A VERY EARLY AUTOGRAPH FROM 1940 OF CHILD ACTOR TOMMOY COOK ON PAPER SIGNED WHEN HE WAS LITTLE BEAVER











































Spry, curly-haired, dark-complexioned child actor Tommy Cook's most famous roles happened during his nascent career in serial adventures. He came on the feature film scene auspiciously in the role of young Indian boy Little Beaver alongside western good guy 'Don 'Red' Barry' in the Adventures of Red Ryder (1940), and followed that portraying Kimbu, the young jungle boy, alongside Frances Gifford's heroine Nyoka in Jungle Girl (1941).

Born in Duluth, Minnesota on July 5, 1930, Tommy's father was stricken with Bright's disease, a kidney ailment, which forced the family (which included a sister and grandmother) to seek warmer climate. In California, his mother inspired him toward theatrics and he gained entry at the Pasadena Playhouse where he stayed for seven years. Naturally talented, radio jobs soon cropped up for the youngster.

After appearing in a couple of short films for MGM and RKO, Tommy auditioned for and won the role of Little Beaver in the 12-chapter "Red Ryder" cliffhanger at Republic. He also played the role on radio. On screen Tommy had to learn to ride a horse bareback (star Don Berry also had to learn to ride). While these first two roles were prominent parts that could have insured youthful stardom, it didn't. Tommy continued in films in both highly visible and unbilled parts. The former included active roles in Good Luck, Mr. Yates (1943); Hi, Buddy (1943); as Kimba, the Leopard Boy in Tarzan and the Leopard Woman (1946) with Johnny Weissmuller and Brenda Joyce; a Filipino in American Guerrilla in the Philippines (1950) starring Tyrone Power; and played lead delinquents in the films The Vicious Years (1950), for which he won a Photoplay Award for "Outstanding Performance," and in the sub-par propaganda film Teen-Age Crime Wave (1955).

More or less typed in exotic parts, his characters' names were usually dead giveaways -- Paco, Salim, Ponca, Mario, Chito, Pablo, Little Elk and Keoga among them. His transition from child to adult actor was rocky and eventually his career dissipated. A brawny, good-looking man, his short stature may have figured into the problem.

Tommy's days as a standout junior tennis player on the Southern California circuit eventually led to an entirely new existence in mid-life as a respected organizer (emcee/producer/director) of celebrity gala/charity events. He also created stories that led to the feature films Rollercoaster (1977) and Players (1979), the latter a love story with his beloved tennis serving as a background. Tommy has two children.

Spouse (1)
Elizabeth Saret (1985 - ?) ( separated)
Trivia (11)
Portrayed Little Beaver on in the Republic film serial Adventures of Red Ryder (1940), then went on to recreate his role in Mutual Radio's "The Adventures of Red Ryder" (1942-1945). This led to his early typecasting in olive-skinned ethnic film roles as Africans, Indians, Italians, Hispanics, Arabians, etc.
Known for pulling pranks on film sets. While shooting American Guerrilla in the Philippines (1950) starring Tyrone Power, he played a big prank on co-star Micheline Presle. Calling her up at her Manila hotel, he disguised his voice as a foreign hotel manager and told her they were moving her to another hotel. Ms. Prelle packed up her belonging and waited for hours at the hotel lobby waiting for a driver to take her to her new lodgings.
Two of his very early films were actually shorts: Mutiny in the County (1940) for RKO, and an "Our Gang"-type comedy called The Greenie (1942) at MGM.
The five-year-old Tommy, along with his mother, grandmother and sister, were seriously injured in a car accident in Van Horn, Texas, while traveling from Minnesota to California. The other driver was intoxicated and the driver of Tommy's car fell asleep at the wheel. Tommy suffered facial injuries when he went through the windshield.
Has a son, Mikhael Thomas Cook and adopted daughter, Sara Jane, from Ecuador.
Was one of the leading junior tennis players in Southern Calfiornia at one time and often created/emceed/played tournaments for charity. Instigated the Bobby Riggs/Billie Jean King challenge before it was televised.
A TV series script he created for himself in the 1950's about cops who go undercover to infiltrate dangerous organizations later served as the basis of the Aaron Spelling series Mod Squad (1968).
Discovered at the age of 8 for radio by producer director Arch Oboler, who became his mentor. Tommy became a top child/adolescent radio star of the 1940s.
Lent his voice for several prominent Hanna-Barbera animated series in the late 1960s and early 1970s.
Created TV's "Celebrity Challenge of the Sexes" utilizing such stars as Bill Cosby, Farrah Fawcett, Charlton Heston, James Franciscus and Elke Sommer, among a tennis court full of others.
Won a Photoplay Award for "Outstanidng Performance of the Year" for his leading role in The Vicious Years (1950).



