SUZI QUATRO Hand Signed 4X6 Photo . This Photo is Hand Signed by SUZI QUATRO . %100 Authentic Autograph . The Autograph is BOLD & looks Amazing . The photo is in Great condition & Is a High Quality photo . RARE  AUTOGRAPH PHOTO . Will be shipped SUPER FAST to you & will be Well packaged . I will ship the SAME DAY you pay :) YES... I even ship on Saturday . Payment must be made in 4 days or less after this listing ends ! . In the 4 day period . Combined s&h is $1 Extra each additional listing Check out my other Autographs & my Fantastic feedback :) Add my STORE to your FAVORITES LIST . I do list NEW Low Priced Autographs EVERY DAY . I do offer my Lifetime Guarantee COA . Just message me at Checkout . Thank you ... Amanda :)

(born June 3, 1950 is an American singer, bass guitarist, songwriter, and actress. In the 1970s, she scored a string of hit singles that found greater success in Europe and Australia than in her homeland, reaching No. 1 in the UK, other European countries and Australia with her singles "Can the Can" (1973) and "Devil Gate Drive" (1974). Quatro released her self-titled debut album in 1973. Since then, she has released fifteen studio albums, ten compilation albums, and one live album. Her other solo hits include "48 Crash", "Daytona Demon", "The Wild One", and "Your Mama Won't Like Me". Following a recurring role as bass player Leather Tuscadero on the popular American sitcom Happy Days, her duet "Stumblin' In" with Smokie's lead singer Chris Norman reached No. 4 in the US. Between 1973 and 1980, Quatro was awarded six Bravo Ottos. In 2010, she was voted into the Michigan Rock and Roll Legends online Hall of Fame. She is reported to have sold over 50 million records worldwide,and continues to perform live. Early career and the Art Quatro Trio Quatro played drums or percussion from an early age as part of her father's jazz band, the Art Quatro Trio. Sources vary regarding whether her playing in the band began at the age of seven or eight, and whether the instrument she played was a drum kit or percussion (bongo or congas).[ubsequently, she appeared on local television as a go-go dancer in a pop music series. The Pleasure Seekers and Cradle Quatro, at far right, pictured, along with two of her sisters, Patti and Arlene, and Eileen Biddlingmeier (center), in the Pleasure Seekers, 1966 In 1964, after seeing a television performance by the Beatles, Quatro's older sister, Patti, had formed an all-female garage rock band called the Pleasure Seekers with two friends. Quatro joined too and assumed the stage name of Suzi Soul; Patti Quatro was known as Patti Pleasure. Suzi would sing and play bass in the band. The band also later featured another sister, Arlene.[16] Many of their performances were in cabaret, where attention was (initially) focused more on their physical looks than their actual music. They sometimes had to wear miniskirts and hair wigs, which Quatro later considered to be necessary evils in the pursuit of success However, they would become well-known fixtures in the burgeoning Detroit music community.[18] The Pleasure Seekers recorded three singles and released two of these: "Never Thought You'd Leave Me" / "What a Way to Die" (1966) and "Light of Love" / "Good Kind of Hurt" (1968). The second of these was released by Mercury Records, with whom they briefly had a contract before breaking away due to differences of opinion regarding their future direction. They changed their name to Cradle in late 1969, not long after another Quatro sister, Nancy, had joined the band and Arlene had left following the birth of her child. Work with Mickie Most Quatro and her supporting band in AVRO's TopPop, a Dutch television show, on December 7, 1973 (Left to right: Len Tuckey, guitar; Suzi Quatro, bass guitar; Alastair MacKenzie, keyboards; Dave Neal, drums) Quatro moved to England in 1971, after being spotted by the record producer Mickie Most, who had by that time founded his own label, Rak Records. Most had been persuaded to see Cradle by Michael, the brother of the Quatro sisters who had assumed a managerial role for the band.n common with many in the record industry at the time, Most was seeking a female rock singer who could fill the void that the death of Janis Joplin had created.According to the Encyclopedia of Popular Music, his attention to Quatro was drawn by "her comeliness and skills as bass guitarist, singer and chief show-off in Cradle." She had also been attracting attention from Elektra Records and subsequently explained that "According to the Elektra president, I could become the new Janis Joplin. Mickie Most offered to take me to England and make me the first Suzi Quatro – I didn't want to be the new anybody." Most had no interest in the other band membersand he had no idea at that time of how he might market Quatro. She spent a year living in a hotel while being nurtured by Most, developing her skills and maturing. Most later said that the outcome was a reflection of her own personality.