Subtitle information: A Fistful of Dollars: English for the Hearing Impaired For a Few Dollars More: Danish, Dutch, Finnish, French, Norwegian, Swedish and English for the Hearing Impaired. The Good, The Bad and The Ugly: Croation, Czech, Danish, Dutch, Finnish, French, Greek, Hebrew, Norwegian, Polish, Portuguese, Romanian, Slovene, Swedish, Turkish and English for the hearing impaired. Hang Em High: Danish, Dutch, Finnish, Norwegian, Polish, Portuguese,Swedish, English and German for the hearing impaired. From . Contains the three great Clint Eastwood Spaghetti Westerns: A Fistful Of Dollars For A Few Dollars More and The Good, The Bad And The Ugly as well as Hang 'Em High. 's trilogy of operatic spaghetti Westerns with made the former TV star into an international sensation as the scraggly, silent Man with No Name, a wandering rogue with a scheming mind and a sense of humour drier than the dusty, wind-scoured desert. With A Fistful of Dollars, a blatant rip-off of 's cynical samurai hit , Leone transforms the Western hero into a crafty mercenary. The follow-up, For a Few Dollars More, teams Eastwood up in an uneasy alliance with Lee Van Cleef in a tale of revenge, but the masterpiece of the set is The Good, the Bad and the Ugly, an epic scramble for buried gold set against the violence of the Civil War. In this film good is a relative term as three criminals make a series of tenuous partnerships broken in double-crosses and betrayals in Leone's epic vision of the American southwest as endless deserts and clapboard towns infested with gunmen. This was a new kind of Western: cynical, violent, stylish, and austere. Eastwood's rough face and squinting eyes fill the widescreen frame in massive close-ups while Leone stages action in bold compositions on empty streets and stark landscapes. The guns ring out in cartoonish exaggeration, and the music, an eclectic, electric mix of buzzing guitar, human voice, and harmonica by , sets the whole thing in a world pitched between myth and modernity. Leone's shot-in-Spain trilogy ushered in a flood of Italian spaghetti Westerns, but none hold a candle to Leone's stylish classics. --Sean Axmaker, .com Hang 'Em High--After starring in the now-legendary trilogy of spaghetti Westerns for Italian director Sergio Leone, Clint Eastwood became a box-office star and imported the style of those classic shoot-em-ups for this 1967 Western directed by Ted Post, with whom Eastwood had worked during their days on the television series Rawhide. Eastwood plays an innocent rancher who is mistaken for a cattle rustler and sentenced to hang by an angry mob. When he is saved from the noose by a passing lawman, he embarks on a renegade campaign of vengeance against the men who attempted to lynch him. Hang 'Em High offers a number of memorable moments and stylistic flourishes, and features a superb supporting cast of Western veterans, including Ben Johnson, Ed Begley, Pat Hingle, Dennis Hopper, Bruce Dern, LQ Jones, and the "Skipper" himself, Alan Hale Jr. Made just three years before , the film marked a turning point for Eastwood, who would soon move into a prolific period of contemporary thrillers. --Jeff Shannon, .com
