is loved and respected around New York City. And his girlfriend, Mary Jane Watson (Kirsten Dunst), has just taken a starring role in a Broadway musical. But nothing good can last for Spidey. Mary Jane's career quickly goes downhill she's bothered by Peter's attractive new classmate, Gwen Stacy (Bryce Dallas Howard) and the new Daily Bugle photographer, Eddie Brock (Topher Grace), is trying to steal his thunder. Enter a new villain, the Sandman (Thomas Haden Church), who can transform his body into various forms and shapes of sand and who may be connected to Peter's past in an unexpected way. There's also the son of an old villain, Harry Osborne (James Franco), who unmasked Spidey in the previous movie and still has revenge on his mind. And a new black costume seems to boost Spidey's powers, but transforms mild-mannered Peter into a mean and obnoxious boor (Maguire has some fun here). If that sounds like a lot to pack into one 140-minute film, it is. While director Sam Raimi keeps things flowing, assisted on the screenplay by his brother Ivan and Alvin Sargent, there's a little too much going on, and it's inevitable that one of the villains (there are three or four, depending on how you count) gets significantly short-changed. Still, the cast is excellent, the effects are fantastic, and the action is fast and furious. Even if Spider-Man 3 isn't the match of , it's a worthy addition to the megamillion-dollar franchise. --David Horiuchi Synopsis The Marvel comics hero returns for more high-flying fun in this third instalment in the series. Peter Parker (Tobey Maguire) is up to his usual Spidey tricks, attending university classes as an awkward geek, then quickly slipping into his red-and-blue suit to save New York City from various villains. And there are villains aplenty. Thomas Hayden Church blows in as the Sandman, an escaped convict whose molecular structure is destroyed in a particle accelerator. The freak accident gives him the ability to form and reform from piles of dust. While the Sandman sifts through the city streets robbing banks, Spidey must also contend with his onetime friend, Harry (James Franco), who has taken up where his father, the Green Goblin, left off. Harry chases Spider-Man down on his goblin glider, hurling pumpkin bombs. But Spider-Man's biggest battle is perhaps within himself, when he is taken over by meteorite ooze--a substance that gives him great power, but also turns him into a vengeful, selfish person. Throw into the mix Peter's new competition at the Daily Bugle--the ambitious, sneaky Eddie Brock (Topher Grace)--and Peter's relationship troubles with Mary Jane (Kirsten Dunst), and Spider-Man 3 weaves a tangled web indeed. Director Sam Raimi's playful style and his delightfully campy screenplay hold true to the spirit of the Stan Lee comics, and he does an excellent job of hitting all the right superhero notes. Raimi has created an action film that is a feast for the eyes, but comes with fully rounded characters and a moving moral lesson to boot. The special effects are astounding, but Raimi makes sure the film isn't all action and no talk--he makes Peter's struggle a human one, and one that we can all relate to, regardless of our web-spinning ability.
