A SHIRT WORN BY THE LEGENDARY SINGER RICKY MARTIN IN THE TELEVISION SOAP OPERA GENERAL HOSPITAL. 

WHITE LONG SLEEVE, BUTTON FRON ALBERTO BIANI NW YORK DRESS SHIRT "MIGUEL" WRITTEN ON INSIDE COLLAR TAG

WITH COA FROM MARK ROBERT , WHOM I ORIGINALLY OBTAINED THIS FROM, WHO IS STILL A FAMED TALENT MANAGER IN CALIFORNIA


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Miguel Morez was a fictional character on the ABC soap opera General Hospital. He was portrayed by Ricky Martin. Singer. Protege of Lois and Brenda at L&B Records. Formally engaged to Lily Rivera, with whom he had a child named Juan Santiago, when they were sixteen. Fled to the United States to avoid a hit put on him by Lily's father, Hernando Rivera. Found B.J. Jones after her school van crashed.















































"I wish he'd stayed on the show forever, but he had bigger things to do. I'm so proud of him," says the ABC soap's then-executive producer, Wendy Riche, of the Puerto Rican actor-singer — who just scored his first Emmy nomination, for FX's 'The Assassination of Gianni Versace: American Crime Story.'
Appearing on General Hospital from 1994 to 1996 was not Ricky Martin's first brush with a soap opera. The Puerto Rican actor-singer, who just scored his first Emmy nomination — for FX's The Assassination of Gianni Versace: American Crime Story — had appeared in 119 episodes on two Latin American telenovelas beginning at age 15, in 1987. (Martin launched his career at age 12 as a member of the all-boy pop group Menudo.)

In a recent interview with Soap Opera Digest, he gave a shout-out to the ABC soap's then-executive producer, Wendy Riche ("I love you, Wendy. I'm here today because of you"), who hired him to play the long-haired, frequently shirtless bartender-singer Miguel Morez. A major plot point involved Morez getting a crime boss' daughter pregnant. The gangster puts out a hit on Morez, who is forced to flee.

Besides introducing him to the North American TV market, the gig put Martin in the long line of stars with Hospital stints on their résumé, including Demi Moore (1982-84) as reporter Jackie Templeton; Mark Hamill (1972-73) as nurse Jessie Brewer's nephew; and John Stamos (1982-84) as problem foster child Blackie Parrish.

"What I saw in Ricky was a focus and commitment to his work that is always authentic," says Riche. "I wish he'd stayed on the show forever, but he had bigger things to do. I'm so proud of him."






Pop singer Ricky Martin was a member of Menudo as a teenager and later exploded onto the pop charts as a solo artist with "Livin' La Vida Loca" and "She Bangs."
Who Is Ricky Martin?
Ricky Martin began appearing in commercials at age six. He was a member of the teen singing group Menudo until he turned 18. After finishing high school, he appeared on stage and television while also pursuing his solo music career. His debut English album and single were hugely successful. He continues to make music in both Spanish and English today.

Early Life and Menudo
Born Enrique Jose Martin Morales IV on December 24, 1971, in San Juan, Puerto Rico, Martin began appearing in commercials on local television around the age of six. He auditioned three times for the teen singing group Menudo before finally earning a spot in 1984. In his five years with Menudo, Martin toured around the world, singing in several languages. He reached the group's age limit of 18 in 1989 and returned to Puerto Rico just long enough to finish high school before moving to New York to pursue a solo acting and singing career. 

Songs and Albums
While Martin was actively pursuing his acting career, he was also recording and releasing albums and making concert appearances. He had become well-known in his native Puerto Rico and among the Latin/Hispanic community as a whole. 

His debut solo album, Ricky Martin, was released in 1988 by the Sony Latin division, followed by a second effort, Me Amaras, in 1989. His third album, A Medio Vivir, came out in 1997, the same year that he lent his voice to the Spanish-language version of Disney's animated feature, Hercules. His next project, Vuelve, released in 1998, featured the hit single, "La Copa de la Vida" ("The Cup of Life"), which Martin performed at the 1998 World Cup soccer tournament in France, as part of a showcase broadcast to 2 billion people around the world.

At the Grammy Awards in February 1999, Martin, already a global pop sensation, gave a sizzling performance of "La Copa de la Vida" at Los Angeles' Shrine Auditorium just before picking up an award for Best Latin Pop Performance for Vuelve. 

'Livin' La Vida Loca' Becomes a Pop Phenom
He followed that star-making Grammy night with the release of his phenomenally successful first English single, "Livin' La Vida Loca." His album Ricky Martin debuted at No. 1 on the Billboard chart. Martin was also featured on the cover of Time magazine and credited with helping to bring a growing Latin cultural influence into mainstream American pop music.

To add to the popular success of his debut English album and single, Martin was nominated in four categories at the Grammy Awards, held in February 2000. Although he lost in all four categories — to veteran male pop artist Sting (Best Pop Album, Best Male Pop Vocal Performance) and Santana, the band led by resurgent guitarist Carlos Santana (Song of the Year, Record of the Year) — Martin delivered another red-hot live performance, a year after his triumphant Grammy debut.

'She Bangs'
In November 2000, Martin released Sound Loaded, the much-anticipated follow-up album to Ricky Martin. Its hit single, "She Bangs," earned Martin yet another Grammy nomination, for Best Male Pop Vocal Performance.

After Sound Loaded, Martin continued making music, both in Spanish and English. His greatest Spanish-language hits were compiled on La Historia (2001). This was followed two years later by Almas del Silencio, which contained new material sung in Spanish. The album Life (2005) was his first English-language album since 2000. The album did reasonably well, reaching the top 10 of Billboard's album charts. Martin, however, has yet to recapture the same level of pop success he achieved with previous albums.

Acting 
When Martin traveled to Mexico to appear in a stage musical, the gig led to a role as a singer on the 1992 Spanish-language telenovela, Alcanzar una Estrella, or To Reach a Star. The show proved so popular that he reprised the role in a movie version of the serial. In 1993, Martin moved to Los Angeles, where he made his American TV debut in the sitcom Getting By. In 1995, he acted on the daytime soap opera, General Hospital and in 1996, he starred in the Broadway production of Les Miserables.

Recent Projects
Martin published his autobiography Me in 2010, which quickly turned into a best-seller. Around this time, he also teamed with Joss Stone for the duet single, "The Best Thing About Me Is You," which proved to be a minor hit. Martin soon released a new album of songs mostly in Spanish, Música + Alma + Sexo (2011), which climbed almost to the top of the pop charts and became his latest No. 1 recording on the Latin charts.

In 2012, Martin made a guest appearance on the high school musical series Glee. He also returned to Broadway that April for a revival of the hit musical Evita by Tim Rice and Andrew Lloyd Webber. He played the role of Ché, who helps narrate the story of Eva Peron, one of Argentina's most legendary figures and wife to leader Juan Peron.

'The Assassination of Gianni Versace'
Martin starred in FX's The Assassination of Gianni Versace: American Crime Story, which premiered in January 2018. Martin played Versace's longtime partner Antonio D’Amico, who was there the day that Versace was murdered.

Personal Life
Martin became a father with the birth of twin boys, Matteo and Valentino, via surrogate in 2008. Once evasive about his private life, Martin came out in 2010 on his website. He wrote, "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Martin explained that his decision to go public with his sexuality was inspired in part by his sons. 

During an appearance on Ellen DeGeneres' talk show in November 2016, Martin announced his engagement to Jwan Yosef, an artist who was born in Syria and raised in Sweden. In January 2018, Martin confirmed that the two had quietly gotten married, with a big reception to come in the following months. 

Martin saw his family grow with the arrival of daughter Lucia in late 2018. Another son, Renn, followed in October 2019.

An activist for many causes, he founded the Ricky Martin Foundation in 2000 as a child advocacy organization. The group runs the People for Children project, which fights child exploitation. In 2006, Martin spoke in support of a United Nations effort to improve the rights of children worldwide in front of the U.S. House International Relations Committee. 

Martin, through his foundation, also supports efforts by other charitable organizations. He has received numerous awards for his philanthropic work, including the 2005 International Humanitarian Award from the International Center for Missing and Exploited Children.


Enrique Martín Morales (Spanish pronunciation: [enˈɾike maɾˈtin moˈɾales]; born December 24, 1971), better known as Ricky Martin, is a Puerto Rican singer, actor, and author who is known as the "King of Latin Pop".[4][5][6][7][8][9] He holds dual American and Spanish citizenship,[10] and began his career at age 12 with the all-boy pop group Menudo.[11] After five years with the group, he released several Spanish-language solo albums throughout the 1990s. Since the beginning of his solo career in 1991, Ricky Martin has became one of the the best-selling Latin music artists of all time with sales estimates ranging from 70 million records [12] to 85 million albums.[13] He also acted on stage and on TV in Mexico, where he achieved modest stardom. In 1994, he appeared on the US TV soap opera General Hospital, playing a Puerto Rican singer.[14] He also ranks among the most influential Latin artists of all time.[15]

In early 1999, after releasing several albums in Spanish, Martin performed "The Cup of Life" at the 41st Annual Grammy Awards show, which became a catalyst in bringing Latin pop to the forefront of the U.S. music scene.[16] Following its success, Martin released "Livin' la Vida Loca", which helped him attain success worldwide. It is generally seen as the song that began the Latin pop explosion of 1999 and made the transition easier for other Spanish-speaking artists to move into the English-speaking market. His first English-language album (also titled Ricky Martin), sold 15 million copies and is his best selling album to date.[17] His other studio albums include: Me Amaras (1993), A Medio Vivir (1995), Vuelve (1998), Sound Loaded (2000), Almas del Silencio (2003), Life (2005), Música + Alma + Sexo (2011), A Quien Quiera Escuchar (2015) and Movimiento (2020). In 2018, he portrayed Antonio D'Amico in the miniseries The Assassination of Gianni Versace: American Crime Story, which earned him a nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie.


