Item description
Norman Lindsay (Aust 1879-1969) “The Happy Barge” Etching and Stipple Engraving on Paper Hand Numbered No 4 of 55, Titled, Signed, and Dated 1924 Beautifully Framed Engraving Size 33cm x 26cm Image size 27.5cm x 37.5cm Frame size 64.5cm x 78cm x 2cm Image in (Great Condition) Frame in (Great Condition) may have some very minor Chipping and scratching on frame plus usual wear marks from use and displaying consistent with age see photos as photos play an important role in description of condition Artwork will be Shipped in a Picture box made by us from Cardboard and Foam packaging to suit the size of your individual Artwork we will Ship your Artwork within 1-2 working days from sale send us a message so we can do combined postage where possible and safe to do so THIS may save you money if you buy more than one Artwork Please note that some Artwork cannot be combined because of delicate nature e.g. Delicate Glass fragile items
Norman Lindsay (Aust 1879-1969) Bio
Norman was born in Creswick, Victoria, the son of Irish Surgeon Robert Charles William Alexander Lindsay (1843–1915) and Jane Elizabeth Lindsay (1848–1932).
Norman was born into a family of creativity and talent; his older brother Lionel studied at the National Gallery, becoming a freelance artist, engraver, and journalist.
Norman and his older brother Lionel worked and collaborated on local magazines and publications in Melbourne and Sydney. Norman going on to be known as one of Australia's most significant artists of his generation.
Norman was known for his tireless work ethic; he was a productive and prolific artist, a sculptor, writer, cartoonist and scale modeller, producing a body of work in varying media, such as pen drawing, etching, watercolour, oil and sculptures in concrete and bronze.
He illustrates the cover of Henry Lawson book, "While the Billy Boils", and writing the children's classic "The Magic Pudding" in 1918.
Norman is said to have had the most significant impact on the visual art side. He introduced Australia to a world inhabited by nude nymphs and satyrs influenced by the voluptuous paintings of Rubens and the Swiss painter Arnold Böcklin.
A generation knew him as the "artist that paints the nudes" and explores the boundaries of Art—considered today as early artistic freedom of speech, which Australian artists have practised and demanded the right to practice for over one hundred years.
His early drawings were influenced by his study of the classics and Rubens and were full of a defence of paganism. His women, sound, healthy wenches, fit companions of his satyrs and rollicking topers.
Norman was recognised as one of the foremost black-and-white artists of the world. Admirers have said that Norman will stagger the world when they see the coming Australian Exhibition in London. Norman work was shown at the Royal Academy in 1923 and 1924.
Today Norman's artworks continue to climb in value; his oil painting "Spring's Innocence" (1937) was sold to the National Gallery of Victoria in 2002 for $333,900 and set a record price for Norman's artworks. His oil on canvas titled "The woman I am - The woman I was, The woman I'll be" was sold by Sotheby's for $300,000 in 2009.
An extensive collection of his work can be viewed at his previous Faulconbridge home in the Blue Mountains New South Wales, now the Norman Lindsay Gallery and Museum, owned by the National Trust of Australia (NSW).
The University of Melbourne "Ian Potter Museum of Art" holds an extensive collection of his works, including major oil paintings, watercolours, pen and pencil drawings, etchings, an etching plate, two ship models and a plaster model for a fountain at the artist’s home.
Norman Lindsay (Aust 1879-1969) Bio
Norman was born in Creswick, Victoria, the son of Irish Surgeon Robert Charles William Alexander Lindsay (1843–1915) and Jane Elizabeth Lindsay (1848–1932).
Norman was born into a family of creativity and talent; his older brother Lionel studied at the National Gallery, becoming a freelance artist, engraver, and journalist.
Norman and his older brother Lionel worked and collaborated on local magazines and publications in Melbourne and Sydney. Norman going on to be known as one of Australia's most significant artists of his generation.
Norman was known for his tireless work ethic; he was a productive and prolific artist, a sculptor, writer, cartoonist and scale modeller, producing a body of work in varying media, such as pen drawing, etching, watercolour, oil and sculptures in concrete and bronze.
He illustrates the cover of Henry Lawson book, "While the Billy Boils", and writing the children's classic "The Magic Pudding" in 1918.
