Even with a lifetime of other musical accomplishments, Jeff Lynne is and always will be known as the man who turned on the Electric Light Orchestra. Today, nearly forty years after Lynne's Orchestra first shed a little light, the luminous and heartfelt music of ELO continues to burn as brightly as ever.

The vivid, artfully crafted songs that Jeff Lynne wrote and sang -- and the exquisite recordings that he so expertly arranged and produced for Electric Light Orchestra -- have endured beautifully and are perhaps even more beloved today than they were back in the Seventies and Eighties.

By any standard whatsoever, Electric Light Orchestra is one of the most remarkable success stories in rock history. Consider just the facts: Electric Light Orchestra has sold well in excess of 50 million records worldwide, and continues to be a remarkably popular catalog. Between 1972 and 1986, ELO enjoyed twenty-six Top Forty hits in the United Kingdom, and twenty Top Forty hits in the United States, including twenty Top Twenty smashes in the UK and fifteen Top Twenty smashes in the U.S. Even more remarkably, the ELO catalog continues to have tremendous impact here in the Twenty-First Century, as demonstrated powerfully when the compilation All Over The World: The Very Best of Electric Light Orchestra was released in 2005 and became a Top Ten album hit in a number of international markets including England.

Beyond all the best-known hit songs, fans everywhere continue to explore the remarkable series of albums that combined Lynne's remarkably ambitious and accomplished craftsmanship from the group's 1971 debut - accidentally titled No Answer due to a miscommunication on a telephone about what the album would be called - through 1973's ELO II and On The Third Day, 1974's breakthrough Eldorado, 1975's Face The Music, 1976's A New World Record, 1977's double-record epic Out Of The Blue, 1979's Discovery, 1981's Time, 1983's Secret Messages, 1986's Balance of Power, as well as 2001's Zoom, the first new Electric Light Orchestra studio album in fifteen years that found Lynne reunited with longtime band mate and collaborator Richard Tandy, as well as guests including George Harrison and Ringo Starr.

What is it about the music of Electric Light Orchestra that endures so powerfully for millions of music lovers around the world? “It's a great question -- and I wish I could answer it,” Lynne says with a humble laugh. "it's nice to have songs in your catalog that stand the test of time".

As global superstar visionaries go, Lynne is an unusually humble man. Not that Lynne has much to be humble about -- even outside of the success of Electric Light Orchestra, Lynne has led a remarkable career that has found him taking the lessons learned leading Electric Light Orchestra and using them to help produce and collaborate with many of the greatest musical artists of all time, including a number of Lynne's all-time heroes. That list includes George Harrison, Paul McCartney, Ringo Starr, The Beatles, Roy Orbison, Tom Petty, Brian Wilson and Del Shannon. Together with Harrison, Orbison, Petty and Bob Dylan, Lynne was, of course, a member in good standing of the Grammy award-winning Traveling Wilburys - a supergroup like no other.

Even with his remarkable and singular track record as a rock star, Lynne has never sought the spotlight, “I don't think of myself as a rock star,” Lynne says with a laugh. “I'm more of a singer, songwriter, guitarist, producer. It's more about what I do than any sort of persona.” Not that Lynne doesn't enjoy the passion that fans have brought and continue to bring to ELO's music. “I love recognition for the work, and for writing all those songs. I find it a pleasure having done so, especially now when they keep getting played more than ever. Working on the Flashback box set that came out in 2000, reminded me how much I like the music. And ever since then, it seems like ELO songs are even more in demand, especially in my house.”

For Lynne, such major and ongoing success is a remarkable side effect of a lifetime of working hard in the place that has always been his musical home -- the recording studio. “To me, the recording studio really became my Eldorado,” Lynne explains today. “Just to go in the studio, to be there for a few weeks at a time and use all the latest equipment, try all the amazing instruments and do harmonies -- that was a total pleasure for me. In the original run with ELO, I believe that having the studio time -- and also having constant deadlines at the end of it - no time to second guess -- was possibly the best thing that could happen for me. Mind you, at the time, I didn't think so, probably because it got pretty hectic some of the time. My life back then was to write and produce an album, go out and tour for two or three months to support that album, then go back and make another album. Then go out on tour again. It was a non-stop cycle, and could be exhausting, but I'm proud of the music that came out of it.”

