Hier folgende CD / Here following CD:

THE PRETTY THINGS - SAVAGE EYE CD NEU



Erscheinungsdatum / Release date: 03.07.2015
Hinweis: Versand erfolgt ab o.g. Datum / Shipping from releasedate



Tracklist:
  1. Under the Volcano (Remastered)    5:58          
  2. My Song (Remastered)    5:09          
  3. Sad Eye (Remastered)    4:29          
  4. Remember That Boy (Remastered)    5:03          
  5. It Isn't Rock 'N' Roll (Remastered)    3:56          
  6. I'm Keeping (Remastered)    3:59          
  7. It's Been so Long (Remastered)    5:06          
  8. Drowned Man (Remastered)    4:25          
  9. Theme for Michelle (Remastered)    1:46          
10. Tonight (Bonus Track) (Remastered)    3:07          
11. Love Me a Little (Demo) [Bonus Track] (Remastered)    3:12          
12. Dance All Night (Demo) [Bonus Track] (Remastered)    2:54          
13. It Isn't Rock 'N' Roll (Single Version) [Bonus Track] (Remastered)    3:17          
14. Sad Eye (Edited Album Version) [Bonus Track] (Remastered)    3:41          
15. It Isn't Rock 'N' Roll (Mono Version) [Bonus Track] (Remastered)    3:18          



Genre:

Rock englischsprachig
Classic Rock & Pop



Beschreibung / Description:
 

Remastered 1976 release. This powerful album coincided with a tour of America, followed by the subsequent launch of Phil Mays solo career.
This was the groups second major release for Led Zeppelins fledgling Swan Song label and the original LP comprised of 9 songs, mainly written by Phil May, with John Povey contributed the haunting Theme For Michelle.
Our newly expanded CD now has 6 bonus tracks, including the original rare non-album demos, Love Me A Little and Dance All Night, the non-album single Tonight, and various single versions of 2 other songs from the album.
The liner notes by long-time band manager Mark St. John gives the reader first-hand insight into the history behind the album and the bands movements at the time.
The Pretty Things were the also-rans of the British Invasion, a band that never got its due. Despite this lack of recognition, they were never quite ignored, cultivating a passionate cult that stuck with them through the decades -- a cult that was drawn to either their vicious early records, where they sometimes seemed like a meaner version of the Rolling Stones, or to their 1968 psychedelic masterwork S.F. Sorrow. Some of their fans advocate for the entirety of their catalog, noting how the group adeptly shifted with the times. Despite these shifts in style, they rarely racked up hits on either side of the Atlantic