Johann Sebastian Bach: Goldberg Variations BWV 988, Gile Bae - Hybrid SACD

Tube Processed Digital Master / natural sound recording / HiFi Reference Gile Bae - Piano ARIA 3’47” VARIATION 1 1’52” VARIATION 2 1’19” VARIATION 3 CANONE ALL’UNISONO 1’37” VARIATION 4 1’09” VARIATION 5 1’18” VARIATION 6 CANONE ALLA SECONDA 1’00” VARIATION 7 AL TEMPO DI GIGA 2’08” VARIATION 8 1’51” VARIATION 9 CANONE ALLA TERZA 1’24” VARIATION 10 FUGHETTA 1’26” VARIATION 11 1’42” VARIATION 12 CANONE ALLA QUARTA 2’03” VARIATION 13 5’33” VARIATION 14 1’51” VARIATION 15 CANONE ALLA QUINTA IN MOTO CONTRARIO ANDANTE (G MINOR) 4’06” VARIATION 16 OUVERTURE 2’54” VARIATION 17 2’01” VARIATION 18 CANONE ALLA SESTA 1’23” VARIATION 19 1’07” VARIATION 20 1’52” VARIATION 21 CANONE ALLA SETTIMA (G MINOR) 2’08” VARIATION 22 ALLA BREVE 1’26” VARIATION 23 2’04” VARIATION 24 CANONE ALL’OTTAVA 2’15” VARIATION 25 ADAGIO (G MINOR) 9’27” VARIATION 26 1’57” VARIATION 27 CANONE ALLA NONA 1’40” VARIATION 28 2’29” VARIATION 29 2’03” VARIATION 30 QUODLIBET 1’47” ARIA FINALE 3’49” Total Time 69’48 This record was made in Milan in the Sala dell'Ermellino whose walls return a rareacoustic in the memory of Leonardo da Vinci who worked a few steps away on his “Last Supper.”Here was his vineyard, a meeting place, certainly with Josquin Desprez, a Flemish composer admired by Luther, and came to Milan in the 15th century to accompany the marvellous singers of the cathedral. Conceived, recorded and produced by Giulio Cesare RicciRecorded in “Sala dell’Ermellino” Casa della Musica, MilanoRecording date 4-5 November 2019Recording assistant: Paola LiberatoValve microphones: Neumann U47, U48Mike pre-amplifi ers, cables (line, digital, microphone, supply): SignoricciRecorded in stereo DSD on the Pyramix Recorder using dCS A/D and D/A convertersPhotos by Guido TaroniLa masterizzazione per il SuperAudioCD è stata eff ettuata da Giulio Cesare Ricci utilizzandoil sistema Signoricci interamente analogico e valvolare.C & P 2020 Audiophile ProductionsNo editing. All the tracks on this record are heard as they were performed

Johann Sebastian Bach: Goldberg Variations BWV 988, Gile Bae - Hybrid SACD

Tube Processed Digital Master / natural sound recording / HiFi Reference

Gile Bae - Piano

ARIA 3’47”
VARIATION 1 1’52”
VARIATION 2 1’19”
VARIATION 3 CANONE ALL’UNISONO 1’37”
VARIATION 4 1’09”
VARIATION 5 1’18”
VARIATION 6 CANONE ALLA SECONDA 1’00”
VARIATION 7 AL TEMPO DI GIGA 2’08”
VARIATION 8 1’51”
VARIATION 9 CANONE ALLA TERZA 1’24”
VARIATION 10 FUGHETTA 1’26”
VARIATION 11 1’42”
VARIATION 12 CANONE ALLA QUARTA 2’03”
VARIATION 13 5’33”
VARIATION 14 1’51”
VARIATION 15 CANONE ALLA QUINTA IN MOTO CONTRARIO ANDANTE (G MINOR) 4’06”
VARIATION 16 OUVERTURE 2’54”
VARIATION 17 2’01”
VARIATION 18 CANONE ALLA SESTA 1’23”
VARIATION 19 1’07”
VARIATION 20 1’52”
VARIATION 21 CANONE ALLA SETTIMA (G MINOR) 2’08”
VARIATION 22 ALLA BREVE 1’26”
VARIATION 23 2’04”
VARIATION 24 CANONE ALL’OTTAVA 2’15”
VARIATION 25 ADAGIO (G MINOR) 9’27”
VARIATION 26 1’57”
VARIATION 27 CANONE ALLA NONA 1’40”
VARIATION 28 2’29”
VARIATION 29 2’03”
VARIATION 30 QUODLIBET 1’47”
ARIA FINALE 3’49”

Total Time 69’48

This record was made in Milan in the Sala dell'Ermellino whose walls return a rare
acoustic in the memory of Leonardo da Vinci who worked a few steps away on his “Last Supper.”
Here was his vineyard, a meeting place, certainly with Josquin Desprez, a Flemish composer admired by Luther, and came to Milan in the 15th century to accompany the marvellous singers of the cathedral.

Conceived, recorded and produced by Giulio Cesare Ricci
Recorded in “Sala dell’Ermellino” Casa della Musica, Milano
Recording date 4-5 November 2019
Recording assistant: Paola Liberato
Valve microphones: Neumann U47, U48
Mike pre-amplifi ers, cables (line, digital, microphone, supply): Signoricci
Recorded in stereo DSD on the Pyramix Recorder using dCS A/D and D/A converters
Photos by Guido Taroni
La masterizzazione per il SuperAudioCD è stata eff ettuata da Giulio Cesare Ricci utilizzando
il sistema Signoricci interamente analogico e valvolare.
C & P 2020 Audiophile Productions
No editing. All the tracks on this record are heard as they were performed