For Lynne, “It all comes down to what you truly love doing, and what I love doing is overdubbing and making new sounds out of things that are sometimes quite ordinary on their own, but when you put them together, they make something new -- or something that sounds new. Just discovering things like that musically is a pleasure. I love creating, more than re-creating. That's why I never really loved playing live as much. There were lots of great nights that I enjoyed, but for me it wasn't as satisfying as making the next song.”

So was working often behind the scenes as leader of the Electric Light Orchestra the perfect place for this pop genius to hide in plain sight? “I suppose that it was in a way,” Jeff Lynne says. “Back in those days I didn't think of it that way. Then it seemed more about my desire to get away from the normal rock band line up of three guitars, or two guitars and drums,” Lynne explains. “Having come through the Idle Race and the Move, and listening to what was in the air in those days, I wanted to get away from what I was hearing and make a different sound.”

With Electric Light Orchestra, Jeff Lynne brought the world a different sound that still sounds modern, relevant and great.

Asked what he's most proud of about the legacy of the Electric Light Orchestra, Lynne pauses for a moment, and then says, “I think that I stuck with it all those years and didn't waver. I just kept at it, and I'm glad I did because the songs are still out there.”

Electric Light Orchestra, or more popularly known as ELO, were formed in Birmingham England in 1970 when Jeff Lynne and Roy Wood, members of The Move, had the vision to start a new project that would create modern rock and pop songs with classical overtones. 

Joined by fellow Move member Bev Bevan, their mission was clear – to pick up where the Beatles left off and carry the torch.  And they did just that. Their first single “10538 Overture,” released in 1972, is an unabashed homage to the Beatles, a heavily orchestrated psychedelic gem that sounded like their musical answer to “I Am The Walrus.”  Roy Wood left ELO later that year, leaving Lynne as the band’s sole creative force, and he took them to both creative and commercial heights.  Their fourth album Eldorado, A Symphony, a concept record about a daydreamer, yielded their first US top 10 single “Can’t Get It Out Of My Head” and became the band’s first gold album.  The two albums that followed produced four top 20 hits - “Evil Woman,” “Strange Magic,” “Livin’ Thing” and “Telephone Line” – that are all still classic rock radio mainstays.  Their next album was their most ambitious yet, the multi-platinum selling double LP Out Of The Blue, that featured three more hit singles, including the ever popular “Mr. Blue Sky,”  and a grandiose tour highlighted by the now famous spaceship stage complete with fog machines and laser displays that made ELO a must-see concert.  All told, ELO has sold over 50 million records worldwide and between 1972 and 1986, Jeff Lynne wrote and produced twenty-six Top 40 hits in the UK and twenty in the US.  Their legacy is still growing and their success continues today, with Jeff Lynne’s ELO selling out huge shows around the world, and their timeless songs have become staples for music fans of all generations.  John Lennon once famously referred to the band as “sons of the Beatles,” but more than 40 years later, it is clear that ELO have carved out their own unique place in rock history.

Selected discography: “10538 Overture,” No Answer (1971) ● “Can’t Get It Out Of My Head,”  Eldorado, A Symphony (1974) ● “Evil Woman,” “Strange Magic,” Face The Music (1975) ● “Livin’ Thing,” “Telephone Line,” A New World Record (1976) ● “Turn To Stone,” “Sweet Talkin’ Woman,” “Mr. Blue Sky,” Out Of The Blue (1977) ● “Don’t Bring Me Down,” Discovery (1979)

The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters-multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of Beatlesque pop, classical arrangements and futuristic iconography.[5] After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. For their initial tenure, Lynne, Bevan and keyboardist Richard Tandy were the group's only consistent members.