Tommy Cook (born July 5, 1930) is an American producer, screenwriter and actor.[1] He came up with the story for the 1977 disaster film Rollercoaster, starring George Segal. Cook also voiced Augie Anderson and Biff on Hanna-Barbera's animated series The Funky Phantom and Jabberjaw.


Contents
1 Film
2 Radio and television
3 Military service
4 Filmography
4.1 Films
4.2 Radio
4.3 Animation
5 References
6 Bibliography
7 External links
Film
Cook played a villainous tribesboy opposite Johnny Weissmuller in Tarzan and the Leopard Woman, a "nice native lad" in Jungle Girl (a serial), and Little Beaver in the serial version of Adventures of Red Ryder.[2]

He would later help write and produce Rollercoaster, as well as Players, starring Ali MacGraw.

Radio and television
Cook played Little Beaver on the radio series Red Ryder.[3] He also played Alexander on Blondie and Junior on The Life of Riley.[4]

On television, Cook had voice-over roles on animated series such as Kid Flash on The Superman/Aquaman Hour of Adventure, Augie on The Funky Phantom and Biff on Jabberjaw.

Military service
In the 1950s, Cook was a corporal in the United States Marine Corps.[5]

Filmography
Films
Year Title Role
1940 Adventures of Red Ryder Little Beaver
1941 Mr. District Attorney Newspaper boy
Jungle Girl Kimbu
1942 The Tuttles of Tahiti Riki
1943 Hi, Buddy Spud Winslow
Good Luck, Mr. Yates Johnny Zaloris
1944 Mr. Winkle Goes to War Barry
The Suspect Child violinist
1945 Wanderer of the Wasteland Chito, as a boy
A Thousand and One Nights Salim
The Gay Senorita Paco
Strange Holiday Tommy, the newsboy
1946 Tarzan and the Leopard Woman Kimba
Song of Arizona Chip Blaine
Gallant Journey Cutty
Humoresque Phil Boray, as a child
1947 The Homestretch Pablo Artigo
1948 Michael O'Halloran Joey
Cry of the City[6] Tony Rome
1949 Daughter of the West Ponca
Bad Boy[7] Floyd
The Kid from Cleveland Dan Hudson
1950 The Vicious Years Mario
Panic in the Streets Vince Poldi
American Guerrilla in the Philippines Miguel
1952 Rose of Cimarron Willie, as a boy
The Battle at Apache Pass Little Elk
1953 Stalag 17 Prisoner of war
Clipped Wings Recruit
1954 Thunder Pass Rogers
1955 Battle Cry Cpl. Zilch
Canyon Crossroads Mickey Rivers
Teen-Age Crime Wave Mike Denton
1956 Mohawk Keoga
1957 Night Passage Howdy Sladen
1958 High School Hellcats Freddie
Missile to the Moon Gary Fennell
1959 Alaska Passage Hubie
1962 When the Girls Take Over Razmo
1964 Send Me No Flowers Paul Pendergrass
1971 The Gatling Gun Pvt. Elwood
1972 The Thing with Two Heads Priest
Radio
Red Ryder
Blondie
The Life of Riley
Lux Radio Theatre
The Adventures of Ozzie and Harriet
Arch Oboler's Plays
Yours Truly, Johnny Dollar
Animation
The Superman/Aquaman Hour of Adventure (1967–68) TV series (voice) ... Kid Flash / Wally West
The New Adventures of Huckleberry Finn (1968–69) TV series (voice) ... Additional voices
The Banana Splits Adventure Hour (1968) TV series (voice) ... Mike Carter (Micro Ventures segment)
The Funky Phantom (1971–72) TV series (voice) ... Augie Anderson
Jeannie (1973–75) TV series (voice) ... S. Melvin Farthinghill
Jabberjaw (1976) TV series (voice) ... Biff
CB Bears (1977) TV series (voice) ... Additional voices
Fred Flintstone and Friends (1977–78) TV series (voice) ... S. Melvin Farthinghill





The term child actor or child actress is generally applied to a child acting on stage or in motion pictures or television, but also to an adult who began their acting career as a child. To avoid confusion, the latter is also called a former child actor. Closely associated is teenage actor or teen actor, an actor who reached popularity as a teenager.

