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232- TIR57

Medal or token in solid silver from the Paris Mint, no hallmark.
Minted around 1970.
In its original plastic. Intended for a manager of the Paris Mint around 1970.
Raw slice of typing.
You will find two versions of this essay in our store.
From the reverse of a medal or token from 1755.

ROTA-PALMAM; FEATURED: COMMUNITY OF MASTERS CHARONS APRIL 1755.
Description: Saint Catherine standing facing front, leaning on her wheel, her right hand on a sword.
Reverse translation: The wheel gives him the palm.

Engraver / Artist : To be determined .

Dimension : 30mm.
Weight : 36 g.
Metal : silver (tested with the touchstone).
Hallmark on the edge (mark on the edge)  : no punch raw edge of strike.

Quick and neat delivery.

The easel is not for sale.
The stand is not for sale

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ROTA-PALMAM; FEATURED: COMMUNITY OF MASTERS CHARONS APRIL 1755.
Reverse description: Saint Catherine standing facing, leaning on her wheel, her right hand on a sword.
Reverse translation: The wheel gives him the palm.
Comment
This token is part of the Corporations series.
In the 13th century, wheelwrights were part of the community of carpenters, like all wood workers. They made cars and all kinds of wheelwright instruments.
Historical
CORPORATIONS
In Rome, groups of artisans already existed: forming a college placed under the protection of a divinity, with a common house and fund. In medieval Europe, undoubtedly from religious brotherhoods, economic groups were formed between merchants called Hanse or Guild. With the development of trade, artisans organized themselves into trade bodies or communities which grouped together all those who exercised the same profession: masters, journeymen or apprentices.
Description: Saint Catherine standing facing front, leaning on her wheel, her right hand on a sword. Reverse description: Saint Catherine standing facing, leaning on her wheel, her right hand on a sword. In the 13th century, wheelwrights were part of the community of carpenters, like all wood workers. They made cars and all kinds of wheelwright instruments. In Rome, groups of artisans already existed: forming a college placed under the protection of a divinity, with a common house and fund. In medieval Europe, undoubtedly from religious brotherhoods, economic groups were formed between merchants called Hanse or Guild. With the development of trade, artisans organized themselves into trade bodies or communities which grouped together all those who exercised the same profession: masters, jou