Pierre de Nolhac rediscovers the music of Ronsard's sonnets.

Pierre de Nolhac rediscovers the music of Ronsard's sonnets.

Document type : signed autograph letter

Number of documents: 1 - Number of pages: 2 - Size: In-8

Place : Versailles

Date : around 1890

RECIPIENT : [Claudius Popelin (1825/1892), painter, enameller and poet].

State : very good

Beautiful letter from Pierre de Nolhac, after reading Popelin's sonnets, “magnificent series, unique, it seems to me, since the century of the Pléiade. All the pieces are interesting, whether they offer food for meditation or simply joy to the ear. Many have, alongside the beauty of a work of art, this great moral beauty that comes from the soul and from this noble ancient serenity, which seems to have been truly the “sun” of your life”. He quotes the poems which are his preference. "Several of them particularly appeal to me 'reborn' by their flavor of style, and these are not only your pastiches of the old language, but others, familiar or heroic, in which I find again, surprised and charmed, the sensation of the sonnet of Du Bellay and de Ronsard, a very French sensation that no contemporary gave me […]”. His verses encourage him “to unravel my lyre, buried for so long under Greek and Latin folios […]”.

Dated Mars 12.
Pierre Nolhac (de) (Ambert, 1859/1936)
Historian and poet, director of the French School in Rome, he left an abundant body of work mainly devoted to humanism during the Renaissance.
 
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Beautiful letter from Pierre de Nolhac, after reading Popelin's sonnets, “magnificent series, unique, it seems to me, since the century of the Pléiade. All the pieces are interesting, whether they offer food for meditation or simply joy to the ear. Many have, alongside the beauty of a work of art, this great moral beauty that comes from the soul and from this noble ancient serenity, which seems to have been truly the “sun” of your life”. He quotes the poems which are his preference. "Several of them particularly appeal to me 'reborn' by their flavor of style, and these are not only your pastiches of the old language, but others, familiar or heroic, in which I find again, surprised and charmed, the sensation of the sonnet of Du Bellay and de Ronsard, a very French sensation that no contempo