Many child actors find themselves struggling to adapt as they become adults, mainly due to typecasting. Lindsay Lohan and Macaulay Culkin are two particular famous child actors who eventually experienced much difficulty with the fame they acquired at a young age. Many child actors also become successful adult actors as well, a prime example of this being Jodie Foster, who was 12 years old in the film Taxi Driver in 1976 and went on to become an adult star with variety of films including The Silence of the Lambs (1991).


Contents
1 Regulation
1.1 California
1.2 United Kingdom
2 Issues
2.1 Ownership of earnings
2.2 Competitive pressure
3 Post-success troubles
4 Post-childhood success
4.1 Other careers
5 See also
6 References
7 External links
Regulation
In the United States, the activities of child actors are regulated by the governing labor union, if any, and state laws. Some projects film in remote locations specifically to evade regulations intended to protect the child. Longer work hours or risky stunts prohibited by California, for example, might be permitted to a project filming in British Columbia. US federal law "specifically exempted minors working in the Entertainment Business from all provisions of the Child Labor Laws." Any regulation of child actors is governed by disparate state laws.

California
Due to the large presence of the entertainment industry in California, it has some of the most explicit laws protecting child actors. Being a minor, a child actor must secure an entertainment work permit before accepting any paid performing work. Compulsory education laws mandate that the education of the child actor not be disrupted while the child is working, whether the child actor is enrolled in public school, private school or even home school. The child does his/her schoolwork under the supervision of a studio teacher while on the set.

United Kingdom
In the United Kingdom, a child actor is defined as someone under school leaving age.[1] Before a child can work, they require a performance license from their Local Education Authority as well as a licensed chaperone; a parent can only chaperone their own child, unless they are a licensed chaperone, and a chaperone's duties include acting in loco parentis and record arrival and departure time from the work place, the time a child is working, their breaks and the amount of tutoring.[1][2] A child requires three hours minimum of tutoring daily and a lesson must be a minimum of 30 minutes to count towards the total and with regards to 16 and 17-year-olds in further education, considerations are made in regards to their studies.[3]

There are regulations and guidance to safeguard all actors under the age of 18; OFCOM guidance states a child's health and safety, wellbeing and welfare is paramount in television production and factors such as their age, maturity and life experiences can affect their performance.[4] OFCOM also advises that broadcasters undertake risk assesmsents, consider seeking expert advice and follow best practise.[4]

Issues
Ownership of earnings
Before the 1930s, many child actors never got to see the money they earned because they were not in charge of this money. Jackie Coogan earned millions of dollars from working as a child actor only to see most of it squandered by his parents. In 1939, California weighed in on this controversy and enacted the Coogan Bill which requires a portion of the earnings of a child to be preserved in a special savings account called a blocked trust.[5] A trust that is not actively monitored can also be problematic however as in the case of Gary Coleman who after working from 1974, later sued his adoptive parents and former business advisor for $3.8 million over misappropriation of his trust fund.[6][7]

Competitive pressure
Some people[who?] also criticize the parents of child actors for allowing their children to work, believing that more "normal" activities should be the staple during the childhood years. Others[who?] observe that competition is present in all areas of a child's life—from sports to student newspaper to orchestra and band—and believe that the work ethic instilled or the talent developed accrues to the child's benefit.[citation needed]

The child actor may experience unique and negative pressures when working under tight production schedules. Large projects which depend for their success on the ability of the child to deliver an effective performance add to the pressure.[citation needed]

Ethel Merman, who several times worked in long-running stage productions with child actors, disliked what she eventually saw as their overprofessionalization - "acting more like midgets than children" - and disapproved of parents pushing adulthood on them.[8]

Post-success troubles
The failure to retain stardom and success and the exposure at a young age to fame has caused many child actors to lead adult lives plagued by legal troubles, bankruptcy and drug abuse.

One such case was Bridgette Andersen, the star of film Savannah Smiles, who had a long history of drug abuse, before dying of a overdose .