Norman is said to have had the most significant impact on the visual art side. He introduced Australia to a world inhabited by nude nymphs and satyrs influenced by the voluptuous paintings of Rubens and the Swiss painter Arnold Böcklin.
A generation knew him as the "artist that paints the nudes" and explores the boundaries of Art—considered today as early artistic freedom of speech, which Australian artists have practised and demanded the right to practice for over one hundred years.
His early drawings were influenced by his study of the classics and Rubens and were full of a defence of paganism. His women, sound, healthy wenches, fit companions of his satyrs and rollicking topers.
Norman was recognised as one of the foremost black-and-white artists of the world. Admirers have said that Norman will stagger the world when they see the coming Australian Exhibition in London. Norman work was shown at the Royal Academy in 1923 and 1924.
Today Norman's artworks continue to climb in value; his oil painting "Spring's Innocence" (1937) was sold to the National Gallery of Victoria in 2002 for $333,900 and set a record price for Norman's artworks. His oil on canvas titled "The woman I am - The woman I was, The woman I'll be" was sold by Sotheby's for $300,000 in 2009.
An extensive collection of his work can be viewed at his previous Faulconbridge home in the Blue Mountains New South Wales, now the Norman Lindsay Gallery and Museum, owned by the National Trust of Australia (NSW).
The University of Melbourne "Ian Potter Museum of Art" holds an extensive collection of his works, including major oil paintings, watercolours, pen and pencil drawings, etchings, an etching plate, two ship models and a plaster model for a fountain at the artist’s home.
The NGV also holds an extensive collection of his works, plus many of Norman's works reside in private and corporate collections.
NOTE: Display images are for illustration purposes only and may not reflect actual size also there may be some reflection from camera in some photos if so please refer to other photos for comparison any questions or if you need clarification please message or send us an email
Most of the artwork we sell are of an antique or vintage era and reflect this in condition they are not in new condition unless stipulated we have a scale we use of (Excellent Condition) No visible flaws Chips scratches or wear – (Great Condition) May have flaws Chips scratches and wear – (Good Condition) Does have significant flaws Chips scratches and wear in as found condition
Please Note because we are an online store and not a physical traditional store there is no local pick up on this artwork or viewing of artwork prior to sale if you have any further questions or need more photos just message us and will endeavour help you further
Please Note Australian Domestic Buyers as part of the purchase price when you purchase this Artwork it will be covered by Insurance (loss/Damage) & also as part of the purchase price we will Ship your Artwork via Australia Post or if you Artwork is very large, we will Ship it via Pack N Send both services we use require a signature on delivery for added security
TMC272221UP
Postal package 72cm x 85cm x 9cm weight 8kg
International Buyers are most welcome to purchase from our shop please note that if you want to purchase from us you will have to ask us for a postage quote and an insurance quote the insurance quote should include insurance for loss, non-delivery and breakage we don't cover Postage costs, Insurance costs or International applicable taxes and duties in listed price.
NOTE: Display images are for illustration purposes only and may not reflect actual size also there may be some reflection from camera in some photos if so please refer to other photos for comparison any questions or if you need clarification please message or send us an email
Most of the artwork we sell are of an antique or vintage era and reflect this in condition they are not in new condition unless stipulated we have a scale we use of (Excellent Condition) No visible flaws Chips scratches or wear – (Great Condition) May have flaws Chips scratches and wear – (Good Condition) Does have significant flaws Chips scratches and wear in as found condition
Please Note because we are an online store and not a physical traditional store there is no local pick up on this artwork or viewing of artwork prior to sale if you have any further questions or need more photos just message us and will endeavour help you further
Please Note Australian Domestic Buyers as part of the purchase price when you purchase this Artwork it will be covered by Insurance (loss/Damage) & also as part of the purchase price we will Ship your Artwork via Australia Post or if you Artwork is very large, we will Ship it via Pack N Send both services we use require a signature on delivery for added security
TMC272221UP
Postal package 72cm x 85cm x 9cm weight 8kg
International Buyers are most welcome to purchase from our shop please note that if you want to purchase from us you will have to ask us for a postage quote and an insurance quote the insurance quote should include insurance for loss, non-delivery and breakage we don't cover Postage costs, Insurance costs or International applicable taxes and duties in listed price.
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