[9] Quatro's first single, "Rolling Stone", was successful only in Portugal, where it reached No. 1 on the charts.This was a solo effort, although aided by people such as Duncan Browne, Peter Frampton and Alan White. Subsequently, with the approval of Most, she auditioned for a band to accompany her It was also after this record that Most introduced her to the songwriting and production team of Nicky Chinn and Mike Chapman, who wrote songs specifically to accord with her image. She agreed with Most's assessment of her image, saying that his influence, at which some of his artists – such as Jeff Beck and Rod Stewart – balked, did not extend to manufacture and that "If he tried to build me into a Lulu, I wouldn't have it. I'd say 'go to hell' and walk out."This was the height of the glam rock period of the 1970s and Quatro, who wore leather clothes, portrayed a wild androgynous image while playing music that "hinged mostly on a hard rock chug beneath lyrics in which scansion overruled meaning." In 1972, Quatro embarked as a support act on a UK tour with Thin Lizzy and headliners Slade. Rak Records arranged for her to use Thin Lizzy's newly acquired PA system during this, incurring a charge of £300 per week that enabled the Irish band to effectively purchase it at no cost to themselves. In May 1973, her second single "Can the Can" (1973) – which Philip Auslander describes as having "seemingly nonsensical and virtually unintelligible lyrics" – was a No. 1 hit in parts of Europe and in Australia "Can the Can" was followed by three further hits: "48 Crash" (1973), "Daytona Demon" (1973) and "Devil Gate Drive" (1974). "Can the Can", "48 Crash" and "Devil Gate Drive" each sold over one million copies and were awarded gold discs, although they met with little success in her native United States, where she had toured as a support act for Alice Cooper.[26] Rak Records' artists had generally not succeeded in the US and her first album, Suzi Quatro, was criticised by Alan Betrock for its lack of variety, for its Quatro-written "second-rate fillers" and for her voice, described as "often too high and shrill, lacking punch or distinctive phrasing."Writing for Rolling Stone, Greg Shaw was also downbeat, saying that the album "may be a necessary beginning". In 1973, Quatro played on the Cozy Powell hit "Dance With the Devil", a track written by Mickie Most while Cozy Powell was part of the Rak Records roster. Quatro on TopPop television program, 1973. Musicians who acted as her backing band around this period included Alastair McKenzie, Dave Neal and Len Tuckey, with Robbie Blunt also being listed by some sources. Tuckey's brother, Bill, acted as tour manager.[9] With the exception of Australia, her chart success faltered thereafter, as proven with her 1975 hit "Your Mamma Won't Like Me", which proved to be a moderate success in the UK. Further singles "I Bit off More Than I Could Chew" and "I May Be Too Young", both failed to reach the UK Top 50. Quatro recorded the album Aggro-Phobia in 1976 and released a new single in 1977 called "Tear Me Apart" which reached the UK Top 30, her first hit to have done so in three years. It would take another year for another big hit, this time with a change to a more mellow style giving Quatro a 1978 single "If You Can't Give Me Love" that became a hit there and in the United Kingdom. Later that year, "Stumblin' In", a duet with Chris Norman of the band Smokie, reached No. 4 in the US. Both tracks were featured on the If You Knew Suzi... album. A year later, Quatro released Suzi ... and Other Four Letter Words, but none of her other work had much US success. This featured the hits "She's in Love with You", which made No. 11 in Britain, "Mama's Boy" (number 34), and "I've Never Been in Love" (number 56).[29]