Examples include child cast members of the American sitcom Diff'rent Strokes Gary Coleman, Dana Plato and Todd Bridges. Coleman famously sued his parents for misuse of his trust fund and, although awarded over $1,000,000, filed for bankruptcy in 1999. After many charges of assault throughout the next years, Coleman died in May 2010. Plato had went on to pose for Playboy magazine and was featured in several softcore pornography films. She was arrested twice for armed robbery and forging prescriptions, and died in May 1999 from an overdose of prescription medication, deemed as a suicide. Bridges was plagued with many legal troubles as well as an addiction to cocaine. After breaking this habit, he became an anti-drug activist and traveled across the U.S., touring schools and warning about the dangers of drug abuse. He has since made several cameo appearances on multiple television programs.

The popular television sitcom Full House made child stars out of Jodie Sweetin and the Olsen twins. After the show, Sweetin went on to develop an addiction to methamphetamine, as well as alcoholism. She later overcame this and wrote a memoir describing her experiences. Mary-Kate Olsen, as well as Tracey Gold from the serial Growing Pains, both developed eating disorders, for which they were treated with intensive rehab. Anissa Jones, best known for appearing in the sitcom Family Affair, overdosed on August 28, 1976 at age 18.

Jonathan Brandis, who appeared in a number of films as a child and teenager, committed suicide by hanging in November 2003 at the age of 27 due to reasons possibly related to his lack of continued success into adulthood. Likewise, Sawyer Sweeten, a child actor who portrayed Geoffrey Barone on the American sitcom Everybody Loves Raymond, took his life in April 2015 at the age of 19, after a period of depression.

Drew Barrymore was notorious for her illegal and public antics beginning shortly after her first role in E.T. the Extra-Terrestrial. Barrymore admits to smoking cigarettes at age nine, drinking alcohol by the time she was 11, smoking marijuana at the age of 12, and snorting cocaine at the age of 13. At the age of 14, she attempted suicide.

Another popular example today of child actors with post-success troubles would be Lindsay Lohan. Famous for her starring roles in The Parent Trap (1998), Freaky Friday (2003), Confessions of a Teenage Drama Queen (2004), Mean Girls (2004), Herbie: Fully Loaded (2005), Just My Luck (2006) and Georgia Rule (2007), Lohan has since run into much trouble with the law. In May 2007, Lohan was arrested on a charge of driving under the influence of alcohol (DUI.) Lohan entered the Promises Treatment Center rehabilitation facility where she stayed for 45 days. In July of that year, less than two weeks out of rehab, Lohan was arrested a second time on charges of possession of cocaine, driving under the influence and driving with a suspended license. In August, Lohan pleaded guilty to misdemeanor cocaine use and driving under the influence and was sentenced to an alcohol education program, community service, one day in jail, and was given three years probation. The same month Lohan entered the Cirque Lodge Treatment Center in Sundance, Utah for a third stint at rehabilitation, staying for three months until her discharge in October. In November, Lohan served 84 minutes in jail. A sheriff spokesman cited overcrowding and the nonviolent nature of the crime as reasons for the reduced sentence.

In 1990, actor and writer Paul Petersen founded a support group for child actors, "A Minor Consideration", following the suicide of another former child star, Rusty Hamer. The group seeks to improve working conditions for child actors and to assist in the transition to adult life, whether in acting or other professions.[9]

Post-childhood success
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Jodie Foster in 1974
There are many instances of troubled adult lives due to the stressful environment to which child actors are subjected. It is common to see a child actor grow up in front of the camera, whether in films, television shows or both. However, it is not uncommon to see child actors continue their careers throughout as actors or in a different professional field.

Jodie Foster started acting at age three, becoming the quintessential child actor during the 1970s with roles in films such as Tom Sawyer (1973) Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), Bugsy Malone (1976), The Little Girl Who Lives Down the Lane (1976), and Freaky Friday (1976). A child prodigy, Foster received her first Academy Award nomination at age 13, and later took a sabbatical from films to attend Yale University. She made a successful transition to adult roles, winning two Academy Awards for Best Actress before the age of 30, and starring in several successful and acclaimed films such as The Accused (1988), The Silence of the Lambs (1991), Nell (1994), Maverick (1994), Contact (1997), and The Brave One (2007), thus establishing herself as one of the most accomplished and sought-after actresses of her generation. She has also ventured into directing, and her directing credits include films such as Little Man Tate (1991) and Money Monster (2016) and television shows such as House of Cards, Orange Is the New Black and Black Mirror.