Contents
1 Life and career
1.1 1971–1982: Early life
1.2 1983–1990: Menudo
1.3 1991–1994: Acting and first two solo albums
1.4 1995–1998: A Medio Vivir, Vuelve, and breakthrough
1.5 1999–2002: Crossover to English
1.6 2003–2006: Almas del Silencio
1.7 2006–2007: MTV Unplugged and a world tour
1.8 2007–2010: Career break
1.9 2010–2013: Autobiography, Música + Alma + Sexo and Evita
1.10 2013: The Voice Australia, "Come with Me" and an Australian tour
1.11 2014–2018: The Voice Mexico, A Quien Quiera Escuchar, One World Tour and The Assassination of Gianni Versace
1.12 2019–present: Movimiento and Movimiento Tour
2 Musical style
3 Other media
4 Personal life
4.1 Coming out
5 Other ventures
5.1 Humanitarian work and impact
5.2 Politics
6 Discography
7 Filmography
8 Theatre
9 Tours
10 Honors and awards
11 See also
12 References
13 Sources
14 External links
Life and career
1971–1982: Early life
Martin was born on December 24, 1971, in San Juan, Puerto Rico, to Nereida Morales, an accountant, and Enrique Martín Negroni (son of Enrique Martín and Iraida Negroni Arizmendi),[18][19] a psychologist.[20][21][22][23] The youngest of three boys on his mother's side and oldest of four children on his father's side, he has four brothers and one sister. His parents divorced when he was two years old, and Martin spent much of his childhood shifting between his father's home in the suburbs of University Gardens, a suburban middle-class neighborhood of San Juan, and his paternal grandmother's house nearby.[24][25] Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín.[22] Martin, in an interview with newspaper ABC, described his origins as Spanish, of Basque and Canarian descent and that the Martíns left Spain for Puerto Rico in 1779.[26][27][28] He also has some Corsican heritage through his paternal grandmother.[29][30]

Martin grew up in a Roman Catholic home and was an altar boy throughout his childhood.[31] He began singing at age 6, using wooden kitchen spoons as pretended microphones; he often interpreted songs by Menudo as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon.[32] His mother's side of the family was musically inclined, and his maternal grandfather was a poet, which inspired young Martin to write songs.[32] Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth."[33] After discovering, with his father, a newspaper advertisement about auditions for commercials, 9-year-old Martin began appearing in Puerto Rican television commercials for products such as soft drinks, toothpaste, and restaurants.[34] In a year and a half, he starred in 11 commercials.[34]

1983–1990: Menudo

Menudo "Rayo de Luna" (1984)
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At age thirteen, Martin made his recording debut on the song "Rayo de Luna", from Menudo's 1984 album, Evolución.[35]
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After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short.[36] By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member.[37] A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan.[38] During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group."[39] The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo.[40]

Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood.[41] He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract.[42] Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions.[43] Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group.[44]

He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries.[44] His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life.[44]

By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs.[45] The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog.[45]

After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path.[46] He performed his final show with the group at the same venue where he'd performed his first performance as a member.[46] Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts.[47] He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock).[48]

1991–1994: Acting and first two solo albums
While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella after the show.[49] He also joined the cast for the second season of the show, titled Alcanzar una estrella II.[49] A film based on the TV series, titled Más que alcanzar una estrella, was also produced in which Martin starred and in 1993 earned an El Heraldo Award for his role.[50] The show centered around a fictional musical group called Muñecos de Papel, in which Martin played Pablo Loredo, one of the six members; the group toured several cities in Mexico and recorded two albums.[49] Although he had hoped to take a break from touring after Menudo, Martin enjoyed the experience because he got along with the other members well.[50]

I was so excited about getting back into the music world that I didn't care what the conditions were...All of the hard work and passion I had exerted was finally now starting to come to fruition, and music came back to my life powerfully and definitively.
– Martin, on recording his debut album.[51]
In 1990, Martin was signed to Sony Discos, the Sony Music Entertainment's Latin imprint. Eager to make his first solo album, Martin signed the contract without reading it and inadvertently signed a deal in which he would only be awarded one cent of royalties for each album sold.[51] Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him.[51] After working "around the clock" to finish filming Alcanzar una estrella II and recording music, Martin released his debut solo album, the Spanish-language Ricky Martin, in November 1991.[52] Ricky Martin included the singles: "Fuego Contra Fuego" and "El Amor de Mi Vida". "Fuego Contra Fuego" was certified Gold in Mexico, Argentina, Puerto Rico, and the United States.[53] To promote the album, Martin toured throughout Latin America, which the singer referred to as "an indescribable feeling, almost like coming home."[53]

After the success of Ricky Martin and its subsequent tour, Martin's record company met him with acclaimed producer Juan Carlos Calderón on his second solo album, Me Amaras. Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine."[54] Released in May 1993, Me Amaras features a Spanish-language cover of the Laura Branigan song "Self Control", titled "Que Dia Es Hoy".[55] In his review, Alex Henderson of AllMusic wrote, "The CD isn't without its pleasures...but on the whole, Me Amaras is too glossy, too calculated, and much too contrived for its own good."[55]

In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By.[56] The show was canceled after two seasons, but soon afterward, Martin was given the role of singer/bartender Miguel Morez on the soap opera General Hospital.[57] Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent.[58] At the time, it was relatively uncommon for Hispanic people to appear on American television, and people suggested that he take accent reduction classes, which he refused.[57] It was during this time, however, that Martin began his first committed relationship with a man.[59] He "stopped fearing his sexuality", and soon came out to his mother, who was supportive of him.[59] However, after the relationship ended, Martin "locked [his] feelings even deeper inside", and began dating women again.[60] He recalled, "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?"[61]

1995–1998: A Medio Vivir, Vuelve, and breakthrough
In 1995, Martin refocused on his music career, and began work on his third album, A Medio Vivir. The first single, the ballad "Te Extraño, Te Olvido, Te Amo", written by the producer of Lynda Thomas, Carlos Lara, was reminiscent of his earlier work.[62] With the song, Martin furthered his expansion from Latin American and Spanish-speaking audiences to the European and Asian markets.[63] However, the record also made a shift from his traditional ballad-style compositions to a more risky fusion of music centered around traditional Latin sounds, epitomized by the song "Maria". Taken aback by the starkly different musical style, record label executives felt that the song would ruin Martin's career.[64] Despite this, "Maria" was chosen as the album's second single, and became a breakthrough hit, reaching number one in France, Spain, Germany, Belgium, Holland, Switzerland, Finland, Italy, Turkey, and the entire continent of South America.[64] With A Medio Vivir, Martin was credited, along with singers Chayanne and Marc Anthony, for popularizing the music of Puerto Rico in Spain.[65] The album has sold over 3 million copies worldwide.

In a 1996 interview with The Miami Herald, Martin expressed an interest in performing on Broadway. Days after the interview was released Martin received a phone call from producer Richard Jay-Alexander, offering him the role of Marius Pontmercy in the play Les Misérables.[66] After the conclusion of a worldwide tour in support of A Medio Vivir, Martin returned to New York to appear in the play in an eleven-week run.[67] He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life".[67] Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm.[68] In 1997, Martin was invited to the prestigious Sanremo Music Festival in Sanremo, Italy. After landing in Milan, Martin's scheduled helicopter trip to Sanremo had to be postponed due to poor weather conditions.[69] Hoping to arrive at the festival on time, Martin and his crew drove through the mountainous terrain at over 120 miles per hour. The car then turned too quickly and flipped over.[69] However, "none of us had more than a couple of scratches and bruises" and he arrived at the festival on time by taxi later that day.[69] In the summer of 1997, Martin embarked on a tour of Spain, performing 45 shows in 36 cities.[70]

While on tour, Martin returned to the studio to record his fourth album, Vuelve (1998). He called the experience of touring and recording at the same time "brutal and incredibly intense".[71] As he was finishing the record, the singer was contacted by FIFA to write a song for the 1998 World Cup; Martin subsequently wrote "La copa de la vida" with K. C. Porter and Draco Rosa.[72] He performed the song at the World Cup final in the Stade de France on July 12, 1998.[73] The performance, which was broadcast to over a billion viewers in 187 countries, was described as a "global moment for Latin pop".[74] "La copa de la vida" reached No. 1 on the charts around the world and went gold and platinum in various countries. It was awarded Pop Song of the Year at the 1999 Lo Nuestro Awards.[75] The title track and the ballad "Perdido Sin Tí" both hit number one on the Hot Latin Songs. Further singles included: "La Bomba", "Por Arriba, Por Abajo" and "Corazonado". Vuelve spent twenty-six weeks at number one on the Billboard Top Latin Albums. It became Martin's first top forty album on the Billboard 200 in the United States, where it was certified platinum by the RIAA. The album also went to number one in Spain and Norway, and sold over eight million copies worldwide.[76]