ELO was formed out of Lynne's and Wood's desire to create modern rock and pop songs with classical overtones. It derived as an offshoot of Wood's previous band, The Move, of which Lynne and Bevan were also members. During the 1970s and 1980s, ELO released a string of top 10 albums and singles, including two LPs that reached the top of British charts: the disco-inspired Discovery (1979) and the science-fiction-themed concept album Time (1981). In 1986, Lynne lost interest in the band and disbanded the group. Bevan responded by forming his own band, ELO Part II, which later became the Orchestra. After a brief reunion from 2000–01, ELO remained largely inactive until 2014, when Lynne re-formed the band again with Tandy as Jeff Lynne's ELO.[6]

During ELO's original 14-year period of active recording and touring, they sold over 50 million records worldwide,[7] and collected 19 CRIA, 21 RIAA, and 38 BPI awards.[8][9] For a period in the mid-1970s, the band saw more success in the United States, where they were billed as "the English guys with the big fiddles".[10] From 1972 to 1986, ELO accumulated twenty-seven Top 40 songs on the UK Singles Chart, and fifteen Top 20 songs on the US Billboard Hot 100.[11][12] The band also holds the record for having the most Billboard Hot 100 Top 40 hits (20) without a number one single of any band in US chart history.[13][14][nb 1] In 2017 the ELO line-up of Wood, Lynne, Bevan and Tandy were inducted into the Rock and Roll Hall of Fame.[17][18]

Contents

1 History

1.1 1970–1973: Formation and early albums

1.2 1974–1982: Global success and concept albums

1.3 1983–1986: Secret Messages, Balance of Power, disbanding

1.4 2000–2001: Reformation

1.5 2001–2013: Non-performing work, reissues and miniature reunions

1.6 2014–present: Jeff Lynne's ELO

2 Legacy and influence

3 Personnel

3.1 Current members

4 Discography

5 Notes

6 References

7 Further reading

8 External links

History

1970–1973: Formation and early albums

In 1968, Roy Wood — guitarist, vocalist and songwriter of The Move — had an idea to form a new band that would use violins, cellos, string basses, horns and woodwinds to give their music a classical sound, taking rock music in the direction to "pick up where The Beatles left off".[19] The orchestral instruments would be the main focus, rather than the guitars. Jeff Lynne, frontman of fellow Birmingham group The Idle Race, was excited by the concept. When Trevor Burton left The Move in February 1969, Lynne was asked by Wood to join, only to say no, as he was still focused on finding success with his band. But in January 1970, when Carl Wayne quit the band, Lynne accepted Wood's second invitation to join, on the condition that they focus their energy on the new project.

On 12 July 1970, when Wood added multiple cellos to a Lynne-penned song intended to be a Move B-side, the new concept became a reality and "10538 Overture" became the first Electric Light Orchestra song. The original plan was to end The Move following the release of the Looking On album at the end of 1970, crossing over to the new unit in the new year, but to help finance the fledgling band, one further Move album, Message from the Country, was also recorded during the lengthy ELO recordings and released in mid-1971. The resulting debut album The Electric Light Orchestra was released in December 1971. Only the trio of Wood, Lynne and Bevan played on all songs, with Bill Hunt supplying the French Horn parts and Steve Woolam playing violin. It was released in the United States in March 1972 as No Answer. The name was chosen after a record company secretary had tried to ring the UK company to get the name of the album. They were unavailable so she left a note reading "No answer".[20] "10538 Overture" became a UK top-ten hit. With both band's albums in the stores simultaneously, The Move and ELO both appeared on television during this period.