Now adults, Daniel Radcliffe, Rupert Grint and Emma Watson, the three leads of the acclaimed Harry Potter film series (2001–11), starred in all the installments in the series, and have since continued to act in film, television, and theater in their early thirties.

Dakota Fanning rose to prominence after her breakthrough performance at age seven in the film I Am Sam (2001). Her performance earned her a Screen Actors Guild Award nomination at age eight in 2002, making her the youngest nominee in SAG history. She later appeared in major Hollywood productions, in such acclaimed blockbuster films as Man on Fire (2004), War of the Worlds (2005), Charlotte's Web (2006), Hounddog (2007), The Secret Life of Bees (2008), Coraline (2009), The Twilight Saga film series (2009–12), The Runaways (2010), and The Motel Life (2012). Fanning's younger sister, Elle Fanning also rose to prominence as a child actress, having appeared in many films since before she turned three.

Miranda Cosgrove, known mainly for her role on Drake & Josh as a child, gained more attention for her role as a teenager in the show iCarly. Since the end of the show she has been featured in other roles, including as the voice of Margo in the Despicable Me franchise. Once she was of age, she decided to pursue a college degree in film at the University of Southern California.[10]

Shirley Temple became a public figure and diplomat, beginning in the 1960s. Some of her duties included representing the United Nations, and becoming a U.S. ambassador in countries such as Ghana and Czechoslovakia.[11]

Mary-Kate Olsen was treated for an eating disorder, deemed anorexia, but her twin sister remained less troubled. In an article with the magazine Marie Claire, Mary-Kate expressed the bittersweet nature of the twins' childhood. "I look at old photos of me, and I don't feel connected to them at all," she said. "I would never wish my upbringing on anyone... but I wouldn't take it back for the world." The twins now have continued success in the fashion industry with an estimated net worth of approximately $100 million.

Drew Barrymore started acting at age three. During her childhood she battled with drugs, but today she continues to act in films. Natalie Portman took a small break in acting to get a bachelor's degree in Psychology from Harvard University before continuing her career as an actress. Rider Strong, known as "Shawn Hunter" in Boy Meets World, was educated at Columbia University and now runs a successful blog and published a graphic novel.[12] Neil Patrick Harris got his acting start in Doogie Howser, M.D. He continues to act in television, films and theater.

Jonathan Lipnicki, known mostly for the Stuart Little films, now successfully competes in Brazilian jiu-jitsu.[12] Sara Gilbert is known for her role on Roseanne and is now successful as a talk show host on The Talk. Also from Rosanne, Michael Fishman continued to work in film, but behind the scenes and has since been nominated for an Emmy for the work he did in Sports Science. [12] Kirsten Dunst and Lacey Chabert both made the transition from a child actress to an adult actress with a rough patch including depression. After a stay in a rehabilitation center, Dunst was able to recover and continue her career. She proves that the pressures of growing up under the spotlight may not come without repercussions.[13]

Roddy McDowall, who had a long and distinguished career including as the regular star of the Planet of the Apes series; Micky Dolenz, who started his career as a child star in the 1950s, grew up to be a musician of the successful 1960s pop group The Monkees, which had its own successful television show; Ron Howard, who, in addition to being the star of both of the long running The Andy Griffith Show and Happy Days television series, became an Academy Award-winning director in adulthood; Elijah Wood, who continued his career successfully into adulthood starring as Frodo Baggins in The Lord of the Rings film series and starring as Ryan Newman in the television series Wilfred. Other child actors who have continued their careers into adulthood include Rose Marie, Hayley Mills, Ann Jillian, Johnny Whitaker, Kathy Garver, Tim Matheson, Bonnie Franklin, Melissa Gilbert, Danielle Brisebois, Erika Eleniak, Max Pomeranc, Christina Ricci, Shelley Fabares, Candace Cameron Bure, Karron Graves, Gaby Hoffmann, Hilary Duff, Molly Ringwald, Stacy Ferguson, Jennifer Love Hewitt, Lisa Whelchel, Sarah Michelle Gellar, Soleil Moon Frye, Melissa Joan Hart, Dean Stockwell, Fred Savage, Neil Patrick Harris, Michelle Chia, Shawn Lee, Joshua Ang, Aloysius Pang, Raven-Symoné and other Academy Award winners and nominees include; Mickey Rooney, Judy Garland, Scarlett Johansson, Jake Gyllenhaal, Joaquin Phoenix, Helen Hunt, Irene Cara, Reese Witherspoon, Hilary Swank, Christian Bale, Saoirse Ronan, Brie Larson, Regina King, Jennifer Lawrence, Lacey Chabert, Elizabeth Taylor, and Leonardo DiCaprio.