Martin was nominated for his first Grammy Award for Vuelve in the category of Best Latin Pop Album, and was booked to sing on the 41st Annual Grammy Awards live TV broadcast. His acclaimed performance of "La copa de la vida" earned Martin an unexpected standing ovation and introduced him to the mainstream American audience. Being aware of performing on the Grammy, he said that:"The excitement is more than being nominated for the award. The audience in front of me are people who are hard to please. Sting! Madonna! Luciano Pavarotti! To get the acceptance of your peers really means a lot."[77][78] Martin won the Grammy Award later that evening, and even superstars Madonna and Sting went backstage to congratulate him.[79] His appearance sparked nationwide interest in Latin music. Writing for Billboard on April 24, 1999, Michael Paoletta noted, "In the weeks since [the performance], it seems like every record label exec has been in a heated search for the next Latin hottie."[80]

1999–2002: Crossover to English

Ricky Martin "Livin' la Vida Loca" (1999)
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After receiving commercial success throughout Asia, Europe, and Latin America, Martin prepared his first English album in 1999 in an attempt to cross over to the United States market.[81] The self-titled album, which debuted at number one on the Billboard 200 and sold 661,000 copies in its first week of release, became the most successful album debut on the Billboard charts by a Hispanic artist.[82] It contained material by writers and producers such as Desmond Child, Diane Warren, William Orbit, George Noriega and his longtime childhood friend Draco Rosa. The album also featured special guests: Madonna on the Spanish-English duet "Be Careful (Cuidado con mi Corazón)" and Sertab Erener on "Private Emotion".[83] Two weeks after the album's release, Martin was featured on the cover of Time with the title "Latin Music Goes Pop!".[84] Before the album's release, Janet Jackson collaborated with Ricky Martin for the Latin American version of "Ask for More", a promotional single and commercial released as part of an advertising campaign for soft drink company Pepsi.[85][86]

The first and most prominent single was "Livin' la Vida Loca", which reached number one in many countries around the world, including the United States, United Kingdom, Canada, Ireland and New Zealand. "Livin' la Vida Loca" is Ricky Martin's biggest hit. The video for "Livin 'La Vida Loca" was directed by Wayne Isham and starring model Nina Moric. It was followed by "She's All I Ever Had" which peaked at number two on the Billboard Hot 100. Both tracks peaked at number one on the Hot Latin Songs. "Livin' la Vida Loca" is generally seen as the song that began the Latin pop explosion of 1999 and made the transition of other Latin artists (first Jennifer Lopez and Enrique Iglesias, then later Shakira) into the English-speaking market easier. Ricky Martin became one of the top-selling albums of 1999, and was certified 7× platinum in the United States, selling over 15 million copies worldwide. In October 1999, Martin embarked on a very successful year-long Livin' la Vida Loca Tour.

After this success, a new English-language album, Sound Loaded, was released in November 2000. It debuted at number four on the Billboard 200 and was certified 2× platinum by the RIAA. "She Bangs" and "Nobody Wants to Be Lonely" (duet with Christina Aguilera) peaked at number twelve and thirteen on the Billboard Hot 100, respectively. Both singles reached number one on the Hot Latin Songs. Sound Loaded has sold over 8 million copies worldwide.

In February 2001, Martin released a Spanish greatest hits album entitled La Historia, which went to number one for five weeks on the Billboard Top Latin Albums and debuted at number eighty-three on the Billboard 200. It also topped the chart in Sweden for three weeks. The album contained reworkings of two of his early songs "Fuego Contra Fuego" and "El Amor de Mi Vida". In November 2001, an English-language greatest hits album, The Best of Ricky Martin was released outside North America. It contained two new remixes of "Amor".

2003–2006: Almas del Silencio

Ricky Martin in 2005.
In May 2003 Martin released a new Spanish album Almas del Silencio. The first single "Tal Vez" debuted at number one on the Hot Latin Songs and stayed there for eleven weeks becoming the best performing Latin single of the year.[87] Martin said of the new album: "I really needed to go back to focus, to my center, to the beginning. I had the need to search within, and really dig deep, and find those emotions that, because of the adrenaline and the euphoria that I lived for a couple of years, were probably sabotaged."[88] Almas del Silencio debuted at number twelve on the Billboard 200 and reached number one on the Billboard Top Latin Albums where it stayed for six weeks. The album sold more than one million copies worldwide.[89] The next singles, "Jaleo" and "Y Todo Queda en Nada," reached number one on the Hot Latin Songs. "Jaleo" also topped the chart in Spain for four weeks.

In October 2005, he released his album Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production."[90] The album debuted at number six on the Billboard 200. The first single from the album "I Don't Care" featured rap verses by Fat Joe and Amerie. It peaked at number three on the Hot Dance Club Songs and number sixty-five on the Billboard Hot 100. Another song from the album "It's Alright" was re-recorded as a duet with French singer M. Pokora. It was successful in French-speaking countries and reached #4 in France.

2006–2007: MTV Unplugged and a world tour
On August 17, 2006, Ricky Martin taped his MTV Unplugged concert in Miami. It premiered on MTV Latin America, MTV Tr3s and MTV Puerto Rico in October 2006 and was released on CD and DVD in November 2006. The album was a critical and commercial success. It debuted at number one on the Billboard Top Latin Albums and number thirty-eight on the Billboard 200. At the Latin Grammy Awards of 2008, MTV Unplugged received Latin Grammy Award for Best Male Pop Vocal Album and for Best Long Form Music Video. The first single, "Tu Recuerdo" which featured La Mari of Chambao, reached number one for three weeks on the Hot Latin Songs. The next single, "Pégate" peaked at number six on the Hot Dance Club Songs.

On February 19, 2007, Martin began his worldwide Black and White Tour[91] which started with a performance at the José Miguel Agrelot Coliseum in Puerto Rico and concluded with a presentation at the Madison Square Garden in New York City on October 14, 2007.[91] He also recorded a duet with Eros Ramazzotti, "Non siamo soli" which topped the Italian chart for eleven consecutive weeks.

2007–2010: Career break
After finishing his worldwide tour, Martin took a break from the music industry and focused on his private life. In November 2007, Sony BMG Norte released Ricky Martin Live: Black and White Tour on CD, DVD, and Blu-ray Disc. One year later, a Spanish-language greatest hits album was released, titled 17. It was a summary of 17 years of Martin's musical career, which included mostly Spanish-language songs.

2010–2013: Autobiography, Música + Alma + Sexo and Evita

Martin performing in Chicago on April 19, 2011.
Ricky Martin's autobiography, Me, was published on November 2, 2010. The book became part of The New York Times Best Seller list,[92] debuting at number five on the Hardcover Nonfiction list. A Spanish-language edition entitled Yo was published simultaneously.

Martin's single, "Lo Mejor de Mi Vida Eres Tú" featuring Natalia Jimenez also premiered on November 2, 2010 and peaked at number seventy-four on the Billboard Hot 100 and topped the Hot Latin Songs for two weeks. It was followed by a new studio album, Música + Alma + Sexo released on January 31, 2011.[93] It debuted at number three on the Billboard 200 and became the highest charting, primarily-Spanish language album in the United States, since Dreaming of You by Selena.[94] Música + Alma + Sexo also represents the highest ever chart debut on the Billboard 200 for a Sony Music Latin release.[95] It spent two weeks at number one on the Billboard Top Latin Albums. On March 25, 2011, Martin started his Música + Alma + Sexo World Tour, which ended on November 12, 2011. The second single from the album, "Más" was released on April 5, 2011 and peaked at number seven on the Hot Dance Club Songs. "Frío" featuring Wisin & Yandel was chosen as the third single.

17: Greatest Hits was released on July 11, 2011 exclusively in the United Kingdom. Ricky Martin was playing Ché in the Broadway revival of the show Evita, scheduled to begin previews on Broadway in March 2012, ahead of an opening in April 2012.[96] He received mixed reviews.

Martin guest-starred as a Spanish teacher on the Fox TV show Glee episode "The Spanish Teacher" on February 7, 2012. Martin premiered his "Ricky's Lip Conditioner" lip balm in April 2012 as part of the M.A.C Cosmetics "Ricky and Nicki for Viva Glam" campaign. The advertisements for the range paired him with rapper Nicki Minaj. Martin's signature is featured on the lip balm packaging.[97]

2013: The Voice Australia, "Come with Me" and an Australian tour

Martin in 2011
In November 2012, Martin was announced as a coach on The Voice Australia and debuted in the first episode of season two, on April 7, 2013.[98][99] The finale aired on June 17. His finalist was former Ten Tenors singer Luke Kennedy. He became Runner-up losing to eventual winner Harrison Craig.

In April 2013, Martin released his Greatest Hits: Souvenir Edition album in Australia, where it reached number two on the ARIA Albums Chart and was certified Gold. In June 2013, he released a new English single titled "Come with Me".[100] He also embarked on the 2013 Australian Tour in October 2013. In February 2014, he appeared with Jennifer Lopez & Wisin on the single and video "Adrenalina" taken from Wisin's album El Regreso del Sobreviviente. The album version contains Spanish lyrics but the single was also made available in a Spanglish version. In April 2014, the single & video were released for "Vida", from the FIFA compilation album One Love, One Rhythm – The 2014 FIFA World Cup Official Album. Here, the album version contains Spanglish lyrics, but the digital EP contained versions in Spanish & Portuguese as well as various dance remixes.