ELO's debut concert took place on 16 April 1972 at the Greyhound Pub in Croydon, Surrey,[21] with a line-up of Wood, Lynne, Bevan, Bill Hunt (keyboards/French horn), Andy Craig (cello), Mike Edwards (cello), Wilfred Gibson (violin), Hugh McDowell (cello), and Richard Tandy (bass). However, this line-up did not last for long.[failed verification] First Craig departed, and then Wood, during the recordings for the band's second LP. Taking Hunt and McDowell with him, Wood left the band to form Wizzard. Both cited problems with their manager, Don Arden,[22] who Wood felt failed in his role, and an unsatisfactory tour of Italy, where the cellos and violins could not be heard over the electric instruments. Despite predictions from the music press that the band would fold without Wood, who had been the driving force behind the creation of ELO, Lynne stepped up to lead the band, with Bevan, Edwards, Gibson and Tandy (who had switched from bass to keyboards to replace Hunt) remaining from the previous line-up, and new recruits Mike de Albuquerque and Colin Walker joining the band on bass and cello, respectively.[23]

The new line-up performed at the 1972 Reading Festival on 12 August 1972. Barcus Berry instrument pick-ups, now sported by the band's string trio, allowed them to have proper amplification on stage for their instruments, which had previously been all but drowned out by the electrified instruments. The band released their second album, ELO 2 in early 1973, which produced their second UK top 10 and their first US chart single, an elaborate version of the Chuck Berry classic "Roll Over Beethoven" (which also incorporated the first movement of Beethoven's own Fifth Symphony).[24] ELO also made their first appearance on American Bandstand. During the recording of the third album, Gibson was let go after a dispute over money, Mik Kaminski joined as violinist and Walker left since touring was keeping him away from his family too much. Remaining cellist Edwards finished the cello parts for the album. The resulting album, On the Third Day, was released in late 1973, with the American version featuring the popular single "Showdown". After leaving Wizzard, Hugh McDowell returned as the group's second cellist, also in late 1973.

1974–1982: Global success and concept albums

For the band's fourth album, Eldorado, a concept album about a daydreamer, Lynne stopped overdubbing strings and hired an orchestra and choir instead. Louis Clark was hired by the band as string arranger.[25] The first single off the album, "Can't Get It Out of My Head", became their first US top 10 hit, and Eldorado, A Symphony became ELO's first gold album. Mike de Albuquerque departed the band during the recording sessions as he wished to spend more time with his family, and consequently much of the bass on the album was performed by Lynne.

Following the release of Eldorado, Kelly Groucutt was recruited as bassist and in early 1975, Melvyn Gale replaced Edwards on cello. The line-up stabilised as the band took to a decidedly more accessible sound. ELO had become successful in the US at this point and the group was a star attraction on the stadium and arena circuit, and regularly appeared on The Midnight Special more than any other band in that show's history with four appearances (in 1973, 1975, 1976 and 1977).

Face the Music was released in 1975, producing the hit singles "Evil Woman", their third UK top 10, and "Strange Magic".[24] The opening instrumental "Fire on High", with its mix of strings and acoustic guitars, saw heavy exposure as the theme music for the American television program CBS Sports Spectacular in the mid-1970s. The group toured extensively from 3 February to 13 April 1976, playing 68 shows in 76 days in the US.

"Livin' Thing" from A New World Record (1976)

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"Livin' Thing" was a Top 10 hit for the UK Singles Chart, peaking at number four.

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Their sixth album, the platinum selling A New World Record, became their first UK top ten album when it was released in 1976.[24] It contained the hit singles "Livin' Thing", "Telephone Line", "Rockaria!" and "Do Ya", the last a re-recording of a Move song recorded for that group's final single. The band toured in support in the US only from September 1976 to April 1977 with a break in December, then an American Music Awards show appearance on 31 January 1977,[26] plus a one-off gig in San Diego in August 1977. Casey Kasem said that the Electric Light Orchestra is the "World's first touring rock 'n' roll chamber group" before he played "Livin' Thing" at #28.[27]

A New World Record was followed by a multi-platinum selling album, the double-LP Out of the Blue, in 1977. Out of the Blue featured the singles "Turn to Stone", "Sweet Talkin' Woman", "Mr. Blue Sky", and "Wild West Hero", each becoming a hit in the United Kingdom. The band then set out on a nine-month, 92-date world tour, with an enormous set and a hugely expensive space ship stage with fog machines and a laser display. In the United States the concerts were billed as The Big Night and were their largest to date, with 62,000 people seeing them at Cleveland Stadium.[28] The Big Night went on to become the highest-grossing live concert tour in music history up to that point (1978).[29] The band played at London's Wembley Arena for eight straight sold-out nights during the tour, another record at that time.