Other careers
Many actors' careers are short-lived and this is also true of child actors. Many actors out of personal choice that start their careers as child actors decide not to pursue the same careers as adults, Shirley Temple became a public figure and diplomat. Peter Ostrum, appearing in his only role, the title character of Charlie Bucket in Willy Wonka and the Chocolate Factory became a large-scale veterinarian surgeon. Whilst Jenny Lewis, formerly of film Troop Beverly Hills in 1989, is a well-known singer-songwriter indie rock musician.

In Poland, child actor identical twin brothers Lech and Jarosław Kaczyński became very successful politicians, at one time Lech being President and Jarosław the Prime Minister.

Red Ryder was a Western comic strip created by Stephen Slesinger and artist Fred Harman which served as the basis for a wide array of character merchandising. Syndicated by Newspaper Enterprise Association, the strip ran from Sunday, November 6, 1938, through 1965.[1]


Contents
1 Red Ryder
2 Toppers
3 Characters and story
4 Comic books
5 In other media
5.1 Radio
5.2 Films and television
5.2.1 Republic Pictures
5.2.2 Eagle-Lion Films
5.2.3 Telecomics Films
5.2.4 Trivia
5.3 Products
6 Parody
7 See also
8 References
9 External links
Red Ryder
In 1938, Harman met publisher, writer and comic syndicator Stephen Slesinger. At the time, Slesinger had scripted a new comic strip called Red Ryder and was seeking an outstanding Western artist with knowledge of the authentic period details and who had a natural gift for drawing scenes from dramatic perspectives. Harman fit the description and was a genuine cowboy who was the ideal spokesperson for the Red Ryder Character franchise.

Slesinger brought Harman to New York and worked with him for a year before Red Ryder was ready to be launched through a carefully planned rollout from comic pages, to movies and radio shows, contests, merchandising tie-ins and personal appearances by Fred Harman at charity benefits, schools, and civic and Red Ryder youth enrichment events.

Slesinger pioneered the concept of synergy between radio, films, Big Little Books, novels, serial chapters, radio programs, events, rodeos, powwows, commercial tie-ins, and licensed products such as the Daisy Red Ryder BB Gun in order to build brand equity and create lasting and consistent impressions. By the time he launched Red Ryder he had already proven his formula for creating evergreen character franchises with characters such as Tarzan, Winnie the Pooh, and many other golden age newspaper comic characters.

Red Ryder became the longest running and most popular comic character of the Western genre in movies, radio, comic strips, comic books, mass market retailing and the collectors' market. Today Red Ryder has some of the longest business relationships in the history of the licensing industry.

Toppers
Red Ryder had two topper strips on the Sunday page: Little Beaver (Nov 6, 1938 - Aug 25, 1946) and Red Ryder's Corral of Western Lingo (Sept 8, 1946 - Oct 10, 1948). [2]

Characters and story

Fred Harman's Red Ryder (December 27, 1942)
Astride his mighty steed Thunder, Red was a tough cowpoke who lived on Painted Valley Ranch during the 1890s [3] in the Blanco Basin of the San Juan Mountain Range with his aunt, the Duchess, and his juvenile Native-American sidekick, Little Beaver, who rode his horse, Papoose, when they took off to deal with the bad guys. Little Beaver spoke in the pidgin English now considered an offensive caricature. (His most famous catchphrase was "You betchum, Red Ryder!"). Other notable characters were Red's girlfriend Beth Wilder, arch enemy Ace Hanlon, and ranch hand Buckskin Blodgett,

Harman was eventually acclaimed as one of the finest Western pen-and-ink artists, known for his dramatic sense of perspective and authentic action. Contributing artists and writers worked in Stephen Slesinger, Inc's New York Studio and contributed to Red Ryder, over the years, including Jim Gary, Edmund Good, John Wade ("Johnnie") Hampton, Robert MacLeod, and Bill Lignanti (of The Palm Restaurant fame), Gaylord Du Bois (wrote scripts, circa 1939-1940), and Stephen Slesinger who drew detailed story boards and scripted and approved all of the stories until his death in 1953, when Shirley Slesinger stepped into her husband's shoes, working closely with Bill Lignanti and Jay Rowland. Charlie Dye, Johnnie Hampton, Joe Beeler, and George Phippen were co-founders of the Cowboy Artists of America of which Harman was also a charter member. When Harman left Red Ryder in 1963 to concentrate on his paintings, MacLeod continued writing the story continuity for the strip, with staff artists of Red Ryder Entp., Inc.

