Impressionist Einar Parslev 1891-1977 Country road with trees in the wind 62 x 52 cm

 “Country road“

- from Einar Parslev 1891-1977
- below signed
Weilbach information

genealogy

Parslev, Einar Vilhelm Christian Frederik, 1891-1977, painter. *8.3.1891 i Kbh., ?30.1.1977. Forældre: Snedkerm. Oluf P. and Augusta Rossena Viil. ~1° 20.4.1918 på Fr.berg with Petra Andrea Breum, *27.8.1897 i Breum ved Jebjerg, ?28.11.1928 på Fr.berg., then af ​​arb.mand Niels Christian B. and Nielsine Kirstine Jensen. ~2° September 8, 1946 i Kbh. med Selma Jensine Christiansen, *October 27th, 1895 smst., January 28th, 1984, dated from bødker Niels Frederik C. and Hansigne Juliane Christensen.

Biography

Einar Parslev painted naturalistic portraits, figure paintings, landscaping, interior, opstillinger and flower paintings. Figures and items in Hans pictures have a characteristic scarf and plastic former and are also carefully detailed in detail in a self-portrait from 1931. The tidlige landscape painters are in beautiful, virkelighedssans and clear in the painterly style, the såvel motivisk som stylistisk he is based on LA Rings pictures. In the 1950s and outside work he worked with Lys- and Skyggevirkninger. P. tilhørte the lille group of artists, with trods of modernisms just and just dominerende plads in dansk art, ikke interest speech sig for nye retninger, men holdt fast ved de traditional værdier in dansk malerkunst fra omkring århundredskiftet.

Education

I painterly and commercially; som kunstner self-taught.

travel

occupations

Medl. on best. for art forums. af 18. November 1932-45; af Otto Bache's Mindelegate 1932-45; af censorship. ved Charl.borg 1944.

Scholarships

Otto Bache 1932; Stat. Art Fund 1965-74; Sødring 1973.

exhibitions

Charles Forår 1924-25, 1927-28, 1931, 1934-35, 1937-38, 1940, 1942-45, 1947, 1951-55, 1957-66, 1972-75; Artist forums. af 18. Nov., 1927-45; There. Painting, Sculpture and Applied Art, Canadian Nat. Exhib., Toronto 1929; Charles. Eft. 1938; Slotsgården, Fr.berg Have 1940; Dyrehavens Painters 1952-56. Separatudstillinger: Kunsthallen, Kbh. 1928; Villa Alf (kunstnerens hjem), Farum 1966.

Art works

Interiør fra planteskuret, Haveselskabets Have (1924); Portræt af min mor (1924); Still life (udst. 1925); Selvportræt (1928); Fra Frederiksberg Have (udst. 1928); Selvportræt (udst. 1931); Model (1932); Fra Glentehøj grusgrav (1933); Min hønsegård (1935); Fra andedammen, winter (1942); Fra andedammen, forår (1944); Hjørnet af Bredgade, forårssol (udst. 1945); Ved forårstid, andedammen (udst. 1947); Min hønsegård (udst. 1952); Sydsjællandsk landskab (udst. 1954); Åløb, Sellnæs, Sverige (udst. 1955); Hornbæk strand (udst. 1956); Nature morte (udst. 1957); Kristinebjerg grusgrav (udst. 1959); Fra haven, tøvejr (udst. 1961; Interior of Farum Kirke (udst. 1963); Nature morte (udst. 1972); Georgians (udst. 1974).
Source. kid.dk
- dated 1923
Painting technique: oil on painting cardboard
about the condition:
- Surface is slightly dirty
- Frame has signs of age
- see photos 

Dimensions painting: 47.5x43.5 cm
Dimensions with frame: 62x52cm
 _gsrx_vers_856 (GS 7.0.20 (856))
Einar Parslev painted naturalistic portraits, figure paintings, landscaping, interior, opstillinger and flower paintings. Figures and items in Hans pictures have a characteristic scarf and plastic former and are also carefully detailed in detail in a self-portrait from 1931. The tidlige landscape painters are in beautiful, virkelighedssans and clear in the painterly style, the såvel motivisk som stylistisk he is based on LA Rings pictures. In the 1950s and outside work he worked with Lys- and Skyggevirkninger. P. tilhørte the lille group of artists, with trods of modernisms just and just dominerende plads in dansk art, ikke interest speech sig for nye retninger, men holdt fast ved de traditional værdier in dansk malerkunst fra omkring århundredskiftet. Interiør fra planteskuret, Haveselska