In 1979, the multi-platinum album Discovery was released, reaching number one on the UK Albums Chart.[24] Although the biggest hit on the album (and ELO's biggest hit overall) was the rock song "Don't Bring Me Down", the album was noted for its heavy disco influence. Discovery also produced the hits "Shine a Little Love", their first and only no. 1 hit from 1972 to the present with any of the 4 major or minor US singles charts on Radio & Records (R&R),[30][31] "Last Train to London", "Confusion" and "The Diary of Horace Wimp". Another song, "Midnight Blue", was released as a single in Southeast Asia. The band recorded promotional videos for all the songs on the album.

ELO performing live in Oslo, Norway, in 1978

By the end of 1979, ELO had reached the peak of their stardom, selling millions of albums and singles, and even inspiring a parody/tribute song on the Randy Newman album Born Again, titled "The Story of a Rock and Roll Band". During 1979 Jeff Lynne also turned down an invitation for ELO to headline the August 1979 Knebworth Festival concerts. That allowed Led Zeppelin the chance to headline instead.

In 1980, Jeff Lynne was asked to write for the soundtrack of the musical film Xanadu and provided half of the songs, with the other half written by John Farrar and performed by the film's star Olivia Newton-John. The movie performed poorly at the box office, but the soundtrack did exceptionally well, eventually going double platinum. The album spawned hit singles from both Newton-John ("Magic", a No. 1 hit in the United States, and "Suddenly" with Cliff Richard) and ELO ("I'm Alive", which went gold, "All Over the World" and "Don't Walk Away"). The title track, performed by both Newton-John and ELO, is ELO's only song to top the singles chart in the United Kingdom.[32] More than a quarter of a century later, Xanadu, a Broadway musical, based on the film, opened on 10 July 2007 at the Helen Hayes Theatre to uniformly good reviews. It received 4 Tony Award nominations. The musical received its UK premiere in London in October 2015.[33] Casey Kasem called The Electric Light Orchestra a "7-man supergroup" and "amazing" for hitting The Top 40 a remarkable 6 times in a one-year period from August 1979 to August 1980 before playing "All Over the World" at #23[34]

"Twilight" from Time (1981)

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The album Time (1981) represented a shift toward more electronic sounds.[35]

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In 1981, ELO's sound changed again with the science fiction concept album Time, a throwback to earlier, more progressive rock albums like Eldorado. With the string section now departed, synthesisers took a dominating role, as was the trend in the larger music scene of the time; although studio strings were present on some of the tracks conducted by Rainer Pietsch, the overall soundscape had a more electronic feel in keeping with the futuristic nature of the album. Time topped the UK charts for two weeks and was the last ELO studio album to be certified platinum in the United Kingdom until Alone in the Universe in 2015. Singles from the album included "Hold On Tight", "Twilight", "The Way Life's Meant to Be", "Here Is the News" and "Ticket to the Moon". The band embarked on their last world tour to promote the LP. For the tour Kaminski returned to the line-up on violin, whilst Louis Clark (synthesizers) and Dave Morgan (guitar, keyboards, synthesizers, vocals) also joined the on stage lineup. Clark had previously handled string arrangements for the band.

