Arie Kaplun

 1909, Belarus - 1995, Tel Aviv, Israel

Figure in Jerusalem Mountains Landscape, 1970s
Original Hand-Signed Oil on Canvas 

circa the 1970s

Artist Name: Arie Kaplun


Title: Figure in Jerusalem mountains landscape, 1970s


Signature Description: Hand-signed in Hebrew lower right


Technique: Oil on canvas


Image Size: 65 x 43 cm / 25.59" x 16.93" inch


Frame: The painting is unframed


Condition: Very good condition.

Artist's Biography:

Arie Kaplun (Israeli, b. Belarus 1909-1995)

Arie Kaplun was born in the town of Nyasvizh (Nesvizh) in Belarus, as the eldest son of a family of eight. Kaplun's father's original surname was Cher, but he bought the identity of another person, whose surname was Kaplun, in order to avoid being drafted into the Russian army.
In 1926, Kaplun immigrated to the Land of Israel (then British Mandate for Palestine), but chose to keep the surname Kaplun, and not return to the name Sher.
In Israel he lived in Afula, where he participated in Gdud HaAvoda group (a socialist Zionist work group in Mandate Palestine established in 1920 for the purpose of Jewish labor, settlement and defense and named after Joseph Trumpeldor).

In the years 1928 to 1929 Kaplun studied art in Bezalel Academy of Arts and Crafts in Jerusalem. Together with his brother and father he worked in a family photography shop on Jaffa Street.
After finishing his art studies, he moved to the village of Motza near Jerusalem, where he joined the "Motza group", a group of artists who lived in the village.
In 1946 he married Sarah Nussbaum and moved to live in Tel Aviv. Later, when Kaplun's wife died, he used to add her name, "Sara", to his signature.
Towards the end of his life he moved to Be’er Sheva to live close to his family.

His work

Kaplun specialized in paintings in the style of pointillism, a post-impressionist style that developed in France between 1884-1900. In this style, the painting is built from dots and spots of different colors, which create the whole painting as a mosaic. This type of painting is slow, calculated, and precise, usually done in the studio after a quick sketch in nature.
Kaplun often painted the landscapes and figures of the Land of Israel. He did this from the point of view of a person who grew up in the country and lived its landscape, so he does not describe the country from the outside but shows it as it is revealed to his eyes from the inside, and the viewer is left wondering what reality in the painting is, and where does the artist's imagination begin.
Even when Kaplun painted grotesque figures, he did so with humor, so that even the darkest figures are surrounded by the same warm Israeli light.
For the purpose of his paintings, Kaplun used dots of color that seem almost transparent, which merge into each other into figures and landscape lines that are illuminated with great light.
He made the paintings using delicate strokes of a thin brush, with a lot of patience, consistency and patience.

Selected Solo Exhibitions

1939 Oil paintings, Be’eri Club, Jerusalem
1942 Artists House, Jerusalem
1952 Oil paintings, Herman Gallery, Paris
          Katz Gallery, Tel Aviv
1955 Chemerinsky Gallery, Tel Aviv
1956 Be’eri Club, Jerusalem
1957 The Sokolov House of Journalists in Tel Aviv-Yafo
1959 Beit Lessin, Tel Aviv
1986 Lirz Gallery, Be’er Sheva.

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