Gaylord Du Bois, a prolific comic book writer associated with Slesinger, scripted Red Ryder and Little Beaver for a short period in 1938 and again in the early 1940s. [4]

Comic books

The first appearance of Red Ryder on Dell's Crackajack Funnies #9 (March 1939)
The first Red Ryder comic book was published by Slesinger's Hawley Publications, Inc. in September 1940, followed by Hi-Spot comics for one issue.[5]

Dell Comics launched its Red Ryder in August 1941, changing its title to Red Ryder Ranch Magazine with #145, and then to Red Ryder Ranch Comics with #149. Red Ryder Comics consisted of reprints of the newspaper strip until issue #47 (June 1947), when it began producing original material. Altogether, Red Ryder Comics enjoyed a first run, for a total of 151 issues, ending in 1957, one of the longest continuous newsstand runs in the U.S., for any Western comic.[6] Over the next four decades, under license from Red Ryder, Enterprises, Inc. King Features Syndicate distributed comic reprints translated into eleven languages, while unauthorized translations have been printed in 30 languages.[7] However, by far, the largest circulation for Red Ryder Comics are those produced in Spanish and distributed throughout the Spanish-speaking world. From 1954 to 1984 under an exclusive licensing agreement with Red Ryder Enterprises, Inc. Novaro distributed 474 regular editions plus extras and specials in 21 countries and territories.[8]

In other media
Radio
Main article: Red Ryder (radio series)
The Red Ryder radio series began February 3, 1942, on the Blue Network.[9] broadcast three times a week at 7:30pm Pacific time. When the Blue also acquired The Lone Ranger from the Mutual Broadcasting System, Mutual decided to compete by airing Red Ryder in the same time period. Thus, Red Ryder aired on the East Coast that year from May 20 to September 9 on Mutual. The series beat The Lone Ranger in the Hooper ratings, but the success was short-lived. Red Ryder was sold to a regional sponsor, Langendorf Bread, and after four months was no longer heard in the East.

Mutual and Langendorf continued the series on the West Coast Don Lee Network through the 1940s at 7:30pm on Tuesdays, Thursdays, and Saturdays, always with the familiar organ theme, "The Dying Cowboy" ("Bury Me Not on the Lone Prairie"). Announcers on the show included Ben Alexander and Art Gilmore.

The continuing characters of the comic strip were also found in the radio series, produced by Brad Brown with writer-director Paul Franklin and writer Albert Van Antwerp. Reed Hadley portrayed Red Ryder on radio from 1942 to 1944, followed by Carlton KaDell (1945), and Brooke Temple (1946–51). Arthur Q. Bryan had the role of Roland "Rawhide" Rolinson, and Red's sidekick Buckskin was played by Horace Murphy. Jim Mather provided Indian voices.

Numerous actors played Little Beaver, including members of the Hopi, Jicarilla Apache, Southern Ute and Navajo Nations. One of the most notable was Robert Blake (on credits as Bobby Blake), Tommy Cook (1942 on), Frank Bresee (1942–46, alternating with Cook), Henry Blair (1944–47), Johnny McGovern (1947–50), and Sammy Ogg (1950–51). During the same mid-1940s time frame, Henry Blair also portrayed Ricky Nelson on The Adventures of Ozzie and Harriet.

Billed as "America's famous fighting cowboy," Red Ryder was notable because he did not kill his enemies but instead aimed for the their gun, to disarm them. Such sound effects were handled by James Dick, Monty Fraser, and Bob Turnbull.