2014–2018: The Voice Mexico, A Quien Quiera Escuchar, One World Tour and The Assassination of Gianni Versace
In July 2014, Martin was announced as a coach on The Voice Mexico. The first episode of season four was aired on September 9, 2014.[101] On October 3, 2014, Martin started his Mexican One World Tour on Mexico City, followed by Guadalajara, Monterrey and Ensenada.[102] In November 2014, he was the closing act of the opening ceremony for the 22nd Central American and Caribbean Games "Veracruz 2014".[103]

Since Martin's debut as a coach on The Voice Australia in 2013, he continued as a coach on Season 3, in 2014, alongside will.i.am, Kylie Minogue and Joel Madden. He returned to the panel alongside Delta Goodrem, Benji Madden (teamed up with his brother Joel Madden), and newcomer Jessie J in 2015; before leaving the show before the fifth series to focus on music commitments.

Martin released his album A Quien Quiera Escuchar in February 2015. The album won the Grammy Award for Best Latin Pop Album, making this Martin's second Grammy win to date.

It was announced on December 24, 2015 that he would not return to The Voice Australia in 2016 and will be replaced by Ronan Keating.

On September 22, 2016, Martin released a new song "Vente Pa' Ca" with Colombian singer, Maluma. The song skyrocketed in music charts with over 1.6 billion views on the music video as of February 2020.

In November 2016, Martin announced a Las Vegas residency show, All In, which began on April 4, 2017.[104]

In 2018, Martin portrayed Antonio D'Amico, partner of fashion designer Gianni Versace, in the second season of the true crime television series American Crime Story, subtitled The Assassination of Gianni Versace: American Crime Story. The show was praised but Martin's performance and characterization of D'Amico received mixed reception. Despite this, Martin was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie, his first ever nomination.

Martin released his single, "Fiebre", on February 23, 2018.[105] And its music video has over 100 million views on YouTube as of November 2019.

2019–present: Movimiento and Movimiento Tour
Martin announced his new album will be released on 2020 and he started his world tour, Movimiento Tour on February 7, 2020.

Musical style
Martin possesses a tenor vocal range.[106] Martin cites a variety of the Latin music genres as influences, including salsa, merengue, and bolero.[107] He also is inspired by artists such as the Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa, some of which his mother played for him as a child.[107] Martin credits these musicians with helping him "appreciate the richness of [his] island's culture."[107]

Some of Martin's additional influences include Michael Jackson, Cher, Madonna, Elvis Presley, Sting, Barbra Streisand and Daniel Day-Lewis.

Other media
Ricky Martin's first children's book, Santiago the Dreamer in Land Among the Stars, was published in November 2013 with its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, released simultaneously. The book was illustrated by Patricia Castelao.[108]

Personal life
Martin was raised Catholic but says he is open to all sorts of religious beliefs, especially the Buddhist philosophy.[109] He feels that subscribing to a specific religion can "limit" an individual in certain aspects, and noted in 2006, "I really like the Buddhist philosophy but that doesn't mean that I am of the religion. If I subscribe to Buddhism, I can't be of anything else...I am not going to follow those rules."[109] Martin began practicing yoga after a trip to Thailand in 1997.[22]

In November 2011, he acquired Spanish nationality in recognition of his artistic talents and for having roots in the country – Martin's grandmother is Spanish, and he owns a residence in Madrid. In September 2011, he sold his home in Miami.[110] In a public statement, written in Spanish, Martin explicitly stated that he has not abandoned his Puerto Rican identity: "I was born in Puerto Rico, I am a Puerto Rican, and Puerto Rico is my homeland. I made the request for Spanish citizenship some time ago, I was just waiting for a response. This step is part of planning for the future within a global community of whom I am part. Spain is a country with which I share many memories and strong ties born of my roots and the love they have given me since I first visited."[28] In January 2013, he relocated to Sydney, Australia to accommodate his position on The Voice Australia. In 2018, he relocated permanently to Los Angeles, California.[111]

Coming out
Martin was in an on-off platonic relationship with Mexican TV host Rebecca de Alba for more than 14 years. The pair had spoken of starting a family together,[112][113][114] and Martin had at one point considered proposing to her.[115] In August 2008, Martin became the father of twin boys, Matteo and Valentino, born by a gestational surrogate mother.[116]

After the success of "Livin' la Vida Loca", Martin's personal life became a subject of interest due to his large gay following, and he was questioned about his sexual orientation. In a December 2000 interview with The Mirror, he was asked to comment on the rumors surrounding his sexuality. He replied: "I don't think I should have to tell anyone if I am gay or not, or who I've slept with or not."[117][118] In 2010, Barbara Walters expressed some regret for pushing Martin in a 2000 interview to admit if he was gay. The Toronto Star quoted her as saying, "When I think back on it now, I feel it was an inappropriate question."[119][120] On March 29, 2010, Martin publicly came out as gay in a post on his official website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am."[121][122] Martin said that "these years in silence and reflection made me stronger and reminded me that acceptance has to come from within, and that this kind of truth gives me the power to conquer emotions I didn't even know existed."[123]

Also in 2010, Martin said that for many years he thought he was bisexual, telling Oprah Winfrey that "I felt it with a woman, I felt passion and it felt good. And I'm sure I'm not the only gay man that felt attraction towards women...Sometimes I really did fall in love with women, for many years I did."[124][125] He announced on The Oprah Winfrey Show that he was in a relationship.[126] In 2011, during his acceptance speech of the Vito Russo Award at the 22nd GLAAD Media Awards, Martin publicly thanked his boyfriend, Carlos González Abella, an economist.[127][128] His relationship with González Abella ended in January 2014.[129]

In 2012, during an interview with Spanish Vanity Fair, Martin stated, "I don't regret anything, any of the relationships I've lived. They taught me a lot, both men and women equally."[130][131] In 2016, he stated that he is attracted to both men and women, but, because he is only interested in romantic relationships with men, he does not identify as bisexual. "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs," he stated in an interview with the Mexican magazine Fama! He added that "I am gay, men fascinate me, but I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire."[132]

Martin has also expressed support for same-sex marriage in an interview on Larry King Live.[133] Martin delivered a speech at the United Nations Homophobia Conference on November 12, 2012.[134] Beginning April 2016, he started dating Jwan Yosef, a Syrian-Swedish painter of Kurdish and Armenian descent.[135][136] The two announced their engagement on November 16, 2016, while on the Ellen DeGeneres Show.[137] In January 2018, Martin announced that he and Yosef are married.[138] On December 31, 2018, Martin and Yosef announced, via Instagram, the birth of their daughter Lucía Martin-Yosef.[139] On February 2018, in an interview with E. Alex Jung of Vulture, Martin discussed working on The Assassination of Gianni Versace: American Crime Story as Antonio D'Amico and how he wanted his portrayal to help normalize open relationships.[140] In 2019, while accepting an award during a human rights dinner in Washington DC, Martin announced he and his husband are expecting their fourth child together and on October 29, 2019, Martin and Yosef announced, via Instagram, the birth of their son Renn Martin-Yosef.[141]

Other ventures
Humanitarian work and impact

Ricky Martin at a Puerto Rican Day annual parade in New York City
Martin is the founder of Fundación Ricky Martin (Ricky Martin Foundation), a non-profit organization. Among the events promoted by the foundation was a summer camp, which included Martin's personal participation.[142]

Martin has been honored with accolades including: Leadership in the Arts Award, Billboard's Spirit of Hope Award, ALMA Award, Vanguard Award, International Humanitarian Award by the International Centre for Missing & Exploited Children, Hispanic Heritage Award for his humanitarian work through the Sabera Foundation in rescuing three orphan girls from the streets of Kolkata (September 2002).[citation needed]

In December 2003, Martin was appointed a UNICEF Goodwill Ambassador. In his role as UNICEF Goodwill Ambassador, Ricky Martin has supported UNICEF's efforts in fighting for children's rights, especially in the area of child trafficking.[143]

Martin has also collaborated with the International Organization for Migration on the Llama y Vive (Call and Live), a campaign which is aimed to facilitate prevention of human trafficking, protection of the youngest victims of child trafficking, and prosecution of the traffickers. For his work against human trafficking, the United States Department of State named Martin one of its Heroes in Ending Modern-Day Slavery in 2005.


Foundation logo
The Ricky Martin Foundation was founded by Ricky Martin, with the mission to advocate for the well-being of children around the world.

Politics

Ricky Martin (mid-right) in Congress, with Luis Fortuño (far left), Tom Lantos (mid-left) and Chris Smith (far right).
Martin was a headliner in the 2001 inauguration celebration for President George W. Bush; he even invited the newly elected president to join him on stage to dance. Photographs of this moment were broadcast throughout the world, and Martin wrote about it in his song "Asignatura Pendiente". Martin's view of President Bush changed over the Iraq War, as expressed in his declaration to the Associated Press that he will "always condemn war and those who promulgate it."[144][145]

During his appearance at the Billboard Latin Music Awards on April 29, 2010, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants.[146]

