KEOLA BEAMER - Ka Hikina O Ka Hau (The Coming of the Snow) CD 2006 (Slack Key Guitar) Brand New/Sealed
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Ka
Hikina O Ka Hau is definitely a different route for Keola Beamer, a
change from his usual mellifluous slack-key work. This takes him into
classical music, both relatively modern (Satie) and early (Dowland), but
not playing it completely straight: instead, he layers several guitars,
in different tunings, to create each piece. And even when he offers an
original piece (which, incidentally, is the most satisfying material
here), George Winston adds subtle and unusual piano accompaniment (he
also plays guitar on another track). There's plenty of impressionist
music, and it's here that the layering exercise, though necessary, seems
most strained. There's no real flow to the Satie Gymnopédies, but
neither do they float the way they should (this is often also true of
the other classical pieces). The traditional Brazilian "Tutu Maramba"
doesn't bristle with rhythm, while Mendelssohn's Venetian Boat Song has
its melody broken up
1 |
| Stopping By Woods On A Snowy Evening |
2 |
| Poli'ahu (The Mauna Kea Snow Goddess) |
3 |
| The Little Drummer Boy/Winter Aloha |
4 |
| Gymnopedie For Piano No. 1 |
5 |
| Gnossienne No. 3 |
6 |
| Gymnopedie For Piano No. 2 |
7 |
| Gnossienne No. 4 |
8 |
| Gymnopedie For Piano No. 3 |
9 |
| Pavane For A Sleeping Beauty |
10 |
| Lullaby Of The Cat |
11 |
| Chiquilín de Bachin |
12 |
| Milonga |
13 |
| Tutu Marambá |
14 |
| Cantar Montañés |
15 |
| Spinning Song |
16 |
| Song Of India |
17 |
| Venetian Boat Song |
18 |
| The Nightingale (El Rossinyol) |
19 |
| If My Complaints Could Passions Move |
20 |
| Come Heavy Sleep |