Madrid, Caleografia Nacional 1799.

Original Radierung von Francisco de Goya (1746-1828) aus der Serie 'Los Caprichos'. Aus der 9. Ausgabe, welche zwischen 1908 und 1912 von den Originalplatten gedruckt wurde. -- Blatt-Masse: ca. 34,5 x 24 cm. Platten-Masse: ca. 21 x 15 cm. -- leicht fleckig im Außenrand und im unteren Außenrand mit zwei winzigen Wurmlöchlein, sonst gut erhalten. || Original etching by Francisco de Goya (1746-1828), out of the 9th edition of the series 'Los Caprichos', printed between 1908 and 1912 from the original plates. -- Size of sheet: c. 13.58 x 9.44 inches. Size of plate: c. 8.3 x 5.9 inches. -- slightly stained in the margin and with two very small wormholes on the lower outer margin, otherwise in very good condition. - Ref. Harris 36-115 (= Delteil 38-117). || „Los Caprichos“, a series of 80 prints by Francisco Goya, created between 1797 and 1798, serve as a scathing critique of Spanish society during the Enlightenment era. Through aquatint and etching, Goya exposes the follies and superstitions prevalent in society, targeting the ruling class, religious institutions, and societal norms. Each print is accompanied by Goya's cryptic explanations (through a title written below the images), shedding light on his intentions. The subjects that Goya chose for these prints are "from the multitude of follies and blunders common in every civil society, as well as from the vulgar prejudices and lies authorized by custom, ignorance or interest, those that he has thought most suitable matter for ridicule". Despite its withdrawal from public sale shortly after release, „Los Caprichos“ remains a significant precursor to modernist movements, offering a raw depiction of contemporary society. Goya's work continues to influence not only visual arts but also literature, philosophy, and social commentary, demonstrating its enduring relevance across diverse fields.

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