Your attention :

UNIQUE AUTHOR'S WORK ON SKETCHES AND PROBABLY WITH THE DIRECT PARTICIPATION OF MALEVICH K, S

A SQUARE-SHAPED TEAPOT WITH SUPREMATIC MATIVES COMPLETED WITH FANTASTIC COLOR FORMS.

THE VOLUME OF THE KETTLE IS ABOUT 1 LITER, DIMENSIONS 10x10x10 cm AND HEIGHT WITH THE LID 16.5 CM.

MAJOLICA, ENAMEL (CRAQUELURE)

THE NUMBER 10 HAD A SPECIAL SIGNIFICANCE FOR MALEVICH K,S ,,,,,,,,,, REMEMBER HIS EXHIBITION

"" The last futuristic exhibition of paintings "0.10" - an art exhibition held at the art bureau of Nadezhda Dobychina on the Field of

Mars in Petrograd from December 19, 1915 to January 17, 1916 ""

ON THE KETTLE THERE IS A MUSEUM INVENTORY TAG ,,,, WHICH SAYS

Museum Bureau

fine arts

ID 538

sketch by K.S. Malevich

experimental workshop 20s

SEPARATELY MADE THE MOST COMPLEX SPECTRAL ANALYSIS,,, FOR THE RETENTION OF METALS AND OXIDES,,, ON

THE COMPOSITION OF THE COMPONENTS IN THE KETTLE.

AFTER AN ANALYTICAL WORK, I CONCLUDED THAT THE TEAPOT FROM THE MUSEUM OF THE UNION ASSEMBLY HAS

BEEN IN A PRIVATE COLLECTION.

THIS TEAPOT IS OBVIOUSLY A SINGLE WORK ,,,,, UNLIKE THE CIRCULATION PRODUCTS OF THE LENINGRAD FACTORY

"OFFICIALLY PRODUCING FAIENCE BY MALEVICH IN THE 1920s

DON'T MISS YOUR CHANCE TO BECOME THE OWNER OF THE WORLD HERITAGE OF THE CULTURAL ARTISTIC AGE OF

THE GREAT MASTER!!!

P/S BRIEF HISTORICAL SUMMARY :

The creation of dishes, which later received the name from the names of its creators - Kazimir Malevich and Ilya Chashnik. Suprematism has become the highest manifestation of pure art. It was akin to avant-garde, but existed for a very short time, no more than two decades, and did not receive further development after the collapse of the UNOVIS group (Affirmative of the New Art), consisting of Malevich and his students. The essence of Suprematism was the use of simple forms and their asymmetrical combinations. It was the appearance of the Suprematists that became the beginning of the reform at the factory and the emergence of new plastics in porcelain. Malevich, having learned about the new appointment of his students, took a direct part in the emergence of a new type of dishes. A "Laboratory of Forms" was even created, assigned to the plant. Malevich and his students decomposed functional objects into simple forms, the so-called primary elements, and "assembled" again, removing everything that was superfluous in their opinion. So, the traditional forms of cups were replaced by simplified regular hemispheres, and all handles with intricately woven curls gave way to simple rectangular handles.

The same manifestation of pure simple art touched color. The painting of dishes began to be distinguished by simple lines, lost any thematic plot, emphasizing only the importance of the color itself, and not what it displays. They began to oppose it to traditional propaganda dishes, on which scenes from the socialist life of the country were painted.

Kazimir Severinovich Malevich (Polish Kazimierz Malewicz; February 11 [23], 1879 Kyiv - May 15, 1935, Leningrad) - Russian and Soviet avant-garde artist of Polish origin, teacher, art theorist, philosopher. The founder of Suprematism - one of the largest areas of abstractionism.