1983–1986: Secret Messages, Balance of Power, disbanding

ELO performing in 1986 (Jeff Lynne and Richard Tandy pictured)

Jeff Lynne wanted to follow Time with a double album, but CBS blocked his plan on the grounds that a double vinyl album would be too expensive in the oil crisis and not sell as well as a single record, so as a result, the new album was edited down from double album to a single disc and released as Secret Messages in 1983 (many of the out-takes were later released on Afterglow or as b-sides of singles). The album was a hit in the UK reaching the top 5; but its release was undermined by a string of bad news that there would be no tour to promote the LP and Lynne, discouraged by the dwindling crowds on the Time tour, CBS's order to cut Secret Messages down to one disc and his falling out with manager Don Arden (he would eventually leave Arden and Jet by 1985), decided to end ELO in late 1983. Drummer Bevan moved on to play drums for Black Sabbath and bassist Groucutt, unhappy with no touring income that year, decided to sue Lynne and Jet Records in November 1983, eventually resulting in a settlement for the sum of £300,000 (equivalent to £994,300 in 2018). Secret Messages debuted at number four in the United Kingdom, but it fell off the charts, failing to catch fire with a lack of hit singles in the UK (though "Rock 'n' Roll Is King" was a sizeable hit in UK, the US and Australia) and a lukewarm media response.[citation needed]

That same year, Lynne moved into production work, having already produced two tracks for Dave Edmunds' album Information, and he would go on to produce six cuts from his next one, Riff Raff, in 1984 and one cut on the Everly Brothers reunion album EB 84.

Lynne and Tandy also recorded tracks for the 1984 Electric Dreams soundtrack under Lynne's name; however, Lynne was contractually obliged to make one more ELO album. So Lynne, Bevan and Tandy returned to the studio in 1985 as a three-piece (with Christian Schneider playing saxophone on some tracks and Lynne again doubling on bass in addition to his usual guitar in the absence of an official bass player) to record Balance of Power, released early in 1986. Though the single "Calling America" placed in the Top 30 in the United Kingdom (number 28) and Top 20 in the States, subsequent singles failed to chart. The album lacked actual classical strings, which were replaced once again by synthesizers, played by Tandy.

The band was then rejoined by Kaminski, Clark and Morgan, adding Martin Smith on bass guitar, and proceeded to perform a small number of live ELO performances in 1986, including shows in England and Germany along with US appearances on American Bandstand,[36] Solid Gold, then at Disneyland that summer.[37] The Birmingham Heart Beat Charity Concert 1986 was a charity concert organised by Bevan in ELO's hometown of Birmingham on 15 March 1986.[38] A hint of Lynne's future was seen when George Harrison appeared onstage during the encore at Heartbeat, joining in the all-star jam of "Johnny B. Goode". ELO's last performance for several years occurred on 13 July 1986 in Stuttgart, Germany playing as opening act to Rod Stewart. ELO effectively disbanded after that final show in Stuttgart in 1986, but there was no announcement made of it for the next two years, during which George Harrison's Lynne-produced album Cloud Nine and the pair's follow-up (with Roy Orbison, Bob Dylan and Tom Petty as Traveling Wilburys) Traveling Wilburys Vol. 1 were released.

ELO Part II

Main article: ELO Part II

ELO Part II in concert

Bevan (under an agreement with Lynne who co-owned the ELO name with him) continued on in 1989 as ELO Part II, initially with no other former ELO members. ELO Part II released their debut album Electric Light Orchestra Part Two in May 1991. Mik Kaminski, Kelly Groucutt and Hugh McDowell joined the band for the first tour in 1991. McDowell left after that tour. Bevan, Groucutt, Kaminski and Clark recorded a second album, Moment of Truth, in 1994 and toured extensively until 1999. Bevan retired from the line-up in 1999 and sold his share of the ELO name to Jeff Lynne in 2000, after Lynne had expressed his dismay that in certain areas the band were billed as 'ELO', rather than with '...Part II' added, suggesting it was the original outfit. After Bevan left, the band continued after they changed its name to The Orchestra.