Discography
Main articles: Ricky Martin albums discography, Ricky Martin singles discography, and Ricky Martin videography
See also: Menudo (band) § Discography
Ricky Martin (1991)
Me Amaras (1993)
A Medio Vivir (1995)
Vuelve (1998)
Ricky Martin (1999)
Sound Loaded (2000)
Almas del Silencio (2003)
Life (2005)
Música + Alma + Sexo (2011)
A Quien Quiera Escuchar (2015)
Movimiento (2020)
Filmography
1985: The Love Boat (TV series) as Ricky
1987: Por siempre amigos (Argentinian TV series) as Ricky
1991: Alcanzar una estrella II (TV series) as Pablo Loredo
1992: Más que alcanzar una estrella as Enrique
1993: Getting By (TV series) as Martin
1994: General Hospital (TV series) as Miguel Morez (1994–95)
1996: Barefoot in Paradise (TV series) as Sandoval
1997: Hercules (Latin American dub, voice role) as Hercules
1999: Idle Hands as Man in Car Park
2006: Sos mi vida (Argentinian TV series) as himself
2011: The Oprah Winfrey Show: guest
2011: Susana Giménez: guest
2011: American Dad! as himself (uncredited)
2012: Glee (TV series) as David Martínez
2013: The Voice Australia as Himself (Coach)
2014: Dancing with the Stars (TV series) as Himself (Judge)
2014: The Voice Australia as Himself (Coach)
2014: La Voz... México as Himself (Coach)
2014: The Voice Arabia as Himself (guest judge)
2015: Minions (Latin American dub, voice role) as Herb Overkill
2015: The Voice Australia as Himself (Coach)
2015: La Banda as himself (judge and executive producer)
2015: Nuestra Belleza Latina 2015 as himself (Celebrity guest)
2017: Lip Sync Battle as himself (winner vs. Kate Upton)
2018: The Assassination of Gianni Versace: American Crime Story as Antonio D'Amico
2019: Amici di Maria De Filippi as Himself (Coach)
Theatre
Les Misérables (1996), Broadway – Marius Pontmercy
Evita, (2012), Broadway – Ché
Tours
Ricky Martin Tour (1992)
Me Amaras Tour (1993–1994)
A Medio Vivir Tour (1995–1997)
Vuelve World Tour (1998)
Livin' la Vida Loca Tour (1999–2000)
One Night Only with Ricky Martin (2005–2006)
Black and White Tour (2007)
Música + Alma + Sexo World Tour[147] (2011)
Ricky Martin Live (2013–2014)
Live in Mexico (2014)
One World Tour (2015–2017)
Ricky Martin en Concierto (2018)[148][149]
Movimiento Tour (2020)
Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2020)
Honors and awards
See also: List of awards and nominations received by Ricky Martin
Ricky Martin has received numerous awards, including 2 Grammy Awards, 4 Latin Grammy Awards, 5 MTV Video Music Awards, 3 Billboard Music Awards, 9 Billboard Latin Music Awards, 2 American Music Awards, 2 Latin American Music Awards, 8 World Music Awards and has been Emmy-nominated.

Martin was chosen along with Félix Trinidad in 1999, to lead Puerto Rico's worldwide tourism campaign, both exemplifying Puerto Rico's youthfulness, enthusiasm and indefatigable character.
In February 2004, Martin received the Excellence Award at the Lo Nuestro Awards in Miami.
Martin was honored as the 2006 Latin Recording Academy Person of the Year by the Latin Recording Academy on November 1, 2006. He was chosen for his accomplishments as a world-renowned entertainer, consummate performer and passionate humanitarian. A portion of the proceeds from the evening's tribute dinner was used for benefitting Ricky Martin's charitable efforts.
On October 16, 2007, Martin received the 2351st Hollywood Walk of Fame star,[150] shortly after receiving the key to the city of Miami Beach, Florida on October 11. The star is located beside the Hollywood and Highland complex. Los Angeles mayor Antonio Villaraigosa and Rita Moreno were invited to the unveiling ceremony.[91]
In 2011, Martin was awarded Spanish citizenship by the Council of Ministers, to honor his contributions to the arts.[151]
See also
flag Puerto Rico portal
Latin music portal
LGBT portal
Honorific nicknames in popular music
List of Puerto Ricans
White Latin American
Corsican immigration to Puerto Rico
Cultural diversity in Puerto Rico



One of the performers at An Intimate Evening With KTU by New York radio station WKTU-FM held on November 8, 2005, Ricky Martin surely has made a glorious comeback with another English-language album, "Life," as it instantly sold more than 73,000 copies a week after being released. Scheduled to have an interview on CBS' "The Early Show" on November 11, this Latin superstar aimed to launch a dual disc edition of "Life," which contained an exclusive behind-the-scenes feature of the album's making, precisely 11 days after his appearance on the high-rated program. Concerning his return to the concert stage, he undoubtedly would generate hysteria all over the globe through his worldwide tour beginning on November 15 at Auditorio Nacional in Mexico City.

Named Enrique Jose Martin Morales by his parents, Enrique Martin Negroni and Nereida Morales, Ricky was born on December 24, 1971, in Hato Rey, a small peninsula located in the area of Puerto Rico's capital city, San Juan. His interest in performing arts had been apparent to everyone since he was still a student of Colegio Sagrado Corazon grade school for the little boy was actively involved in its plays and choir. Taking singing lessons and some auditions for TV commercials, he successfully joined a Latin boy band, %cMenudo%, at the age of 12 with the encouragement of his separated parents who had their divorce when he was merely 2 years old. This talented teenager then spent his next five years together with Menudo to work on several albums and hold national tours before finally quitted the group in 1989.

Following his departure, Ricky went to New York with the purpose to develop a solo career, but he soon found out that it was such a hard task since there was barely any propitious chance approached him. Unemployed for a year, he changed direction to Mexico which turned out to be a right decision for he later earned a role in the musical play of "Mama ama el Rock" and even secured a record deal with Sony Music Entertainment. As his debut album touched the market in 1991, people also began to notice him in the regular cast of the Mexican soap opera, "Alcanzar una Estrella II." The self-titled work surprisingly sold for 500,000 copies worldwide to become one of the highest debuts for a Latin artist under Sony, automatically leading Ricky to a considerable national popularity.

Creating another success with his sophomore effort "Me Amaras" (1993), the stunning singer headed back to North America, this time landed his feet on the glamorized scene of Los Angeles. Turned his attention to acting for a while, he managed to appear on an episode of NBC comedy series, "Getting By" (1993-1994), aired in October 1993. Ricky then satisfyingly took one step further when ABC gave him the role of Miguel Morez in its long-running series, "General Hospital" (1963). During this period, he returned to music, entering the recording studio to work on his third album which later was entitled "A Medio Vivir" (1995). A compilation of pop, rock and Latin tunes, it immediately became a hit around the world with 600,000 copies sold within six months and ultimately was certified Gold by October 1997.

The tremendous success of "A Medio Vivir" catapulted Ricky to wider attention, particularly through one of its tracks, "Maria," which turned out to be his first song to infiltrate The Billboard Hot 100 Chart. This great result subsequently prompted him to conduct a worldwide tour around Latin America, Europe, Asia, and U.S., performing live in front of thousands enthusiastic fans. His star shone more brilliantly by 1997 as "Vuelve," his fourth work, directed him to acquire the title of Best Latin Pop Performance at the 41st Annual Grammy Awards held in 1999 while the album itself garnered an excellent sale of 8 million copies internationally. The magic touch still continued, even grew greater, when his first English-language effort, "Ricky Martin," came up in the same year he received the honor.

Through this eponymous album, Ricky truly embraced massive popularity as a celebrated world star, especially after its single, "The Cup of Life" or "La Copa de la Vida," became the anthem of the 1998 World Cup. The other tracks, like "She's All I Ever Had", "Shake Your Bon-Bon", and "Private Emotion" also were the year's smash hits, but it was "Livin' La Vida Loca" that actually struck hard in the ears of every music listener. One of the biggest selling number one singles, it secured the top spot of nine Billboard Music Charts, including Billboard Hot 100, therefore established Ricky as the first Latin male solo artist of the SoundScan era to hit the first place on the chart. By the end of the year 1999, he had already collected some prestigious awards, especially those came from MTV Video Music Awards in the categories of Best Dance Video and Best Pop Video.

Sold over 17 million copies, not only "Ricky Martin" topped The Billboard 200, but also was certified seven times Platinum by RIAA, placing its singer to gain the same recognition as other Latin artists, like %cJennifer Lopez%, %cMarc Anthony%, and %cEnrique Iglesias%, had experienced. His next piece of work, "Sound Loaded" (2000), managed to score a significant result though it was unable to surpass the fantastic attainment of its predecessor. Gaining the 4th rank on The Billboard 200, two out of its sixteen compositions, namely "She Bangs" and "Nobody Wants to be Lonely" made their way to enter the top 20 of Billboard Hot 100. After the return to his Latin root with the launching of two Spanish-language albums, "La Historia" (2001) and "Almas del Silencio" (2003), Ricky underwent two-years hiatus before coming up with "Life" on October 11, 2005. Debuted at number 7 on The Billboard 200, the album was considered to be his most eclectic cross-cultural collection to-date.

Aside from his professional singing career, Ricky is also well known for his concern to humanity, especially that dealing with children. Through the "Ricky Martin Foundation," he deeply participated in the battle against child prostitution, pornography, and trafficking. Another project was to donate a million dollar worth of musical instrument to Puerto Rican public schools and to fight for children's rights on a global and local basis under People for Children program. However, this does not mean that he ignored other world's issues as he really participated in building and restoring houses for the Tsunami victims in Phang Nga province, Thailand besides being an active supporter of the Pediatric AIDS Foundation, the Carousel of Hope, and the Rainforest Foundation. As for his love life, Ricky had an on/off relationship with %cRebecca de Alba%, a TV journalist he met in Mexico, since 1989 before eventually broke up in 1999.

Not hinting any work on studio album, Ricky came up with 'Ricky Martin MTV Unplugged' that was released in November 2006. This was the same live album that earned him four nods at 2007 Latin Grammy Awards, including Album of the Year, Record of the Year, Best Long Form Music Video and Best Male Pop Vocal Album.