Films and television
Red Ryder appeared in a 1940 12-chapter serial, followed by a series of 27 movies (the last four of which were in Color). It all began in 1940 with the 12-chapter Republic movie serial The Adventures of Red Ryder, played by Don "Red" Barry, who got his nickname "Red" from the role and Tommy Cook as Red Ryder's young Indian sidekick Little Beaver. Subsequently, Wild Bill Elliott and Allan "Rocky" Lane portrayed Red Ryder in a number of films, both working with Robert Blake as Little Beaver. The last four Red Ryder movies starred Jim Bannon as Red Ryder and Don Kay ("Little Brown Jug") Reynolds as Little Beaver. All four of these movies were done in color. Both Bannon and Lane filmed pilots for a Red Ryder television series, created by Stephen Slesinger, but neither version was picked up. Both pilots survive and appear on various western DVD collections. An episode of Gunsmoke entitled "I Call Him Wonder" was produced in 1963 as a sneak peek pilot for a new Red Ryder and Little Beaver TV Show.[10]

Republic Pictures

Fred Harman's Bronc Peeler (November 4, 1934)
The Adventures of Red Ryder (1940) (film serial)
Tucson Raiders (1944)
Marshal of Reno (1944)
The San Antonio Kid (1944)
Cheyenne Wildcat (1944)
Vigilantes of Dodge City (1944)
Sheriff of Las Vegas (1944)
Great Stagecoach Robbery (1945)
Lone Texas Ranger (1945)
Phantom of the Plains (1945)
Marshal of Laredo (1945)
Colorado Pioneers (1945)
Wagon Wheels Westward (1945)
California Gold Rush (1946)
Sheriff of Redwood Valley (1946)
Sun Valley Cyclone (1946)
Conquest of Cheyenne (1946)
Santa Fe Uprising (1946)
Stagecoach to Denver (1946)
Vigilantes of Boomtown (1947)
Homesteaders of Paradise Valley (1947)
Oregon Trail Scouts (1947)
Rustlers of Devil's Canyon (1947)
Marshal of Cripple Creek (1947)
Eagle-Lion Films
Ride, Ryder, Ride! (1949)
Roll, Thunder, Roll! (1949)
The Fighting Redhead (1950)
The Cowboy and the Prizefighter (1950)
Telecomics Films
Stephen Slesinger's Telecomics Presents produced three Television Pilots, 1949-1952.

The pilots were filmed on The Little Beaver and Red Ryder Ranches, in Colorado's Blanco Basin, near Pagosa Springs. The Little Beaver Ranch was built, by Slesinger, to resemble a Western Town. Guests stayed in cabins with facades such as The Court House, Saloon and Jail.

In order to film a cut-away Cattle Stampede, Slesinger paid local ranchers fifty cents, for each pound their stock lost, as a result of running in the stampede.

In summers Fred Harman's Red Ryder Ranch and Stephen Slesinger's Little Beaver Ranch hosted settlement house boys and other youth. In July 2020 The Red Ryder Cowboy Honor Club celebrates the 80th Anniversary of these outdoor youth programs. 2020 is also the 70th Anniversary year, of the Red Ryder Roundup Rodeo and July Fourth Celebration, in Pagosa Springs.

Trivia
Gunsmoke's 1963 TV Episode "I Call Him Wonder" was an authorized test for a New Red Ryder TV series that was not picked up. It features Little Beaver as Wonder, and is adapted from the original story of how Red Ryder and Little Beaver first met. Red Ryder Enterprises, Inc., retains the copyright and trademark rights to the Red Ryder characters, names, art and stories.

Products
Slesinger's marketing synergy for Red Ryder and Little Beaver products was trail-blazing. Red Ryder toys; novelties; gifts; accessories; sporting goods; and rugged outdoor, work, and play clothing were sold nationwide and exported by leading North American manufacturers to Europe, Latin America, and as far as Egypt, India, and Japan.

At JC Penney stores across the country, Slesinger created Red Ryder "outposts for dependable American quality and value." These stores within the store were called "Red Ryder Corrals." In addition to educational and sportsmanship contests, special events and personal appearances, they supplied Red Ryder brand rugged clothing for men and boys. In addition to Red Ryder and Little Beaver outdoor products, licensing included school supplies, lunch kits, and other Red Ryder character hardware and sporting goods.[11][12]

The outposts also included the legendary Daisy Red Ryder Carbine, which became a father-to-son Christmas gift tradition as memorialized in the 1983 Jean Shepherd film A Christmas Story. The story revolves around the author's childhood memories and a boy trying to get a "Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle BB gun with a compass in the stock and a thing which tells time" for Christmas. The film was adapted from the autobiographical fiction of Jean Shepherd, by permission of Red Ryder Enterprises, Inc., which owns the Red Ryder trademarks and copyrights.[12]

Parody
Buckaroo Bugs (1944) features Bugs Bunny in the Wild West with "Red Hot Ryder" as his nemesis.