2000–2001: Reformation

Lynne's comeback with ELO began in 2000 with the release of a retrospective box set, Flashback, containing three CDs of remastered tracks and a handful of out-takes and unfinished works, most notably a new version of ELO's only UK number one hit "Xanadu". In 2001 Zoom, ELO's first album since 1986, was released.[39] Though billed and marketed as an ELO album, the only returning member other than Lynne was Tandy, who performed on one track. Guest musicians included former Beatles Ringo Starr and George Harrison. Upon completion of the album, Lynne reformed the band with completely new members, including his then-girlfriend Rosie Vela (who had released her own album, Zazu, in 1986) and announced that ELO would tour again. Former ELO member Tandy rejoined the band a short time afterwards for two television live performances: VH1 Storytellers and a PBS concert shot at CBS Television City, later titled Zoom Tour Live, was released on DVD. Besides Lynne, Tandy and Vela, the new live ELO lineup included: Gregg Bissonette (drums, backing vocals), Matt Bissonette (bass guitar, backing vocals), Marc Mann (guitars, keyboards, backing vocals), Peggy Baldwin (cello), and Sarah O'Brien (cello). But the planned tour was cancelled.[40]

2001–2013: Non-performing work, reissues and miniature reunions

The Orchestra during a performance in 2013

For the next six years, Harvest and Epic/Legacy reissued ELO's back catalogue. Included amongst the remastered album tracks were unreleased songs and outtakes, including two new singles. The first was "Surrender" which registered on the lower end of the UK Singles Chart at number 81, some 30 years after it was written in 1976. The other single was "Latitude 88 North".

On 9 August 2010, Eagle Rock Entertainment released Live – The Early Years in the UK as a DVD compilation that included Fusion – Live in London (1976) along with never before released live performances at Brunel University (1973) and on a German TV show Rockpalast (1974).[41] The US had a slightly edited release on 24 August 2010.[42] The Essential Electric Light Orchestra artwork was re-jigged to feature two different covers. The US and Australian releases shared one design, while the rest of the world featured the other for a new double album release in October 2011.[43]

Mr. Blue Sky: The Very Best of Electric Light Orchestra was released on 8 October 2012. It is an album of new recordings of ELO's greatest hits by Lynne; along with a new song "Point of No Return", released to coincide with Lynne's second solo album release Long Wave.[44] These new 2012 albums contained advertisement cards, announcing the re-release of expanded and remastered versions of both the 2001 album Zoom and Lynne's debut solo album Armchair Theatre, originally released in 1990. Both albums were re-released in April 2013 with various bonus tracks. Also released was the live album, Electric Light Orchestra Live, showcasing songs from the Zoom tour. All three releases also featured new studio recordings as bonus tracks.[45]

Lynne and Tandy reunited again on 12 November 2013 to perform, under the name Jeff Lynne and Friends, "Livin' Thing" and "Mr. Blue Sky" at the Children in Need Rocks concert at Hammersmith Eventim Apollo, London. The backing orchestra was the BBC Concert Orchestra, with Chereene Allen on lead violin.[46]

2014–present: Jeff Lynne's ELO

Jeff Lynne's ELO performing at Hyde Park, September 2014

The success of the Children in Need performance was followed by support from BBC Radio 2 DJ Chris Evans, who had Lynne as his on-air guest and asked his listeners if they wanted to see ELO perform. The 50,000 tickets for the resulting BBC Radio 2's "Festival in a Day" in Hyde Park on 14 September 2014 sold out in 15 minutes. Billed as "Jeff Lynne's ELO", Lynne and Tandy were backed by the Take That/Gary Barlow band from the Children in Need concert, led by Mike Stevens[47] and the BBC Concert Orchestra. Lynne chose to use the name as a response to ELO offshoot, tribute and imitation bands, (ELO Part II, the Orchestra, OrKestra and the Music of ELO) who repeatedly used ELO for promoting their own tours.[48] Chereene Allen[46] was the lead violinist for the band. The development of modern digital processing added a smoother finish to the work, which led Lynne to reconsider his preference for studio work, hinting at a UK tour in 2015.[49]