Letter from Birmingham Jail
by Martin Luther King, Jr.
From the Birmingham jail, where he was imprisoned as a participant in nonviolent demonstrations against segregation, Dr.
Martin Luther King, Jr., wrote in longhand the letter which follows. It was his response to a public statement of concern and
caution issued by eight white religious leaders of the South. Dr. King, who was born in 1929, did his undergraduate work at
Morehouse College; attended the integrated Crozer Theological Seminary in Chester, Pennsylvania, one of six black pupils
among a hundred students, and the president of his class; and won a fellowship to Boston University for his Ph.D.
WHILE confined here in the Birmingham city jail, I came across your recent statement calling our present activities "unwise
and untimely." Seldom, if ever, do I pause to answer criticism of my work and ideas. If I sought to answer all of the criticisms
that cross my desk, my secretaries would be engaged in little else in the course of the day, and I would have no time for
constructive work. But since I feel that you are men of genuine good will and your criticisms are sincerely set forth, I would like
to answer your statement in what I hope will be patient and reasonable terms.
I think I should give the reason for my being in Birmingham, since you have been influenced by the argument of "outsiders
coming in." I have the honor of serving as president of the Southern Christian Leadership Conference, an organization operating
in every Southern state, with headquarters in Atlanta, Georgia. We have some eighty-five affiliate organizations all across the
South, one being the Alabama Christian Movement for Human Rights. Whenever necessary and possible, we share staff,
educational and financial resources with our affiliates. Several months ago our local affiliate here in Birmingham invited us to be
on call to engage in a nonviolent direct-action program if such were deemed necessary. We readily consented, and when the hour
came we lived up to our promises. So I am here, along with several members of my staff, because we were invited here. I am
here because I have basic organizational ties here.
Beyond this, I am in Birmingham because injustice is here. Just as the eighth-century prophets left their little villages and carried
their "thus saith the Lord" far beyond the boundaries of their hometowns; and just as the Apostle Paul left his little village of
Tarsus and carried the gospel of Jesus Christ to practically every hamlet and city of the Greco-Roman world, I too am compelled
to carry the gospel of freedom beyond my particular hometown. Like Paul, I must constantly respond to the Macedonian call for
aid.
Moreover, I am cognizant of the interrelatedness of all communities and states. I cannot sit idly by in Atlanta and not be
concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an
inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly affects all indirectly. Never
again can we afford to live with the narrow, provincial "outside agitator" idea. Anyone who lives inside the United States can
never be considered an outsider.
You deplore the demonstrations that are presently taking place in Birmingham. But I am sorry that your statement did not express
a similar concern for the conditions that brought the demonstrations into being. I am sure that each of you would want to go
beyond the superficial social analyst who looks merely at effects and does not grapple with underlying causes. I would not
hesitate to say that it is unfortunate that so-called demonstrations are taking place in Birmingham at this time, but I would say in
more emphatic terms that it is even more unfortunate that the white power structure of this city left the Negro community with no
other alternative.
IN ANY nonviolent campaign there are four basic steps: collection of the facts to determine whether injustices are alive,
negotiation, self-purification, and direct action. We have gone through all of these steps in Birmingham. There can be no
gainsaying of the fact that racial injustice engulfs this community. Birmingham is probably the most thoroughly segregated city
in the United States. Its ugly record of police brutality is known in every section of this country. Its unjust treatment of Negroes
in the courts is a notorious reality. There have been more unsolved bombings of Negro homes and churches in Birmingham than
in any other city in this nation. These are the hard, brutal, and unbelievable facts. On the basis of them, Negro leaders sought to
negotiate with the city fathers. But the political leaders consistently refused to engage in good-faith negotiation.
Then came the opportunity last September to talk with some of the leaders of the economic community. In these negotiating
sessions certain promises were made by the merchants, such as the promise to remove the humiliating racial signs from the
stores. On the basis of these promises, Reverend Shuttlesworth and the leaders of the Alabama Christian Movement for Human
Rights agreed to call a moratorium on any type of demonstration. As the weeks and months unfolded, we realized that we were
the victims of a broken promise. The signs remained. As in so many experiences of the past, we were confronted with blasted
hopes, and the dark shadow of a deep disappointment settled upon us. So we had no alternative except that of preparing for direct
action, whereby we would present our very bodies as a means of laying our case before the conscience of the local and national
community. We were not unmindful of the difficulties involved. So we decided to go through a process of self-purification. We


























































Letter From Birmingham Jail 2
started having workshops on nonviolence and repeatedly asked ourselves the questions, "Are you able to accept blows without
retaliating?" and "Are you able to endure the ordeals of jail?" We decided to set our direct-action program around the Easter
season, realizing that, with exception of Christmas, this was the largest shopping period of the year. Knowing that a strong
economic withdrawal program would be the by-product of direct action, we felt that this was the best time to bring pressure on
the merchants for the needed changes. Then it occurred to us that the March election was ahead, and so we speedily decided to
postpone action until after election day. When we discovered that Mr. Conner was in the runoff, we decided again to postpone
action so that the demonstration could not be used to cloud the issues. At this time we agreed to begin our nonviolent witness the
day after the runoff.
This reveals that we did not move irresponsibly into direct action. We, too, wanted to see Mr. Conner defeated, so we went
through postponement after postponement to aid in this community need. After this we felt that direct action could be delayed no
longer.
You may well ask, "Why direct action, why sit-ins, marches, and so forth? Isn't negotiation a better path?" You are exactly right
in your call for negotiation. Indeed, this is the purpose of direct action. Nonviolent direct action seeks to create such a crisis and
establish such creative tension that a community that has consistently refused to negotiate is forced to confront the issue. It seeks
so to dramatize the issue that it can no longer be ignored. I just referred to the creation of tension as a part of the work of the
nonviolent resister. This may sound rather shocking. But I must confess that I am not afraid of the word "tension." I have
earnestly worked and preached against violent tension, but there is a type of constructive nonviolent tension that is necessary for
growth. Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage
of myths and half-truths to the unfettered realm of creative analysis and objective appraisal, we must see the need of having
nonviolent gadflies to create the kind of tension in society that will help men to rise from the dark depths of prejudice and racism
to the majestic heights of understanding and brotherhood. So, the purpose of direct action is to create a situation so crisis-packed
that it will inevitably open the door to negotiation. We therefore concur with you in your call for negotiation. Too long has our
beloved Southland been bogged down in the tragic attempt to live in monologue rather than dialogue.
One of the basic points in your statement is that our acts are untimely. Some have asked, "Why didn't you give the new
administration time to act?" The only answer that I can give to this inquiry is that the new administration must be prodded about
as much as the outgoing one before it acts. We will be sadly mistaken if we feel that the election of Mr. Boutwell will bring the
millennium to Birmingham. While Mr. Boutwell is much more articulate and gentle than Mr. Conner, they are both
segregationists, dedicated to the task of maintaining the status quo. The hope I see in Mr. Boutwell is that he will be reasonable
enough to see the futility of massive resistance to desegregation. But he will not see this without pressure from the devotees of
civil rights. My friends, I must say to you that we have not made a single gain in civil rights without determined legal and
nonviolent pressure. History is the long and tragic story of the fact that privileged groups seldom give up their privileges
voluntarily. Individuals may see the moral light and voluntarily give up their unjust posture; but, as Reinhold Niebuhr has
reminded us, groups are more immoral than individuals.
We know through painful experience that freedom is never voluntarily given by the oppressor; it must be demanded by the
oppressed. Frankly, I have never yet engaged in a direct-action movement that was "well timed" according to the timetable of
those who have not suffered unduly from the disease of segregation. For years now I have heard the word "wait." It rings in the
ear of every Negro with a piercing familiarity. This "wait" has almost always meant "never." It has been a tranquilizing
thalidomide, relieving the emotional stress for a moment, only to give birth to an ill-formed infant of frustration. We must come
to see with the distinguished jurist of yesterday that "justice too long delayed is justice denied." We have waited for more than
three hundred and forty years for our God-given and constitutional rights. The nations of Asia and Africa are moving with jetlike
speed toward the goal of political independence, and we still creep at horse-and-buggy pace toward the gaining of a cup of coffee
at a lunch counter. I guess it is easy for those who have never felt the stinging darts of segregation to say "wait." But when you
have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen
hate-filled policemen curse, kick, brutalize, and even kill your black brothers and sisters with impunity; when you see the vast
majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when
you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she
cannot go to the public amusement park that has just been advertised on television, and see tears welling up in her little eyes
when she is told that Funtown is closed to colored children, and see the depressing clouds of inferiority begin to form in her little
mental sky, and see her begin to distort her little personality by unconsciously developing a bitterness toward white people; when
you have to concoct an answer for a five-year-old son asking in agonizing pathos, "Daddy, why do white people treat colored
people so mean?"; when you take a cross-country drive and find it necessary to sleep night after night in the uncomfortable
corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs
reading "white" and "colored"; when your first name becomes "nigger" and your middle name becomes "boy" (however old you
are) and your last name becomes "John," and when your wife and mother are never given the respected title "Mrs."; when you are
harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never knowing what to
expect next, and plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of
"nobodyness" -- then you will understand why we find it difficult to wait. There comes a time when the cup of endurance runs
over and men are no longer willing to be plunged into an abyss of injustice where they experience the bleakness of corroding
despair. I hope, sirs, you can understand our legitimate and unavoidable impatience.




















