On 8 February 2015, Jeff Lynne's ELO played at the Grammy Awards for the first time.[50] They performed a medley of "Evil Woman" and "Mr. Blue Sky" with Ed Sheeran, who introduced them as "A man and a band who I love".[51]

On 10 September 2015, it was announced that a new ELO album would be released. The album was to be under the moniker of Jeff Lynne's ELO, with the band signed to Columbia Records.[52] Alone in the Universe was released on 13 November 2015. The album was ELO's first album of new material in nearly 15 years.[53] The first track, and single, "When I Was a Boy" was made available for streaming on the same day and a music video for the song was also released.[53] A small promotional tour followed the album's release which saw ELO perform a full concert for BBC Radio 2 along with ELO's first two shows in the United States in 30 years, both which sold out very quickly. ELO also made rare US television appearances on The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live and CBS This Morning.[54] A 19-date European tour was announced for 2016,[55] with the band playing the Pyramid Stage at Glastonbury Festival on 26 June 2016.[56]

In 2017 they played their "Alone in the Universe" tour.[57][58] That same year, on 7 April, they played at the Rock and Roll Hall of Fame as they were inducted during the 32nd Annual Induction Ceremony.[59]

The band continued to tour in 2018 in North America and Europe. A video was created for the City of Birmingham which used the original recording of "Mr. Blue Sky" as its music; this was played at the Gold Coast 2018 Commonwealth Games Closing Ceremony during the handover presentation of Birmingham 2022.[60]

On 22 October 2018 Lynne announced that ELO would embark on a 2019 North American tour from June to August 2019.[61]

ELO released their 14th album, From Out of Nowhere on 1 November 2019.[62]

Legacy and influence

According to music journalist Simon Price, ELO was "arguably the most uncool, even defiantly anti-cool, of the lot and have been the slowest to be rehabilitated since ... They've been sampled by dozens upon dozens of acts, from Company Flow to the Pussycat Dolls, if you go looking. Every now and then in my journalistic career, it's been possible to coax a contemporary band to admit to an ELO influence, the Flaming Lips and Super Furry Animals being two examples. But the band with arguably, the greatest amount of ELO DNA are outside the rock genre altogether: Daft Punk."[63]

In November 2016, Jeff Lynne's ELO won Band of the Year at the Classic Rock Roll of Honour Awards.[64] In October 2016, ELO were nominated for the 2017 class of the Rock and Roll Hall of Fame for the first time.[65] It was the first time the Hall had announced in advance the members of bands who would be inducted; the members of ELO listed were Jeff Lynne, Roy Wood, Bev Bevan and Richard Tandy.[66] On 20 December 2016, it was announced ELO had been elected to the Rock and Roll Hall of Fame Class of 2017.[17]

Personnel

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Main article: List of Electric Light Orchestra members

Current members

Jeff Lynne – vocals, guitars, bass, keyboards, cello, drums, percussion

(1970–1983, 1985–1986, 2000–2001, 2014–present)

Richard Tandy – piano, keyboards, synthesisers, bass, guitar, backing vocals

(1972–1983, 1985–1986, 2000–2001, 2014–2016, 2019–present)

Discography

Main articles: Electric Light Orchestra discography and recorded songs

Studio albums

The Electric Light Orchestra (1971)

ELO 2 (1973)

On the Third Day (1973)

Eldorado (1974)

Face the Music (1975)

A New World Record (1976)

Out of the Blue (1977)

Discovery (1979)

Time (1981) (credited as "ELO")

Secret Messages (1983)

Balance of Power (1986)

Zoom (2001)

Alone in the Universe (2015) (credited as "Jeff Lynne's ELO")

From Out of Nowhere (2019) (credited as "Jeff Lynne's ELO")

Soundtrack album

Xanadu (1980) (with Olivia Newton-John)

Notes

 The band did reach No. 1 on the Radio & Records chart with "Shine a Little Love" in 1979.[15][16]