Letter From Birmingham Jail 3
YOU express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern. Since we so
diligently urge people to obey the Supreme Court's decision of 1954 outlawing segregation in the public schools, it is rather
strange and paradoxical to find us consciously breaking laws. One may well ask, "How can you advocate breaking some laws and
obeying others?" The answer is found in the fact that there are two types of laws: there are just laws, and there are unjust laws. I
would agree with St. Augustine that "An unjust law is no law at all."
Now, what is the difference between the two? How does one determine when a law is just or unjust? A just law is a man-made
code that squares with the moral law, or the law of God. An unjust law is a code that is out of harmony with the moral law. To
put it in the terms of St. Thomas Aquinas, an unjust law is a human law that is not rooted in eternal and natural law. Any law that
uplifts human personality is just. Any law that degrades human personality is unjust. All segregation statutes are unjust because
segregation distorts the soul and damages the personality. It gives the segregator a false sense of superiority and the segregated a
false sense of inferiority. To use the words of Martin Buber, the great Jewish philosopher, segregation substitutes an "I - it"
relationship for the "I - thou" relationship and ends up relegating persons to the status of things. So segregation is not only
politically, economically, and sociologically unsound, but it is morally wrong and sinful. Paul Tillich has said that sin is
separation. Isn't segregation an existential expression of man's tragic separation, an expression of his awful estrangement, his
terrible sinfulness? So I can urge men to obey the 1954 decision of the Supreme Court because it is morally right, and I can urge
them to disobey segregation ordinances because they are morally wrong.
Let us turn to a more concrete example of just and unjust laws. An unjust law is a code that a majority inflicts on a minority that
is not binding on itself. This is difference made legal. On the other hand, a just law is a code that a majority compels a minority to
follow, and that it is willing to follow itself. This is sameness made legal.
Let me give another explanation. An unjust law is a code inflicted upon a minority which that minority had no part in enacting or
creating because it did not have the unhampered right to vote. Who can say that the legislature of Alabama which set up the
segregation laws was democratically elected? Throughout the state of Alabama all types of conniving methods are used to
prevent Negroes from becoming registered voters, and there are some counties without a single Negro registered to vote, despite
the fact that the Negroes constitute a majority of the population. Can any law set up in such a state be considered democratically
structured?
These are just a few examples of unjust and just laws. There are some instances when a law is just on its face and unjust in its
application. For instance, I was arrested Friday on a charge of parading without a permit. Now, there is nothing wrong with an
ordinance which requires a permit for a parade, but when the ordinance is used to preserve segregation and to deny citizens the
First Amendment privilege of peaceful assembly and peaceful protest, then it becomes unjust.
Of course, there is nothing new about this kind of civil disobedience. It was seen sublimely in the refusal of Shadrach, Meshach,
and Abednego to obey the laws of Nebuchadnezzar because a higher moral law was involved. It was practiced superbly by the
early Christians, who were willing to face hungry lions and the excruciating pain of chopping blocks before submitting to certain
unjust laws of the Roman Empire. To a degree, academic freedom is a reality today because Socrates practiced civil
disobedience.
We can never forget that everything Hitler did in Germany was "legal" and everything the Hungarian freedom fighters did in
Hungary was "illegal." It was "illegal" to aid and comfort a Jew in Hitler's Germany. But I am sure that if I had lived in Germany
during that time, I would have aided and comforted my Jewish brothers even though it was illegal. If I lived in a Communist
country today where certain principles dear to the Christian faith are suppressed, I believe I would openly advocate disobeying
these anti-religious laws.
I MUST make two honest confessions to you, my Christian and Jewish brothers. First, I must confess that over the last few years
I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great
stumbling block in the stride toward freedom is not the White Citizens Councillor or the Ku Klux Klanner but the white moderate
who is more devoted to order than to justice; who prefers a negative peace which is the absence of tension to a positive peace
which is the presence of justice; who constantly says, "I agree with you in the goal you seek, but I can't agree with your methods
of direct action"; who paternalistically feels that he can set the timetable for another man's freedom; who lives by the myth of
time; and who constantly advises the Negro to wait until a "more convenient season." Shallow understanding from people of
good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more
bewildering than outright rejection.
In your statement you asserted that our actions, even though peaceful, must be condemned because they precipitate violence. But
can this assertion be logically made? Isn't this like condemning the robbed man because his possession of money precipitated the
evil act of robbery? Isn't this like condemning Socrates because his unswerving commitment to truth and his philosophical
delvings precipitated the misguided popular mind to make him drink the hemlock? Isn't this like condemning Jesus because His
unique God-consciousness and never-ceasing devotion to His will precipitated the evil act of crucifixion? We must come to see,
as federal courts have consistently affirmed, that it is immoral to urge an individual to withdraw his efforts to gain his basic
constitutional rights because the quest precipitates violence. Society must protect the robbed and punish the robber.


























































Letter From Birmingham Jail 4
I had also hoped that the white moderate would reject the myth of time. I received a letter this morning from a white brother in
Texas which said, "All Christians know that the colored people will receive equal rights eventually, but is it possible that you are
in too great of a religious hurry? It has taken Christianity almost 2000 years to accomplish what it has. The teachings of Christ
take time to come to earth." All that is said here grows out of a tragic misconception of time. It is the strangely irrational notion
that there is something in the very flow of time that will inevitably cure all ills. Actually, time is neutral. It can be used either
destructively or constructively. I am coming to feel that the people of ill will have used time much more effectively than the
people of good will. We will have to repent in this generation not merely for the vitriolic words and actions of the bad people but
for the appalling silence of the good people. We must come to see that human progress never rolls in on wheels of inevitability. It
comes through the tireless efforts and persistent work of men willing to be coworkers with God, and without this hard work time
itself becomes an ally of the forces of social stagnation.
YOU spoke of our activity in Birmingham as extreme. At first I was rather disappointed that fellow clergymen would see my
nonviolent efforts as those of an extremist. I started thinking about the fact that I stand in the middle of two opposing forces in
the Negro community. One is a force of complacency made up of Negroes who, as a result of long years of oppression, have been
so completely drained of self-respect and a sense of "somebodyness" that they have adjusted to segregation, and, on the other
hand, of a few Negroes in the middle class who, because of a degree of academic and economic security and because at points
they profit by segregation, have unconsciously become insensitive to the problems of the masses. The other force is one of
bitterness and hatred and comes perilously close to advocating violence. It is expressed in the various black nationalist groups
that are springing up over the nation, the largest and best known being Elijah Muhammad's Muslim movement. This movement is
nourished by the contemporary frustration over the continued existence of racial discrimination. It is made up of people who have
lost faith in America, who have absolutely repudiated Christianity, and who have concluded that the white man is an incurable
devil. I have tried to stand between these two forces, saying that we need not follow the do-nothingism of the complacent or the
hatred and despair of the black nationalist. There is a more excellent way, of love and nonviolent protest. I'm grateful to God that,
through the Negro church, the dimension of nonviolence entered our struggle. If this philosophy had not emerged, I am
convinced that by now many streets of the South would be flowing with floods of blood. And I am further convinced that if our
white brothers dismiss as "rabble-rousers" and "outside agitators" those of us who are working through the channels of
nonviolent direct action and refuse to support our nonviolent efforts, millions of Negroes, out of frustration and despair, will seek
solace and security in black nationalist ideologies, a development that will lead inevitably to a frightening racial nightmare.
Oppressed people cannot remain oppressed forever. The urge for freedom will eventually come. This is what has happened to the
American Negro. Something within has reminded him of his birthright of freedom; something without has reminded him that he
can gain it. Consciously and unconsciously, he has been swept in by what the Germans call the Zeitgeist, and with his black
brothers of Africa and his brown and yellow brothers of Asia, South America, and the Caribbean, he is moving with a sense of
cosmic urgency toward the promised land of racial justice. Recognizing this vital urge that has engulfed the Negro community,
one should readily understand public demonstrations. The Negro has many pent-up resentments and latent frustrations. He has to
get them out. So let him march sometime; let him have his prayer pilgrimages to the city hall; understand why he must have sitins and freedom rides. If his repressed emotions do not come out in these nonviolent ways, they will come out in ominous
expressions of violence. This is not a threat; it is a fact of history. So I have not said to my people, "Get rid of your discontent."
But I have tried to say that this normal and healthy discontent can be channeled through the creative outlet of nonviolent direct
action. Now this approach is being dismissed as extremist. I must admit that I was initially disappointed in being so categorized.
But as I continued to think about the matter, I gradually gained a bit of satisfaction from being considered an extremist. Was not
Jesus an extremist in love? -- "Love your enemies, bless them that curse you, pray for them that despitefully use you." Was not
Amos an extremist for justice? -- "Let justice roll down like waters and righteousness like a mighty stream." Was not Paul an
extremist for the gospel of Jesus Christ? -- "I bear in my body the marks of the Lord Jesus." Was not Martin Luther an extremist?
-- "Here I stand; I can do no other so help me God." Was not John Bunyan an extremist? -- "I will stay in jail to the end of my
days before I make a mockery of my conscience." Was not Abraham Lincoln an extremist? -- "This nation cannot survive half
slave and half free." Was not Thomas Jefferson an extremist? -- "We hold these truths to be self-evident, that all men are created
equal." So the question is not whether we will be extremist, but what kind of extremists we will be. Will we be extremists for
hate, or will we be extremists for love? Will we be extremists for the preservation of injustice, or will we be extremists for the
cause of justice?
I had hoped that the white moderate would see this. Maybe I was too optimistic. Maybe I expected too much. I guess I should
have realized that few members of a race that has oppressed another race can understand or appreciate the deep groans and
passionate yearnings of those that have been oppressed, and still fewer have the vision to see that injustice must be rooted out by
strong, persistent, and determined action. I am thankful, however, that some of our white brothers have grasped the meaning of
this social revolution and committed themselves to it. They are still all too small in quantity, but they are big in quality. Some,
like Ralph McGill, Lillian Smith, Harry Golden, and James Dabbs, have written about our struggle in eloquent, prophetic, and
understanding terms. Others have marched with us down nameless streets of the South. They sat in with us at lunch counters and
rode in with us on the freedom rides. They have languished in filthy roach-infested jails, suffering the abuse and brutality of
angry policemen who see them as "dirty nigger lovers." They, unlike many of their moderate brothers, have recognized the
urgency of the moment and sensed the need for powerful "action" antidotes to combat the disease of segregation.






















































Letter From Birmingham Jail 5
LET me rush on to mention my other disappointment. I have been disappointed with the white church and its leadership. Of
course, there are some notable exceptions. I am not unmindful of the fact that each of you has taken some significant stands on
this issue. I commend you, Reverend Stallings, for your Christian stand this past Sunday in welcoming Negroes to your Baptist
Church worship service on a nonsegregated basis. I commend the Catholic leaders of this state for integrating Springhill College
several years ago.
But despite these notable exceptions, I must honestly reiterate that I have been disappointed with the church. I do not say that as
one of those negative critics who can always find something wrong with the church. I say it as a minister of the gospel who loves
the church, who was nurtured in its bosom, who has been sustained by its Spiritual blessings, and who will remain true to it as
long as the cord of life shall lengthen.
I had the strange feeling when I was suddenly catapulted into the leadership of the bus protest in Montgomery several years ago
that we would have the support of the white church. I felt that the white ministers, priests, and rabbis of the South would be some
of our strongest allies. Instead, some few have been outright opponents, refusing to understand the freedom movement and
misrepresenting its leaders; all too many others have been more cautious than courageous and have remained silent behind the
anesthetizing security of stained-glass windows.
In spite of my shattered dreams of the past, I came to Birmingham with the hope that the white religious leadership of this
community would see the justice of our cause and with deep moral concern serve as the channel through which our just
grievances could get to the power structure. I had hoped that each of you would understand. But again I have been disappointed.
I have heard numerous religious leaders of the South call upon their worshipers to comply with a desegregation decision because
it is the law, but I have longed to hear white ministers say, follow this decree because integration is morally right and the Negro is
your brother. In the midst of blatant injustices inflicted upon the Negro, I have watched white churches stand on the sidelines and
merely mouth pious irrelevancies and sanctimonious trivialities. In the midst of a mighty struggle to rid our nation of racial and
economic injustice, I have heard so many ministers say, "Those are social issues which the gospel has nothing to do with," and I
have watched so many churches commit themselves to a completely otherworldly religion which made a strange distinction
between bodies and souls, the sacred and the secular.
There was a time when the church was very powerful. It was during that period that the early Christians rejoiced when they were
deemed worthy to suffer for what they believed. In those days the church was not merely a thermometer that recorded the ideas
and principles of popular opinion; it was the thermostat that transformed the mores of society. Wherever the early Christians
entered a town the power structure got disturbed and immediately sought to convict them for being "disturbers of the peace" and
"outside agitators." But they went on with the conviction that they were "a colony of heaven" and had to obey God rather than
man. They were small in number but big in commitment. They were too God-intoxicated to be "astronomically intimidated."
They brought an end to such ancient evils as infanticide and gladiatorial contest.
Things are different now. The contemporary church is so often a weak, ineffectual voice with an uncertain sound. It is so often
the arch supporter of the status quo. Far from being disturbed by the presence of the church, the power structure of the average
community is consoled by the church's often vocal sanction of things as they are.
But the judgment of God is upon the church as never before. If the church of today does not recapture the sacrificial spirit of the
early church, it will lose its authentic ring, forfeit the loyalty of millions, and be dismissed as an irrelevant social club with no
meaning for the twentieth century. I meet young people every day whose disappointment with the church has risen to outright
disgust.
I hope the church as a whole will meet the challenge of this decisive hour. But even if the church does not come to the aid of
justice, I have no despair about the future. I have no fear about the outcome of our struggle in Birmingham, even if our motives
are presently misunderstood. We will reach the goal of freedom in Birmingham and all over the nation, because the goal of
America is freedom. Abused and scorned though we may be, our destiny is tied up with the destiny of America. Before the
Pilgrims landed at Plymouth, we were here. Before the pen of Jefferson scratched across the pages of history the majestic word of
the Declaration of Independence, we were here. For more than two centuries our foreparents labored here without wages; they
made cotton king; and they built the homes of their masters in the midst of brutal injustice and shameful humiliation -- and yet
out of a bottomless vitality our people continue to thrive and develop. If the inexpressible cruelties of slavery could not stop us,
the opposition we now face will surely fail. We will win our freedom because the sacred heritage of our nation and the eternal
will of God are embodied in our echoing demands.
I must close now. But before closing I am impelled to mention one other point in your statement that troubled me profoundly.
You warmly commended the Birmingham police force for keeping "order" and "preventing violence." I don't believe you would
have so warmly commended the police force if you had seen its angry violent dogs literally biting six unarmed, nonviolent
Negroes. I don't believe you would so quickly commend the policemen if you would observe their ugly and inhuman treatment of
Negroes here in the city jail; if you would watch them push and curse old Negro women and young Negro girls; if you would see
them slap and kick old Negro men and young boys, if you would observe them, as they did on two occasions, refusing to give us
food because we wanted to sing our grace together. I'm sorry that I can't join you in your praise for the police department.

























------------------------------------------------------------------------
Letter From Birmingham Jail 6
It is true that they have been rather disciplined in their public handling of the demonstrators. In this sense they have been publicly
"nonviolent." But for what purpose? To preserve the evil system of segregation. Over the last few years I have consistently
preached that nonviolence demands that the means we use must be as pure as the ends we seek. So I have tried to make it clear
that it is wrong to use immoral means to attain moral ends. But now I must affirm that it is just as wrong, or even more, to use
moral means to preserve immoral ends.
I wish you had commended the Negro demonstrators of Birmingham for their sublime courage, their willingness to suffer, and
their amazing discipline in the midst of the most inhuman provocation. One day the South will recognize its real heroes. They
will be the James Merediths, courageously and with a majestic sense of purpose facing jeering and hostile mobs and the
agonizing loneliness that characterizes the life of the pioneer. They will be old, oppressed, battered Negro women, symbolized in
a seventy-two-year-old woman of Montgomery, Alabama, who rose up with a sense of dignity and with her people decided not to
ride the segregated buses, and responded to one who inquired about her tiredness with ungrammatical profundity, "My feets is
tired, but my soul is rested." They will be young high school and college students, young ministers of the gospel and a host of
their elders courageously and nonviolently sitting in at lunch counters and willingly going to jail for conscience's sake. One day
the South will know that when these disinherited children of God sat down at lunch counters they were in reality standing up for
the best in the American dream and the most sacred values in our Judeo-Christian heritage.
Never before have I written a letter this long -- or should I say a book? I'm afraid that it is much too long to take your precious
time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else is there
to do when you are alone for days in the dull monotony of a narrow jail cell other than write long letters, think strange thoughts,
and pray long prayers?
If I have said anything in this letter that is an understatement of the truth and is indicative of an unreasonable impatience, I beg
you to forgive me. If I have said anything in this letter that is an overstatement of the truth and is indicative of my having a
patience that makes me patient with anything less than brotherhood, I beg God to forgive me.
Yours for the cause of Peace and Brotherhood,
MARTIN LUTHER KING, JR.


Dr. Martin Luther King Jr. 1963 WMU Speech Found
MLK at Western
Introduction
This Web site highlights Dr. Martin Luther King, Jr.'s, December 18, 1963 speech at Western Michigan
University. The pages include historical background, details about the recovery of the tape recording,
transcription of the speech and question and answer session, primary source documents, and a list of
library and Internet sources about Dr. Martin Luther King, Jr.  
The speech transcription is important for several reasons. It adds to the body of knowledge about the
development of Dr. King's work and ideas. Dr. King spoke at WMU just four months after he made his
famous "I Have a Dream" speech. King's WMU address contains elements of earlier speeches and
sermons, including his address at the Freedom Rally in 1957 and a sermon about loving enemies that he
had given at the Dexter Avenue Baptist Church in Montgomery, Alabama.  
The speech transcription is also an important document for studying the continuing dialogue about
racial prejudice and race relations on Western's campus. The speech transcription and accompanying
documents provide additional information to better understand Dr. King's enduring influence on
Western's campus through the programs and curricula established in the late 1960s and the broader
societal changes brought about by his nonviolent movement for civil rights and social justice for all.  
The Lost Tape
The tape recording of the live broadcast of Dr. Martin Luther King, Jr.'s December 18, 1963 speech was
lost for almost 30 years. The tape was rebroadcast at the time of Dr. King's assassination in 1968 but was
later lost until 1997 when Phill Novess contacted WMUK general manager, Garrard Macleod.  
A copy of King's address had been found on a reel‐to‐reel machine that Novess had acquired from his
grandfather, Phillip Novess. The senior Novess owned a small grocery store on the east side of
Kalamazoo and accepted the reel‐to‐reel tape recorder as collateral for groceries in the early 1970s.
When he sold the grocery store and the tape player had not been reclaimed, Novess took it home and
put it in his basement. He gave the tape to his grandson for restoration purposes. Novess' business,
Eclipse Media Group, specializes in noise reduction and restoration of audio tapes. Novess restored the
tape with the assistance of Kevin Brown, of Brown & Brown Recording & Music Productions in Portage.